Cameras Quotes
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My acting stopped being about disguise and became about truth which suits the camera, so my film career took off when I came out.
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The fact that I have a little ten-megapixel camera with me all the time, is way better than having the greatest camera in the world sitting at home on a desk instead of on my shoulder.
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There's a large percentage of mobile phones that now have a camera that's with you a lot of the time, and there's a lot of interest around those cameras as a data collection mechanism.
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I would never say no to anything that sounded interesting! The thing I like about making films is that the adventure just begins when you pick up the camera.
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I existed before Star Trek. I started in live television. I was there when the cameras were as big as a table, had internal fans that were whirring and tubes that, because of the heat, had to come right up to our face for a close-up. Now, we are talking about green screen and putting us in locations that we'll never visit. What has happened to us is a miracle, and the miracle is our inventiveness. The tragedy of our lives is also our inventiveness.
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My talent lies in the fact that I cannot touch a camera without expressing myself.
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The camera itself, the photograph itself, calls up death.
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You can't use your camera as a shield against human suffering.
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... I think it is fair to say that all war photographers hide behind their cameras. I hid behind mine for years and years and years. It was a shield... I think that the photographer in combat has a greater protection than the soldier who has a rifle in his hand. That camera has unbelievable protective power.
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It doesn't matter if you use a box camera or you use a Leica; the important thing is what motivates you when you are photographing.
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The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment.
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I feel like if I started to use it [camera] that way, it would be like a sin almost. I never show people ugly pictures I take of them. I usually destroy them. So even if I like it, and they don't, it doesn't get shown.
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Learning about acting for camera is really quite exciting to engage with and deal with.
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I was really relieved not to have to drag something in front of the camera; I could use a pencil and paper. A regular pencil and typing paper. That appealed to me.
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Art is a well-articulated manifestation of an aspect of life. I have been privileged to view much of life through my cameras, making the journey an enlightened experience. My emphasis has mainly been on affirmative reactions to human behavior and a strong attraction to the beauty in nature.
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Some people say the camera loves me, the truth is, I love the camera.
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Anytime it was advertised that I was going to be at a particular place, the radicals would be there, the cameras with TV news.
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I'm not the type of person to act one way in front of the camera and another when it's off. What you see is what you get.
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The visual quality of the cameras now is such that you can shoot with available light, and if people are willing to mount a microphone on the camera and maybe even on the subject, then you're good to go.
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...I use primal imagery, so maybe it's fitting that I use the most primitive of cameras pinhole cameras. Since there's no viewfinder, the image is much more of a surprise - as if some outsider came and looked at earth for the first time.
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I've walked with very famous people down red carpets over to the crowd of thousands of people, and you'll reach out to shake their hand and they've got a camera in their hand. And they don't even get their hand out, because they're recording the whole time.
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The biggest mistake I made was not having a full-time producer. I was securing locations and wardrobe and making sure people get called to show up on time and getting the film to the lab and getting the camera, and all this stuff that I'm happy to do, but if I'm doing every little thing, I'm not concentrating on my story. So it never gets any better than the script.
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A good browser, apps, good camera, and fast networking in your smartphone is just expected today.
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Computer images, like camera images today, will be seen as representations of a simulated, second-degree reality with little or no connection to the unmediated world. This is one lesson we can learn from photographs, and especially from those of the last 25 years: images exist not to be believed, but to be interrogated.
