Cameras Quotes
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Behind the camera, I was invisible. When I lifted it up to my eye it was like I crawled into the lens, losing myself there. and everything else fell away.
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Photography is a very subtle thing. You must let the camera take you by the hand, as it were, and lead you into your subject.
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I'm trying to use the camera to get into people's heads. I use camera techniques a lot to articulate character.
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Obviously, from the experience you get from making videos, you understand where the camera is and how some of the actual technicalities work and so on and so forth.
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The camera eye is the one in the middle of our forehead, combining how we see with what there is to be seen.
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I am intrigued enough to want to continue, and also to try and work with companies like Sony on modifying the cameras and making them more user-friendly and efficient.
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Stunts are my favourite - I love it: the feeling, the adrenaline when all the cameras are rolling and everyone is watching and crowd round.
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I loved photography but was frustrated by the limitations of cameras. When trying to take a picture of a friend's young, active daughter using my DSLR, it was impossible to capture the fleeting moments.
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The lowest stress environment is the radio show. I am not on camera and I can let the music do the talking. The rest is more highly pressurized or in the case of writing, time intensive task. I say yes to all of it and like all of it but the radio show, by nature of what it is, is the least hassle.
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...I use primal imagery, so maybe it's fitting that I use the most primitive of cameras pinhole cameras. Since there's no viewfinder, the image is much more of a surprise - as if some outsider came and looked at earth for the first time.
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And also, I'm most comfortable with like two people just sitting and talking about their feeling, you know, in a room with like two cameras and that's it. And I wanted to do something where there was like action and running and you know crowd scenes and big set pieces and certainly did a lot of that, so yeah.
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Yes, we are a producer of cameras, but we understand that at the end of the day, you have to make photos in software. A lot of companies focus on the camera c, and a lot are on the software side. There's a chasm between the two.
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Adam picks up the camera "I have to get a shot of this." The reaction in the room was swift, and unanimous: every single person except me raised their hands at once to cover their faces. The accompanying utterances, though, were varied. I heard everything from "Please no" (Maggie), to "Jesus Christ" (Wallace), to "Stop it or die" (I'm assuming it's obvious).
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The first dolly track was somebody who had the idea to put the camera on a boat on a canal. So the boat would move very slowly but steadily. So they would see all that surrounds you and you'd see the landscape changing slowly. So that was the first time.
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I think it's good for an actor to bounce between stuff on camera and stuff in theatre. If I could do half and half every year I would be a very, very happy man.
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I think there are a lot of celebrities who put on a performance on camera.
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I play a role in front of the cameras, just like in the movies.
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My father had a Super 8 camera when I was a kid and sometimes he would use it. I did some animation with it. I did a lot of flipbooks.
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I saw a video on YouTube of a girl who had very similar reactions to late-stage Lyme disease as I did. And I thought it was crazy. And when I saw her basically have a seizure on camera that looked very much like my seizure I felt, "Oh my god. That's me." And so it was really important to me, and I said to Sini, 'We have to find some way to not just talk about Lyme disease, but to show it.
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It's usually when the cameras leave that the support leaves as well.
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The live audience is a blind date. The camera is a hungry lover. One wants to be wined and dined and seduced and then decide where the evening will go. The other knows how it wants to be touched, wants it now and can damn well tell if you are lying about it. Both are fickle. Both feel good. Depends on your mood.
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The day I feel like I'm at an office job is the day I'll quit performing in front of a camera.
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You cannot do everything you want with the 3D camera, it's too big, and the digital quality of those cameras is a little bit limiting. With film, you have a lot more subtly, like with highlights and color. In terms of sharpness they (both formats) are very close; but in terms of nuance, of color and contrast, film is far superior.
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Even with cameras being very cheap, one thing that researchers noticed was that you look really bad in a videoconference image because the lighting is bad and you get shadows and things.
