Cameras Quotes
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Etta James is my all-time favorite singer. I've said it in every interview, in every story, in every on- and off-camera question. That music was always such a huge escape for me, even from a young age.
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People who have expertise or the luck to have rehearsal time with cameras have it over people who don't.
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In animation, there's silly things I get to do with my voice. I get to have a wider range, so my voice gets to dance more than it does on camera.
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The more we can put the camera in a better place, the more we can take the audience on a more extreme journey with that character.
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When you see what you express through photography, you realize all the things that can no longer be the objectives of painting. Why should an artist persist in treating subjects that can be established so clearly with the lens of a camera?
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The actual truth about Gad is it's one of the original 13 tribes of Israel, so you can actually trace my lineage back to, like, those guys who had, like, a hand in the Bible and have since become very famous from that. So I come from very famous lineage. Granted, they didn't have cameras back then, so none of them had TV shows.
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When I watch a film I get swept away. I don't really watch the camera.
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I don't know if I always want to be in front of the camera. I love producing, I love the camaraderie. I love the adventures. I love the stress.
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I have always said that the best training to be a TV newsman or anybody on television is to do a children's show because you are oblivious to the fact that there is a camera there.
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I never knew my titties was bigger than Pamela So paparazzi flickin be flickin their camera
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My friend who I went to boarding school with was interested in photography. He insisted that I buy a camera and marched me downtown.
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Unlike regular digital or film cameras, which can only record a scene in two dimensions, light field cameras capture all of the light rays traveling in every direction through a scene. This means that some aspects of a picture can be manipulated after the fact.
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You see what you understand, You have to be prepared to see the world. The moment of clicking the camera is almost irrelevant. What is really important is what happens before and after you take the picture.
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Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance.
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I quite frequently don't look through the camera, which is very close to being blind.
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When I moved to London, you could park your motorcycle in the pavement, on the sidewalk. We would stay here and just leave it and go about your business. But now something was sort of encroaching in London. There's cameras everywhere. You can't do anything. You're not allowed to be in a group.
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You can't point a camera at someone and find out what's in their head. But it does the next best thing - it lets you speculate.
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Now I don't know why, but Morrissey had always hated Joy Division. Maybe Rob got it right when after a lively debate as the cameras were turned off he turned to Morrissey and said, 'The trouble with you, Morrissey, is that you've never had the guts to kill yourself like Ian. You're fucking jealous.' You should have seen his face as he stormed off. I laughed me bollocks off.
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When the cameras are turning you are monkeying with my pride. When the man says 'roll 'em' you are fooling with what I exist for.
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You should never use the camera to make your pictures. You use yourself, your experience to make the picture with the camera. Not the other way around.
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I am all emptiness and futility. I am an empty stranger, a carbon copy of my form. I can no longer find what I'm looking for outside of myself. It doesn't exist out there. Maybe it's only in here, inside my head. But my head is glass and my eyes have stopped being cameras, the tape has run out and nobody's words can touch me.
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I never go to the monitor. I just look at the camera monitor and my favorite part of all of the directing, except for the writing and editing of it, is right when we're rolling and they do lines and I'll say "Try this, try this, try this."
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I remember like that scene with Pharrell where they're at the music video shoot, we have this on camera actually, Pharrell's confused because we weren't doing the script. We were doing all this improv and then Diddy says to him... Pharrell's like I don't understand what's going on and Diddy goes, "We do a lot of improv". (laughter) I remember being we just made him into a comedy nerd. We somehow turned Sean Combs into a comedy nerd, so.
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Leica, schmeica. The camera doesn't make a bit of difference. All of them can record what you are seeing. But you have to see.
