Cameras Quotes
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The camera itself, the photograph itself, calls up death.
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The biggest mistake I made was not having a full-time producer. I was securing locations and wardrobe and making sure people get called to show up on time and getting the film to the lab and getting the camera, and all this stuff that I'm happy to do, but if I'm doing every little thing, I'm not concentrating on my story. So it never gets any better than the script.
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The fact that I have a little ten-megapixel camera with me all the time, is way better than having the greatest camera in the world sitting at home on a desk instead of on my shoulder.
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My acting stopped being about disguise and became about truth which suits the camera, so my film career took off when I came out.
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I existed before Star Trek. I started in live television. I was there when the cameras were as big as a table, had internal fans that were whirring and tubes that, because of the heat, had to come right up to our face for a close-up. Now, we are talking about green screen and putting us in locations that we'll never visit. What has happened to us is a miracle, and the miracle is our inventiveness. The tragedy of our lives is also our inventiveness.
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I would never say no to anything that sounded interesting! The thing I like about making films is that the adventure just begins when you pick up the camera.
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I feel like if I started to use it [camera] that way, it would be like a sin almost. I never show people ugly pictures I take of them. I usually destroy them. So even if I like it, and they don't, it doesn't get shown.
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There's a large percentage of mobile phones that now have a camera that's with you a lot of the time, and there's a lot of interest around those cameras as a data collection mechanism.
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You can't use your camera as a shield against human suffering.
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I don't get a chance to be funny on camera as often as I would like.
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Computer images, like camera images today, will be seen as representations of a simulated, second-degree reality with little or no connection to the unmediated world. This is one lesson we can learn from photographs, and especially from those of the last 25 years: images exist not to be believed, but to be interrogated.
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Anytime it was advertised that I was going to be at a particular place, the radicals would be there, the cameras with TV news.
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My talent lies in the fact that I cannot touch a camera without expressing myself.
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Learning about acting for camera is really quite exciting to engage with and deal with.
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The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment.
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It doesn't matter if you use a box camera or you use a Leica; the important thing is what motivates you when you are photographing.
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I'm not the type of person to act one way in front of the camera and another when it's off. What you see is what you get.
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... I think it is fair to say that all war photographers hide behind their cameras. I hid behind mine for years and years and years. It was a shield... I think that the photographer in combat has a greater protection than the soldier who has a rifle in his hand. That camera has unbelievable protective power.
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Knowing what I know now, any photographer worth his salt could make some beautiful things with pinhole cameras.
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Art is a well-articulated manifestation of an aspect of life. I have been privileged to view much of life through my cameras, making the journey an enlightened experience. My emphasis has mainly been on affirmative reactions to human behavior and a strong attraction to the beauty in nature.
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The visual quality of the cameras now is such that you can shoot with available light, and if people are willing to mount a microphone on the camera and maybe even on the subject, then you're good to go.
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Some people say the camera loves me, the truth is, I love the camera.
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People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.
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I was really relieved not to have to drag something in front of the camera; I could use a pencil and paper. A regular pencil and typing paper. That appealed to me.