Lyrics Quotes
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I like bringing my poet brain and sensibility to lyrics I write.
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Springsteen's 'Thunder Road' and Carole King's 'It's Too Late' are examples of why I am a singer/songwriter. I practice these songs every day. The melodies are timeless in the rock world, the lyrics are words that I need to say, and they need to be heard again.
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I'm without a doubt a producer first. The lyrics happen towards the tail-end of the process, mainly because they're more stream-of-consciousness. It's very rare that I'm going to tell a really concrete story.
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So one can say that I write all the time, that goes for the lyrics as well.
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We started very slow in America. It was small acoustic shows. We played places like Los Angeles, New York and Chicago and everywhere there has been a great reaction. It has been really lovely. They listen to the lyrics and the melody over there and the reaction has been fantastic.
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Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'
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I sing. I used to think singing is going to be the route, and I still sing to this day. I still try to write lyrics.
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I don't write lyrics. I hear the track and sing in gibberish over it, then I try and fit words into the phrasing and melody that I already have set. Everything is left to chance.
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Rolling Stone: What was your headspace at the time of Superunknown? A lot of the lyrics are dark.
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I have a really hard time writing my own lyrics for this record, because one, I had to write so many and also I was kind of perplexed by the idea of how I was going to sing and play... because at that time, we hadn't really thought about asking someone else.
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I think it's hilarious that you would give an endorsement deal to someone who you've heard their lyrics a million times and you thought it was cool. And then they said something a little messed up and you take the endorsement deal away.
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Poetry and lyrics are very similar. Making words bounce off a page.
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I never walk into the studio and say, I'm going to write a song called... 'X' or called 'Slow Me Down.' I write a ton of lyrics, often the title is somewhere in those 10 pages of... I call it brain vomit. It's kind of like whatever comes out of my head and I'm unabashedly just writing it down.
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Listen to the lyrics - we're singing about everyday life: rich people trying to keep money, poor people tying to get it, and everyone having trouble with their husband or wife!
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I was a very romantic, overly dramatic young lady, which served me well as a songwriter. Especially as someone who had to focus on lyrics and melody, because if you're a dramatic and romantic person, lyrics come easy, and you turn every single short-term relationship into the biggest 'Romeo-and-Juliet' story ever.
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When I wrote the lyrics, melodies, and the first themes of 'Serendipity,' I tried to come up with some rare things you find in life, something very special, like the calico, three-striped cat; things that have extraordinary meanings in people's lives.
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I get the lyrics of a tune and interpret them my way.
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I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.
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It is absolutely beautiful, isn't it? And its a sort of over two years before any of the other recordings she did. That is her singing at the age of 16, and having written those extraordinary lyrics - about whatever they're about.
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Music critics think of lyrics first and don't consider melody but so many songs are lyrically depressing but musically great, and that's why they become classics.
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The music that I first fell in love with was American music, really. Nothing against British acts - I love them and will forever - but on the whole, it was the art of American storytelling in the kind of folk and blues lyrics that, if you scratch a little bit, there's a heartbreaking story there.
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You don't meet that many people that you can talk about Roots Manuva with, but that was my favorite in school, this record of his called 'Run Come Save Me.' When I first started writing lyrics, it came from that.
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My music and lyrics became an extension of this Indian philosophy.
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I never really liked the lyrics or the sameness of the music. It always seemed to have the same rhythm or whatever. But when it turned a little more rock, I kind of liked it. I like what Kid Rock did to country. I like all the modern, new stuff that's coming out, and it just so happens that my boyfriend is not a country player, but he was a rock musician.
