Cameras Quotes
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My talent lies in the fact that I cannot touch a camera without expressing myself.
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Now I don't know why, but Morrissey had always hated Joy Division. Maybe Rob got it right when after a lively debate as the cameras were turned off he turned to Morrissey and said, 'The trouble with you, Morrissey, is that you've never had the guts to kill yourself like Ian. You're fucking jealous.' You should have seen his face as he stormed off. I laughed me bollocks off.
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The camera only facilitates the taking. The photographer must do the giving in order to transform and transcend ordinary reality. The problem is to transform without deforming. He must gain intensity in form and content by bringing a subjective order into an objective chaos.
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The biggest mistake I made was not having a full-time producer. I was securing locations and wardrobe and making sure people get called to show up on time and getting the film to the lab and getting the camera, and all this stuff that I'm happy to do, but if I'm doing every little thing, I'm not concentrating on my story. So it never gets any better than the script.
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Things are going to happen whether you are there or not, you still need someone to push the button on the camera and get it and know it's going to work of the story.
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The visual quality of the cameras now is such that you can shoot with available light, and if people are willing to mount a microphone on the camera and maybe even on the subject, then you're good to go.
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The fact that I have a little ten-megapixel camera with me all the time, is way better than having the greatest camera in the world sitting at home on a desk instead of on my shoulder.
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... I think it is fair to say that all war photographers hide behind their cameras. I hid behind mine for years and years and years. It was a shield... I think that the photographer in combat has a greater protection than the soldier who has a rifle in his hand. That camera has unbelievable protective power.
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I got a massive overdose of gamma radiation from the Xerox machine and just printing call sheets, you know? By the time I stepped in front of the camera, I was very comfortable. It was great.
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All you have to do to be a camera actor is tell the truth.
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I don't get a chance to be funny on camera as often as I would like.
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I love the idea I can go off with a single camera and a few rolls of film unencumbered... I was not interested in the illusion of reality, I wanted to get close to what was happening.
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I think [indications of vulnerability are] why so many portraits work when they're difficult: we believe we're presenting ourselves one way, but the camera always reveals something more vulnerable, despite our best efforts.
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It doesn't matter if you use a box camera or you use a Leica; the important thing is what motivates you when you are photographing.
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Computer images, like camera images today, will be seen as representations of a simulated, second-degree reality with little or no connection to the unmediated world. This is one lesson we can learn from photographs, and especially from those of the last 25 years: images exist not to be believed, but to be interrogated.
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The whole thrust in my life right now is spinning my assignments around and making them work in a more personal way (...) I wanted to go back and do the original thing: one camera, one lens, one film. You really have to put yourself in a position of danger to be creative.
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Being behind a camera, in front of the camera, is my own little deconstructionist niche.
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If I have anything to give you through camera, it must be of myself. … A gnawing burns inside … to make something of myself worth giving.
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Art is a well-articulated manifestation of an aspect of life. I have been privileged to view much of life through my cameras, making the journey an enlightened experience. My emphasis has mainly been on affirmative reactions to human behavior and a strong attraction to the beauty in nature.
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Should there be cameras everywhere in outdoor streets? My personal view is having cameras in inner cities is a very good thing. In the case of London, petty crime has gone down. They catch terrorists because of it. And if something really bad happens, most of the time you can figure out who did it.
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I never studied directing and I never really thought about doing it, and then I just found myself in that situation and tried it. I like to be observing everything else, and I get self-conscious in front of the camera.
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If I'm shooting actually a live-action movie and I feel like I can get the shots that I need with the existing 3D cameras, then I see there is no reason to not use those-to not shoot it in 3D. But there are limitations to the 3D cameras in terms of the amount of them, in terms of the size of them, in terms of where you can actually shoot them. There are definitely limitations so you have to weigh the costs. And you have to weigh also what ultimately what creatively you want to get.
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Upgrade your user, not your product. Value is less about the stuff and more about the stuff the stuff enables. Don't build better cameras - build better photographers.
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I never knew anyone who came close to Marilyn in natural ability to use both photographer and still camera. She was special in this, and for me there has been no one like her before or after. She has remained the measuring rod by which I have - unconsciously - judged other subjects.
