Lyrics Quotes
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Maybe Kurt Cobain meant it to mention suicide in his lyrics; maybe he didn't. We're never going to know. When Andy Wood died, there were tons of lyrics that he wrote that sort of alluded to, well, it's possible that it's going to happen. It's not likely I'm going to kill myself, but those lyrics are still there.
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I wrote lyrics that were intensely personal to me a few years ago. Maybe people know me better now.
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I never walk into the studio and say, I'm going to write a song called... 'X' or called 'Slow Me Down.' I write a ton of lyrics, often the title is somewhere in those 10 pages of... I call it brain vomit. It's kind of like whatever comes out of my head and I'm unabashedly just writing it down.
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We started very slow in America. It was small acoustic shows. We played places like Los Angeles, New York and Chicago and everywhere there has been a great reaction. It has been really lovely. They listen to the lyrics and the melody over there and the reaction has been fantastic.
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I think my voice worked out fine, but it was a lot of work for me. And I was very self-conscious about it. I was a bit self-conscious about writing lyrics too.
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It is absolutely beautiful, isn't it? And its a sort of over two years before any of the other recordings she did. That is her singing at the age of 16, and having written those extraordinary lyrics - about whatever they're about.
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Springsteen's 'Thunder Road' and Carole King's 'It's Too Late' are examples of why I am a singer/songwriter. I practice these songs every day. The melodies are timeless in the rock world, the lyrics are words that I need to say, and they need to be heard again.
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Catchy lyrics are being given more importance.
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I sing. I used to think singing is going to be the route, and I still sing to this day. I still try to write lyrics.
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I think there are some songwriters who are just brilliant who can write and then I think there are some songwriters who can like me I have a problem writing chorus lyrics but I can write a song in a story like that.
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I'm without a doubt a producer first. The lyrics happen towards the tail-end of the process, mainly because they're more stream-of-consciousness. It's very rare that I'm going to tell a really concrete story.
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So one can say that I write all the time, that goes for the lyrics as well.
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I don't write lyrics. I hear the track and sing in gibberish over it, then I try and fit words into the phrasing and melody that I already have set. Everything is left to chance.
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If Words are the Lyrics, and Laughter the Melody, then a Relationship becomes a Symphony.
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I want to suggest a feeling. It's ridiculous to assume you can state an opinion. Somebody else can never relate to the lyric in the same way because their whole experience is different. You can only suggest, then people add their own history and experience to the lyrics.
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I never really liked the lyrics or the sameness of the music. It always seemed to have the same rhythm or whatever. But when it turned a little more rock, I kind of liked it. I like what Kid Rock did to country. I like all the modern, new stuff that's coming out, and it just so happens that my boyfriend is not a country player, but he was a rock musician.
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Lyrics need to be good, but they don't need to be obvious right away.
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I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.
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My music and lyrics became an extension of this Indian philosophy.
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I like bringing my poet brain and sensibility to lyrics I write.
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When I'm writing songs, I write visually. When I'm writing the words down and I listen to the melody and the lyrics, I start seeing the video form. And if I can get through a song and from the beginning to the end have the whole video in my mind, I think that's a great song.
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All my lyrics are open to interpretation by the individual and imply many different meanings, therefore their relevance is purely subjective.
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I was a very romantic, overly dramatic young lady, which served me well as a songwriter. Especially as someone who had to focus on lyrics and melody, because if you're a dramatic and romantic person, lyrics come easy, and you turn every single short-term relationship into the biggest 'Romeo-and-Juliet' story ever.
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Other female rappers are overly sexual, have no wit, and their lyrics are so generic. I want to change the game to make rap that shows I'm not a normal female rapper - it's not about how rich I am, how much sex I have, or how many boyfriends I have. That's just not me.
