Story Quotes
-
There are so many female roles - particularly for young women - that are just somebody's girlfriend or somebody's daughter, or that are accessories to the main story rather than being three-dimensional characters.
Hannah Murray
-
If you want a happy ending, that depends, of course, on where you stop your story.
Orson Welles
-
When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
D. A. Pennebaker
-
The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for 'Woman's Hour' and the 'Classic' series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4.
Rachel Joyce
-
There are secrets at the heart of every story; there is something that must be uncovered or discovered, both by the reader and by the characters.
Hannah Kent
-
I always used to watch 'Labyrinth' and 'The Neverending Story.' Those were like my two favorite movies that I would watch over and over and over again.
Vanessa Hudgens
-
I'll tell you what I miss most. What I would love to do, more than anything, is just anthologies. With an anthology you can tell any story and be in every division of television. We don't have any anthologies anymore, do we?
Aaron Spelling
-
Around 2005, the Canadian army tapped me to do a dramatization for a series of foresight workshops they'd done. They had stacks of papers and needed it boiled down to something simple enough for a 4-star general to understand. We decided to do it as a story. That's how I created 'Crisis in Zefra.'
Karl Schroeder
-
You are part of my story, memory and scenery, thank you.
Kim Tae-hyung
BTS
-
I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
Laura Fraser
-
When I'm writing the first draft, I'm writing in a very slovenly way: anything to get the outline of the story on paper.
Pat Barker
-
With every story that TV covers, somebody - some corporation, some shareholders - are making money. That's true whether covering Libya, Iraq, the tsunami in Japan, Osama bin Laden, whatever story there is. That day, the shareholders are making money off it. Every newspaper that's sold, somebody's making a dime.
Nancy Grace
-
Starting out, they told me: 'You're a good-looking guy. We'll put you in this role, and you can be a conduit for the audience into this side of the story.' But I've grown up, and that's not what I want anymore. My concept of the job I do has evolved. And it is a job, nothing more.
Sam Worthington
-
What the detective story is about is not murder but the restoration of order.
P. D. James
-
Story and plot, not historical facts, are the engine of a novel, but I was committed to working through the grain of actual history and coming to something, an overall effect, which approximated truth.
Rachel Kushner
-
The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.
Harold Rosenberg
-
I think we can provide better stories through providing mentors, and certainly part of my story is providing mentors to kids growing up without dads. I think positive male role models go a long way in terms of rescuing kids from a life of trouble.I think positive male role models go a long way in terms of rescuing kids from a life of trouble.
Donald Miller
-
I deliberately, in a way, went for something that was a huge challenge and was a big period film. I was excited about the canvas on which I could tell the story as much as the story itself.
Sam Mendes
