Cameras Quotes
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Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts.
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The function of camera movement is to assist the storytelling. That's all it is. It cannot be there just to demonstrate itself.
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It's usually when the cameras leave that the support leaves as well.
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The Internet, the camera cellphone and the like have not only sped up the world's information uptake, but they have cheapened that which they capture.
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I got a camera when I was nine years old and it wasn't until I was a model that I realized you could be a photographer for a job.
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I play a role in front of the cameras, just like in the movies.
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Your cameras can't control the minds of those who know, that you'll even sell your soul just to get a story sold.
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You know, I do music. If you look under the hood of the industry I'm in, it's all based on technology. From radio to phonographs to CDs, it's all technology. Microphones, reel-to-reels, cameras, editing, chips, it's all technology.
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Having a camera is a really easy and quick way to indulge in your creative side.
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You see what you think, you see what you feel, you are what you see If with the camera you can make others see it - that is photography.
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I'm one of the few directors that actually shoots a lot in camera.
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I just travel the world with my backpack and my cameras and a bunch of Clif bars.
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I'm fascinated by mankind. I grew up watching 'Candid Camera' and thought it was funnier than any standup, any joke, anything that could possibly be written because you're dealing with humanity. And people can relate to that. It touches everybody who sees it. It hits a nerve.
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Improvisational things about picture-making... learned from working with the small camera early on have served me well in being able to think quickly when making [portraits].
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I'm attracted to working with comedians because they don't have that stars' idea of what a hero should be. The downside is they're always addressing the camera too much.
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With non-professionals, there's a lot of time you have to allocate to getting what you want with them, but also you cast based on who they are, to bring out their real personalities. So it's less about working on character and more about just getting them comfortable in front of the camera to be themselves, and understanding the process.
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Right now is a very interesting time because of the digital cameras, and the fact that you can edit anywhere. It's a great time to be a filmmaker, is a great time to be starting off.
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If a news camera shows up, people will line up, they want to be seen. But at the same time they want both to be chosen and not singled out. I think that is an endless struggle within most.
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I prefer working behind the camera.
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Surveillance cameras might reduce crime - even though the evidence here is mixed - but no studies show that they result in greater happiness of everyone involved.
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The true authenticity of photographs for me is that they usually manipulate and lie about what is in front of the camera, but never lie about the intentions behind the camera.
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There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.
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I can remember the moment when I suddenly felt that the camera was a living partner. I suddenly felt this is art, and the camera is a co-operative living person. After that I was extremely happy to act in films.
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I'm used to having big movie cameras in my face; I pretend that they're not there.
