Novel Quotes
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You can't do science in a novel, but you can do philosophy. Or, if you're really lucky, you can manage to pose a question in such a way that other people will take it on.
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Writing a first novel takes so much effort, with such little promise of result or reward, that it must necessarily be a labour of love bordering on madness.
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I think predictability is built into any good novel in some way - you begin reading Anna Karenina and you know pretty much what's going to happen at the end. But that doesn't mean you know what's going to happen in the middle. For me, it's that sense of what happens in the middle that's important.
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I can't imagine how American readers will react to a novel, but if the story is appealing it doesn't matter much if you don't catch all the detail. I'm not too familiar with the geography of nineteenth century London, for instance, but I still enjoy reading Dickens.
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People who wrote literary novels about the past probably didn't want them pegged as historical fiction. Certainly that was true in England.
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We could live like counts. ... If all that money is out there, I might as well hack a little on the side and put the novel off.
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...By far the most usual way of handling phenomena so novel that they would make for a serious rearrangement of our preconceptions is to ignore them altogether, or to abuse those who bear witness for them.
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When I write a novel I put into play all the information inside me. It might be Japanese information or it might be Western; I don't draw a distinction between the two.
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I do think that sports is really rich dramatically that, and this is kind of a self-serving thing to say, but I wonder why there aren't more, better sports novels.
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The only thing which can tell us about the novel is the novel.
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There are often references to childhood, but they're rarely the focus of the [my] novels.
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I've found that writing novels is an all-absorbing experience - both physical and mental - and I have to do it every day in order to keep the rhythm, to keep myself focused on what I'm doing.
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When you work on a graphic novel or a film with people you've been together through a lot and you've exposed your secrets and weaker sides to each other.
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What a joy it is to read a book that shocks one into remembering just how high one's literary standards should be.... a tour de force by one of England's best novelists.... Atonement is a spectacular book; as good a novel - and more satisfying... - than anything McEwan has written....sublimely written narrative.... The Dunkirk passage is a stupendous piece of writing, a set piece that could easily stand on its own.
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Being in a Chinese coal mine for 30 years is like an epic novel. It's tragic.
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Often it's the latest novel that I've written that is my favourite. I'd been dreaming it for so long, living and breathing its story so that when it finally arrives as a newly published book, smelling wonderful and fresh out of the box, there is nothing like it.
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Your interviews or blog posts or whatever are less supplements to your novel than part of it. I'm not private, but I believe in literary form - I'll use my life as material for art (I don't know how not to do this) and I'll use art as a way of exploring that passage of life into art and vice versa, but that's not the same thing as thinking that any of the details of my life are interesting or relevant on their own.
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Characters are the key to a good book. It took me several novels to comprehend that.
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I write all of my novels and stories, as you have seen, in a great surge of delightful passion. Only recently, glancing at the novel, I realized that Montag is named after a paper manufacturing company. And Faber, of course, is a maker of pencils! What a sly thing my subconscious was, to name them thus. And not tell me!
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I mean, there are many other directors who are probably both more skilled and excited to adapt novels or work within certain genre conventions. I'd like to do that kind of work someday, but for better or worse I'm too drawn by my own material.
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The three hardest parts of writing a novel are writing the beginning, the middle, and the end.
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I don’t want what we’re doing to just end up as notes for a novel.
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I started out in life as a poet, I was only writing poetry all through my 20s, it wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels, I liked them.
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You need a theme in a picture book just as much or maybe even more than you need it in a novel.
