Cameras Quotes
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Ryan Reynolds and I can be doing a scene facing the camera and somehow our back and forth and our rhythm, we know when to stop and when to volley, when to make the sound. It's like music.
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To me, Elijah Wood is one of the best actors of my generation. He's so incredibly present and in the moment, when you're working with him, and then we just chat away about anything off camera because he's a lovely guy.
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There are days when everyone in the world looks like a Diane Arbus to me. She's a genius but her work is completely different to mine. But on those days I don't use my camera.
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This is all you need in life: a computer, a camera, and a cat.
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In 1978 I decided not to work with Man Ray as an act of self-discipline. I didn't want to rely on him. Man Ray hated not working, though. He would come into my studio, see me drawing or working on photographs, and just slump down at my feet with a big sigh. Fortunately for both of us the year ended. Polaroid had invented a new camera, the twenty-by-twenty-four, and I was invited to Cambridge, Mass., to experiment with it. Naturally, I took Man Ray and we were working again.
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When I'm on an adult set and I'm in a scene, I am myself. I'm not acting. I am playing to the camera, definitely, but I am myself.
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I'm pretty fast with a camera when I have to be. However, I think it's irrelevant.
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The camera's dumb, it don't [sic] care who's pushing the button. It doesn't know.
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I think that there's an infinite amount of places where you can stick a camera. There's an infinite amount of choices of what could be going on. There's an infinite amount of places for so many things, so you have to figure out how to do your job.
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You`ve got James Comey on camera on Capitol Hill saying, - no, it is not much less of an offense than Hillary Clinton. In fact, it is far more serious. It was prosecuted.
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When I'm on the red carpet, I'm prepared for [the attention.] But the worst thing is on planes, when you're asleep and you're woken up by a camera flashing. That's a little bit much. But what do you do? It's a part of [being famous]. Unfortunately.
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Hey, hey, ... No filming after 15 minutes. Get those cameras out of here.
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The actual truth about Gad is it's one of the original 13 tribes of Israel, so you can actually trace my lineage back to, like, those guys who had, like, a hand in the Bible and have since become very famous from that. So I come from very famous lineage. Granted, they didn't have cameras back then, so none of them had TV shows.
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You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.
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I don’t have a philosophy. I have a camera. I look into the camera and take pictures. My photographs are the tiniest part of what I see that could be photographed. They are fragments of endless possibilities.
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I appreciate subtlety. I have never enjoyed a kiss in front of the camera. There's nothing to it except not getting your lipstick smeared.
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In GENESIS, my camera allowed nature to speak to me. And it was my privilege to listen.
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I'm more of a short-hair girl; short hair is a lot more low-maintenance than long hair. And when you're in front of camera every day and your hair is being flatironed and blow-dried it's easier to have a weave so you don't damage your own hair.
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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.
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When I moved to London, you could park your motorcycle in the pavement, on the sidewalk. We would stay here and just leave it and go about your business. But now something was sort of encroaching in London. There's cameras everywhere. You can't do anything. You're not allowed to be in a group.
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We did a joint evaluation of video evidence encompassing all possible access points in conjunction with BTP and CLP, and despite widening the parameters of our assessment to include registered and nonregistered cameras in the high probability zones, we have as yet to achieve a positive identification of James Gallagher prior to his appearance at Baker Street” becomes: “We’ve checked every CCTV camera in the system and it’s as if the fucker beamed down from the Starship Enterprise.
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I was mainly a stage actor. I found film acting mechanical, because it was so technical - there was so much technique with the lamps and the movements of the camera.
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I quite frequently don't look through the camera, which is very close to being blind.
