Writing Quotes
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If I'm not writing well, I'm not happy. If I'm not spending enough time with my family, I'm not happy. If I'm not connecting to friends or if I don't work out enough... You get the point. Everything has to be balanced. Nothing should be an extreme.
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If your writing collides with the conventional wisdom, there's going to be some kind of friction.
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Many are ready, when listening to the inventor, to belittle and deny his achievements so that he will no longer be heard in honourable places, but after some months or a year, they use the inventor's words in speech or writing or design.
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One constant writing ritual, no matter what I'm writing, is that I cannot write if people are around me. It wigs me out - the idea that someone is reading as I'm writing stuff.
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The morning is always my best time of the day for writing because that's when my head is best.
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A friend of mine who is in the publishing business knew I was writing a book, and he said, 'Have you said anything yet about the good guy? Because I know you spend so much time with the bad guys.' Because they're fun. So then you have to make the good guy fun, in order to compete. That's the challenge.
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There is creative reading as well as creative writing.
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One of the amazing things about writing fiction is that you do get to be other people.
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I want to use things I learn about writing in my acting, and vice versa.
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I associated excellence in writing with New York City.
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I'm into song-writing; I'm into melodies that break your heart a little bit. That's the thing that got me into music; that's what I look for in music for the most part.
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Of the authors writing in English, I'd mention Shakespeare and Milton. But all this is terribly high-hat and makes me sound very po-faced, I'm afraid; however, I just happen to like these enormous, swinging, great creatures.
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I was inspired to spend an entire year - my 65th year - reading, researching, and meditating on Lao-tzu's messages, practicing them and ultimately writing down these insights as I felt Lao-tzu wanted us to know them.
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I began writing 'Matterhorn' in 1975 and for more than 30 years I kept working on my novel in my spare time, unable to get an agent or publisher to even read the manuscript.
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Every inch of my writing career has been influenced by my screenwriting education. I was lucky enough to go to film school at USC, and I got a crash course in how to tell a story efficiently. I learned structure, pace, my style, how to know your audience, and most importantly, how to take criticism and edits properly.
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I love using my imagination. I love writing about animals.
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I lose things. I write things and they disappear from my desk, my life. I move a lot. I wanted to gather them and put them under one roof, under one cover, so I could document my life in a series of snapshots.
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I love the whole process for each new album. The writing, the touring, everything. For me, it never gets old.
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I went for years not finishing anything. Because, of course, when you finish something you can be judged...I had poems which were re-written so many times I suspect it was just a way of avoiding sending them out.
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I really like comedy. There's always a choice, when you're writing: you can either go for the joke or you can go for the story, the important stuff.
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Just do it. Get it down on the page. Work hard. And then let go. Ask yourself why you want to write. You have to be clear about that.
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I love the Victorian era, and I always have, but I had a leg up on the writing because I was familiar with a lot of the science from the Victorian era. And that led to a massive interest in the science of this time of history.
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One of the pleasures of writing novels is that my characters usually do something. But in real life we often stay locked in a situation that we know is painful or wrong.
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Writing for children isn't easy. Kids will abandon a story that doesn't interest, enchant, delight, thrill, or terrify them. But when you can find a way into a young reader's imagination through something as simple as words on paper, well, there's nothing more satisfying.
