Approach Quotes
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If you want to play the game and win, you've got to play 'full out.' You've got to be willing to feel stupid, and you've got to be willing to try things that might not work - and if they don't work, be willing to change your approach. Otherwise, how could you innovate, how could you grow, how could you discovery who you really are?
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I really strongly feel that when you approach a drama, you have to approach it with energy, honesty, sincerity, and absolute commitment, or don't do it.
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I was frequently embarrassed by the way Margaret conducted herself within the European Community. Her tactics were counter-productive and damaging to the UK's interests. On most issues her approach was foolish. Her style and tone of voice came to irk the others so much that they instinctively sank their differences and joined forces against her.
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I think it crucial to recognize that you can't straightforwardly "adapt" Douglas Adams. Douglas's genius was uniquely his own. What I've tried to do here, and in every other version, is to be true to the character and the Adams' tone and approach to narrative, his unique brand of word-play and "idea-play" humor.
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I respect every opponent no matter their record, no matter their title belts. I approach each opponent the same way.
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Sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
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Ah, what a sign it is of evil life, Where death's approach is seen so terrible!
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You never know till you try to reach them how accessible men are; but you must approach each man by the right door.
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I think the story should always determine the visual approach. There are situations where you want things to feel alive and like life, and there are situations that should have some magic and the separation with the grain.
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My approach to acting is that I am totally intuitive. I read the script and I get it. If I don't get it, I can't do it.
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I object to a legal approach when settling questions of science or scientific behavior.
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Whether it's a lower or higher budget project, a TV show or a film, the words on the page are the same to me and I approach the work in the same way. My job is to lift the character from the page, whether it's a TV or film script.
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All knowledge is oriented toward some object and is influenced in its approach by the nature of the object with which it is pre-occupied. But the mode of approach to the object to be known is dependent upon the nature of the knower.
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If anybody,wants to get rid of us, then this is a different approach. However, we will get over it; you never know who is going to lose more with such an approach.
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My impulse is to create an aesthetic that's about a humanistic approach to a world and trying to create compassion for all the characters.
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In my experience, the heavy-handed, terror-inspiring approach closes as many doors as it smashes open.
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I saw Double Leopards play at my school and realized there were other ways to approach noisy music that weren't necessarily aggressive. That became a very important concept for me as a musician. I don't think I would have been that interested in creating and performing my own music if it wasn't for this group.
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I'm a part of a team, and I'm no better or any worse than any single player on this team. That's the approach I've always had and will continue to have. It's not about me. It has never been all about me. If it had, this would have been a really lonely journey.
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Definitely, my approach is me-oriented. I feel like my job is to safeguard the believability of the emotions of the character.
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Europe needs a clear and more collective and cohesive policy on security and energy supply. Today the issue of security of energy supply is only really considered at a national member-state level, but in reality we need a much greater European-wide approach on this issue.
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If I had my life over again I should form the habit of nightly composing myself to thoughts of death. I would practise, as it were, the remembrance of death. There is no other practice which so intensifies life. Death, when it approaches, ought not to take one by surprise. It should be part of the full expectancy of life. Without an ever-present sense of death life is insipid.
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The Son is called the Father; so the Son must be the Father. We must realize this fact. There are some who say that He is called the Father, but He is not really the Father. But how could He be called the Father and yet not be the Father?... In the place where no man can approach Him (I Tim. 6:16), God is the Father. When He comes forth to manifest Himself, He is the Son. So, a Son is given, yet His name is called 'The everlasting Father.' This very Son who has been given to us is the very Father.
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The biggest factor between winning and losing is the mental approach.
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My approach to the work is the same, whether I had the lead or a supporting role. I consider myself a character actor in the true sense of the word. Unless I'm doing my autobiography, I'm playing a character.
