Lyrics Quotes
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We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation. 1
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It's a total big difference between a person that got lyrics and a person that can make hit singles. I'm a person that can make some hit singles. I'm not in no booth trying to be a lyrical genius. I'm preparing to make me some singles, and as I develop as a man, then they'll respect my emcee skills.
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For me, naming bands was the forerunner to really writing lyrics, because I work off titles.
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That's something - you laugh about Eminem... It's funny, man, because I didn't like him when he first came out, ya know. It seemed like a big joke. But I think the guy's for real, and I like his lyrics!
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I really like worship music. It settles my soul. Gets me back on track. The lyrics are almost like a prayer, so it's my go-to.
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When I'm writing Broadway, it's for a character, a man, a woman, an old guy, a kid. In the band, you're talking in your own voice in the lyrics, saying what you think or feel. On Broadway, you're expressing that through a character.
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I think it was T.S. Eliot who talked about good poetry being felt before it's understood. I believe that. There are some bands where I love their lyrics but I don't have a clue what they're on about.
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I wrote the tunes and sang only nonsense words. Then came Moore and dressed them with the lyrics.
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I just want to be a storyteller, and I think the way to do that is by your lyrics, by your visuals, by your choreography, by your dance. It's imperative as an artist.
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I don't really listen to the radio anymore, but some of the more contemporary people I like are Stereolab, Spiritualize, Yo La Tengo and Bedhead. There are other things too, like Pavement. They're a great band, with really good lyrics. But generally, I'm not overwhelmed by the state of indie-rock.
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If you break down most rock songs and look at the lyrics on a piece of paper, it's all about melody. It's all about presentation. And a lot of bands are really great, but you can't understand a word of what they say.
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In hip-hop, sometimes that pace is so fast that you miss things. I don't mean literally miss lyrics; I just think there's an emotion in what these cats are saying that gets by you. When you slow things down, there's this emotion, this yearning.
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It's such a rush doing a concert and seeing people actually mouthing the lyrics.
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As a songwriter, I don't rush. I may sit on lyrics for two years before the music hits.
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First we start with the lyrics. Most of the lyrics are done by Stefan Kaufmann and me. When we have enough lyrics and enough stories we have the lines to make titles. Then we collect all the ideas of everybody in the band and see which ideas fit together the best with the lyrics to get the right atmosphere. That's the way we compose.
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It's a combination of melody and lyrics, not one without the other. It's a confluence of these different elements that makes something powerful.
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I've really been studying lyrics, printing out lyrics to songs I love and reading them like a letter.
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My father was the one who used to stand up in the middle of a number to flutter his lips and make sputtering sounds into lyrics.
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The first thing that inspires any song is a chord progression. When I have one I really like, I get into the lyrics even more.
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He doesn't make it so complicated but just really allows the lyric to come through even though there's a lot of production going on. I think that's the key and that's the magic, it's making sure that people could still connect with the lyrics while they're on the dance floor.
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I privilege the music over the lyrics.
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One of the nice things about being in a band is that you depend on each other for ideas, so it's not all up to me to do everything myself. There's always that fear that you'll run out of stuff. The most difficult part for me is writing lyrics, and that starts to get difficult after you've written, like, 120 songs.
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I was listening to all those lyrics and trying to take in everything that was happening. I was completely excited. It was one of the greatest times that I had listening to music.
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I never got lessons. I took influence from Chet Baker, Ian Dury, and Joe Strummer. I don't hear my voice and think, 'Yeah, that's a banging voice!' It's more about putting the right emotions into the right words and the lyrics than anything else to me.
