Cartoon Quotes
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I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.
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I always imagined my little cartoons on plates for some reason.
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Advertising is not a rifle; it is a shotgun, and any campaign featuring outdoor boards of a cartoon animal inevitably will catch children in its spray.
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People who see a drawing in the "New Yorker" will think automatically that it's funny because it is a cartoon. If they see it in a museum, they think it is artistic; and if they find it in a fortune cookie they think it is a prediction.
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I just really love the cartoon form. I love the plasticity of it.
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I grew up, probably like a lot of people, on cartoons. And I never thought I would have the chance to be in an animated movie. It's good also to show the world my sweet side with them.
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I started out as a musician, and I ended up as a cartoon.
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One was a Cartoon Artist with a heart like chiffon and a wit as accidentally malicious as the jab of a pin in a flirt's belt.
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Freedom of speech trumps political correctness. I would say our magazine would publish an anti-Semitic or Holocaust denying cartoon if it meant Jews around the world were rioting because of it and burning embassies because of a cartoon. We would want to show our readers what all the fuss was about.
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And there were sort of three toys for boys and three toys for girls. And the boys I can remember was, well, there was a Dan Dare Ray Gun. Dan Dare was a sort of a cartoon character. He was just sort of a - he was like a Battle of Britain fighter pilot, only in space.
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A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here."
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I had a very specific goal and I think kids, more than adults, don't understand obstacles and competition. I wanted to be this one cartoon character Porky Pig, couldn't figure out why I couldn't do it, other than living in the midwest.
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There is too much illustrating of the news these days. I look at many editorial cartoons and I don't know what the cartoonists are saying or how they feel about a certain issue.
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[on the future of hand-drawn animation] I'm actually not that worried. I wouldn't give up on it completely. Once in a while there are strange, rich people who like to invest in odd things. You're going to have people in the corners of garages making cartoons to please themselves. And I'm more interested in those people than I am in big business.
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I was a big comic, cartoon, animation nerd.
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The gospel has but a forced alliance with war. Its doctrine of human brotherhood would ring strangely between the opposed ranks. The bellowing speech of cartoon and the baptism of blood mock its liturgies and sacraments. Its gentle beatitudes would hardly serve as mottoes for defiant banners, nor its list of graces as names for ships-of-the-line.
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I think the world is a series of broken dams and floods, and my cartoons are tiny little lifeboats.
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Blows the lid off a decades-long conspiracy to secretly educate cartoon viewers
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I did take some voiceover classes. I always loved the idea of doing a voice for a cartoon character. I just voiced the character of Suzi X in the upcoming 'The Haunted World of El Superbeasto.'
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I am an old school sort of syndicated cartoon watcher. I'm a big fan of Voltron, too.
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The fact that cartoons are reproduced doesn't mean anything to me as far as whether they are "real art" or not.
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Actually, cartoon characters do exist.
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I love seeing original cartoons. You get to see the artist's corrections, like erasures or Wite-Out or patches, and you get to see the artist's line in better detail, and what kind of ink they use - whether they like a cold black or a warm black, and what kind of paper they like, how big or small they like to draw - art nerd stuff like that.
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I was a huge fan of that Cyborg growing up as a kid because that was when the original cartoon show was on, and Khary Payton is a master at what he does.
