Cameras Quotes
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I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
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I wanted the camera to actually observe the people who come from the outside to live inside a country, instead of fantasizing about them. Also, I wanted to say the sum of who we become is thanks to the people we meet. I wanted to make a positive film.
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Living in a time of the increasing struggle of the mechanization of man, photography has become another example of this paradoxical problem of how to humanize, how to overcome a machine on which we are thoroughly dependent... the camera.
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Stunts are my favourite - I love it: the feeling, the adrenaline when all the cameras are rolling and everyone is watching and crowd round.
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If they [Playboy] could promise me it wasn't camera-between-my-knees kind of shots, I would do it. I would do topless. I think it's empowering. Though if my mother had a real big problem with it, I'd have to say no right now.
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Not being well-versed in that arena myself, it's a little bit frightening because I'm not very good in those situations with lots of people and lots of famous people and cameras and all of that. It's not my specialty.
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I’ve always had dreams. When I was little, I’d go to sleep with my head on my hands, which were in fists like I was looking through a camera. I felt like sleep was the movies - just drifting off to the movies.
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There's something inimical about the camera and song.
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Sometimes you just gotta get in front of the camera because sometimes you have a long break between things, or you're auditioning and maybe nothing's really happening.
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I'm very interested in directing actors - many directors direct cameras.
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It's like Hollywood. The stage is set. All you're going to see out there is a bunch of cameras flashing, a lot of fans sitting back relaxing and waiting to see who the best team is going to be.
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I love cameras but I find myself reluctantly taking pictures because what's past is past.
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Adam picks up the camera "I have to get a shot of this." The reaction in the room was swift, and unanimous: every single person except me raised their hands at once to cover their faces. The accompanying utterances, though, were varied. I heard everything from "Please no" (Maggie), to "Jesus Christ" (Wallace), to "Stop it or die" (I'm assuming it's obvious).
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All I kept thinking about was, "Man, he's so relaxed onstage! I'm never going to be that relaxed! I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera."
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I saw a video on YouTube of a girl who had very similar reactions to late-stage Lyme disease as I did. And I thought it was crazy. And when I saw her basically have a seizure on camera that looked very much like my seizure I felt, "Oh my god. That's me." And so it was really important to me, and I said to Sini, 'We have to find some way to not just talk about Lyme disease, but to show it.
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I had prepared myself for the second half of my life to be filled with other passions that don't include being in front of the camera. And then all of a sudden I got more work and more work and more work. And I went, "Well maybe things have shifted." And I think they have.
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The use of the camera has always been for me a tool of investigation, a reason to travel, to not mind my own business, and often to get into trouble.
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I have been doing this since I was nine years old. So whatever the role is, I am going to do the best I can do. The only thing I am concerned with is stepping on the stage in front of that camera and giving the best performance I know I can give, day in and day out as an actor.
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I love goofing around, and I love breaking people's balls. I do it off camera, as well as on camera.
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The camera creates a magical transformation. It's not enough to exist; we must chronicle that existence. ... Narrative- and image-making creatures like humans don't feel any experience is complete unless it's recorded.
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It's usually when the cameras leave that the support leaves as well.
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Man Ray... loved games and absolutely knew about the camera. It is interesting to note that, although I used him in only about 10 percent of the photographs and videotapes, most people think of him as omnipresent in my work. It irked me sometimes to be known only as the guy with the dog, but on the other hand it was a thrill to have a famous dog.
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I loved being on the other side of the camera and interacting with the crew. When you are an actor, you have to stay inside this world, but when you are with the crew, on the outside, you are in the dirt, working through all the issues. It's just a different way of working, and I think I preferred it.
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Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts.
