Cameras Quotes
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I wanted the camera to actually observe the people who come from the outside to live inside a country, instead of fantasizing about them. Also, I wanted to say the sum of who we become is thanks to the people we meet. I wanted to make a positive film.
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I saw a video on YouTube of a girl who had very similar reactions to late-stage Lyme disease as I did. And I thought it was crazy. And when I saw her basically have a seizure on camera that looked very much like my seizure I felt, "Oh my god. That's me." And so it was really important to me, and I said to Sini, 'We have to find some way to not just talk about Lyme disease, but to show it.
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I just travel the world with my backpack and my cameras and a bunch of Clif bars.
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I play a role in front of the cameras, just like in the movies.
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All I kept thinking about was, "Man, he's so relaxed onstage! I'm never going to be that relaxed! I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera."
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I'm fascinated by mankind. I grew up watching 'Candid Camera' and thought it was funnier than any standup, any joke, anything that could possibly be written because you're dealing with humanity. And people can relate to that. It touches everybody who sees it. It hits a nerve.
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I have been doing this since I was nine years old. So whatever the role is, I am going to do the best I can do. The only thing I am concerned with is stepping on the stage in front of that camera and giving the best performance I know I can give, day in and day out as an actor.
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Sometimes we work so fast that we don't really understand what's going on in front of the camera. We just kind of sense that, 'Oh my God, it's significant!' and photograph impulsively while trying to get the exposure right. Exposure occupies my mind while intuition frames the images.
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Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts.
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I got a camera when I was nine years old and it wasn't until I was a model that I realized you could be a photographer for a job.
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The camera creates a magical transformation. It's not enough to exist; we must chronicle that existence. ... Narrative- and image-making creatures like humans don't feel any experience is complete unless it's recorded.
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It's usually when the cameras leave that the support leaves as well.
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Insane means fewer cameras!
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When I look at pictures I have made, I have forgotten what I saw in front of the camera and respond only to what I am seeing in the photographs.
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Your cameras can't control the minds of those who know, that you'll even sell your soul just to get a story sold.
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I'm attracted to working with comedians because they don't have that stars' idea of what a hero should be. The downside is they're always addressing the camera too much.
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The true authenticity of photographs for me is that they usually manipulate and lie about what is in front of the camera, but never lie about the intentions behind the camera.
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There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.
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The Internet, the camera cellphone and the like have not only sped up the world's information uptake, but they have cheapened that which they capture.
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You see what you think, you see what you feel, you are what you see If with the camera you can make others see it - that is photography.
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The use of the camera has always been for me a tool of investigation, a reason to travel, to not mind my own business, and often to get into trouble.
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Having a camera is a really easy and quick way to indulge in your creative side.
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I'm one of the few directors that actually shoots a lot in camera.
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I can remember the moment when I suddenly felt that the camera was a living partner. I suddenly felt this is art, and the camera is a co-operative living person. After that I was extremely happy to act in films.
