Lyrics Quotes
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If you break down most rock songs and look at the lyrics on a piece of paper, it's all about melody. It's all about presentation. And a lot of bands are really great, but you can't understand a word of what they say.
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First we start with the lyrics. Most of the lyrics are done by Stefan Kaufmann and me. When we have enough lyrics and enough stories we have the lines to make titles. Then we collect all the ideas of everybody in the band and see which ideas fit together the best with the lyrics to get the right atmosphere. That's the way we compose.
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I never got lessons. I took influence from Chet Baker, Ian Dury, and Joe Strummer. I don't hear my voice and think, 'Yeah, that's a banging voice!' It's more about putting the right emotions into the right words and the lyrics than anything else to me.
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I wrote the tunes and sang only nonsense words. Then came Moore and dressed them with the lyrics.
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You work very hard on the lyrics. Getting them to fit the contours of improvised melodies.
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My father was the one who used to stand up in the middle of a number to flutter his lips and make sputtering sounds into lyrics.
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My lyrics come from my experiences growing up in life, trying to find out and express who I am. That's basically it. I'm not trying to be a prophet or anything like that. I'm just reflecting on life.
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I don't really listen to the radio anymore, but some of the more contemporary people I like are Stereolab, Spiritualize, Yo La Tengo and Bedhead. There are other things too, like Pavement. They're a great band, with really good lyrics. But generally, I'm not overwhelmed by the state of indie-rock.
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Lyrics are really, really hard, I think, or at least they're really hard for me. Some people can channel lyrics faster. I find them very hard to find, so because of it, they take me a long time, and I really think about them.
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In hip-hop, sometimes that pace is so fast that you miss things. I don't mean literally miss lyrics; I just think there's an emotion in what these cats are saying that gets by you. When you slow things down, there's this emotion, this yearning.
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I privilege the music over the lyrics.
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I never walk into the studio and say, I'm going to write a song called... 'X' or called 'Slow Me Down.' I write a ton of lyrics, often the title is somewhere in those 10 pages of... I call it brain vomit. It's kind of like whatever comes out of my head and I'm unabashedly just writing it down.
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I don't spend afternoons practicing my guitar to get better. I do read, though, to get inspiration for my lyrics.
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I can't stand the lyrics.
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I try not to agonize over my lyrics, though, because that can come across in them. Some lyrics come more easily than others and some you have to spend a lot of time on, but I think you have to watch that you don't take the life out of them by worrying too much.
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I never for a moment considered not doing the show. When I did the show I became very emotional. Some of the lyrics suddenly took on an entirely different meaning. Words like, 'as if we never said goodbye' became more real.
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I feel like my lyrics are just dark and scathing. I feel like the lyrics on 'Darkest Before Dawn' are uncompromised hip-hop and really speaking to my core fan base. Basically what's been known in my discography the entire time.
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Both poetry and lyrics and all visual arts draw their power from their ability to express abstractions of reality. ...that is a feature of the musical brain.
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I've always been a fan of country music. It's America's music - I love the songs, love the lyrics.
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I think it was T.S. Eliot who talked about good poetry being felt before it's understood. I believe that. There are some bands where I love their lyrics but I don't have a clue what they're on about.
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Not a lot of people know I wrote the lyrics for the Arsenal club song, 'Good Old Arsenal'. We had a competition on ITV for it, and none of the entries were any good, so I approached their manager, Bertie Mee, and asked him if he would let me have a stab. He did, and within a few weeks they were singing it at Wembley on the way to the 1971 double.
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When I'm writing songs, I write visually. When I'm writing the words down and I listen to the melody and the lyrics, I start seeing the video form. And if I can get through a song and from the beginning to the end have the whole video in my mind, I think that's a great song.
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I find it harder to write the lyrics afterwards because then you're just trying to fit them into something that's already there.
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I was listening to all those lyrics and trying to take in everything that was happening. I was completely excited. It was one of the greatest times that I had listening to music.
