Lyrics Quotes
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I think for an artist it's really important to have experiences, and I've had a lot of those. It's definitely inspired my lyrics and my style, even down to what I wear.
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It's a total big difference between a person that got lyrics and a person that can make hit singles. I'm a person that can make some hit singles. I'm not in no booth trying to be a lyrical genius. I'm preparing to make me some singles, and as I develop as a man, then they'll respect my emcee skills.
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Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'
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As a songwriter, I don't rush. I may sit on lyrics for two years before the music hits.
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When I wrote the lyrics, melodies, and the first themes of 'Serendipity,' I tried to come up with some rare things you find in life, something very special, like the calico, three-striped cat; things that have extraordinary meanings in people's lives.
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That's something - you laugh about Eminem... It's funny, man, because I didn't like him when he first came out, ya know. It seemed like a big joke. But I think the guy's for real, and I like his lyrics!
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Industry executives sacrificed art for what sells and mega-stars now saturate the market with the same tired lyrics.
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It is absolutely beautiful, isn't it? And its a sort of over two years before any of the other recordings she did. That is her singing at the age of 16, and having written those extraordinary lyrics - about whatever they're about.
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Nature gets credit which should in truth be reserved for ourselves: the rose for its scent, the nightingale for its song, and the sun for its radiance. The poets are entirely mistaken. They should address their lyrics to themselves and should turn them into odes of self-congratulation on the excellence of the human mind.
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The lyrics aren't simple, either. They're extremely difficult because I'm trying to say complicated things in as few words as possible.
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The first thing that inspires any song is a chord progression. When I have one I really like, I get into the lyrics even more.
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It's such a rush doing a concert and seeing people actually mouthing the lyrics.
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I'm without a doubt a producer first. The lyrics happen towards the tail-end of the process, mainly because they're more stream-of-consciousness. It's very rare that I'm going to tell a really concrete story.
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The words that I'm most happy with are the ones that come from my subconscious rather than my conscious. They just feel right. I think that's the same with music, really. If you're doing an album, there's ten or eleven sets of lyrics, so you get to the point of inspiration ten or eleven times - it's difficult.
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I get the lyrics of a tune and interpret them my way.
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I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.
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It's very much a piece of myself when I write a song. I don't mean to say it's very personal, like the lyrics mean something personal to me. When I write a song, that's my taste in music – my taste in chord progressions and melodies.
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There are still artists that do a great job with a song, and they care about the lyrics, and it's not just mindless drivel.
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One of the nice things about being in a band is that you depend on each other for ideas, so it's not all up to me to do everything myself. There's always that fear that you'll run out of stuff. The most difficult part for me is writing lyrics, and that starts to get difficult after you've written, like, 120 songs.
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I just want to be a storyteller, and I think the way to do that is by your lyrics, by your visuals, by your choreography, by your dance. It's imperative as an artist.
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There were a lot of lyrics that I sang but didn't understand. But I had this facade in performance of looking like I wrote the book.
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I never walk into the studio and say, I'm going to write a song called... 'X' or called 'Slow Me Down.' I write a ton of lyrics, often the title is somewhere in those 10 pages of... I call it brain vomit. It's kind of like whatever comes out of my head and I'm unabashedly just writing it down.
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I think it's hilarious that you would give an endorsement deal to someone who you've heard their lyrics a million times and you thought it was cool. And then they said something a little messed up and you take the endorsement deal away.
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I like big, soaring melodies and fun, splashy lyrics. Maybe like what Blondie would do in 2013.
