Cameras Quotes
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I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.
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Your cameras can't control the minds of those who know, that you'll even sell your soul just to get a story sold.
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The Internet, the camera cellphone and the like have not only sped up the world's information uptake, but they have cheapened that which they capture.
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I got a camera when I was nine years old and it wasn't until I was a model that I realized you could be a photographer for a job.
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The function of camera movement is to assist the storytelling. That's all it is. It cannot be there just to demonstrate itself.
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I just travel the world with my backpack and my cameras and a bunch of Clif bars.
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You know, I do music. If you look under the hood of the industry I'm in, it's all based on technology. From radio to phonographs to CDs, it's all technology. Microphones, reel-to-reels, cameras, editing, chips, it's all technology.
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I play a role in front of the cameras, just like in the movies.
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You see what you think, you see what you feel, you are what you see If with the camera you can make others see it - that is photography.
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I'm one of the few directors that actually shoots a lot in camera.
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It's usually when the cameras leave that the support leaves as well.
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All I kept thinking about was, "Man, he's so relaxed onstage! I'm never going to be that relaxed! I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera."
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If a news camera shows up, people will line up, they want to be seen. But at the same time they want both to be chosen and not singled out. I think that is an endless struggle within most.
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Improvisational things about picture-making... learned from working with the small camera early on have served me well in being able to think quickly when making [portraits].
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Surveillance cameras might reduce crime - even though the evidence here is mixed - but no studies show that they result in greater happiness of everyone involved.
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Right now is a very interesting time because of the digital cameras, and the fact that you can edit anywhere. It's a great time to be a filmmaker, is a great time to be starting off.
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I'm used to having big movie cameras in my face; I pretend that they're not there.
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The true authenticity of photographs for me is that they usually manipulate and lie about what is in front of the camera, but never lie about the intentions behind the camera.
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I prefer working behind the camera.
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I'm fascinated by mankind. I grew up watching 'Candid Camera' and thought it was funnier than any standup, any joke, anything that could possibly be written because you're dealing with humanity. And people can relate to that. It touches everybody who sees it. It hits a nerve.
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I can remember the moment when I suddenly felt that the camera was a living partner. I suddenly felt this is art, and the camera is a co-operative living person. After that I was extremely happy to act in films.
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I am always surprised when I see several cameras, a gaggle on lenses, filters, meters, et cetera, rattling around in a soft bag with a complement of refuse and dust. Sometimes the professional is the worst offender!
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With non-professionals, there's a lot of time you have to allocate to getting what you want with them, but also you cast based on who they are, to bring out their real personalities. So it's less about working on character and more about just getting them comfortable in front of the camera to be themselves, and understanding the process.
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I've worked on a set before, know something about cameras, and done some editing.