Culture Quotes
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Culture is another dimension.
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Like almost everyone else in America, I grew up believing the myth of the objective scientist. Fortunately I was raised on the edges of two very distinct cultures, western European and American Indian.
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Poetry is often very critical of the culture from which it emerges. Quite often literary critics of a nationalist bent talk up the national culture, in a way that the literary texts don't. Poetry can bring out areas of denial and repression.
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To assault the total culture totally is to be free to use all the fruits of mankind's wisdom and experience without the rotten structure in which these glories are encased and encrusted.
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I'm not an entertainer - that's not what I do. I want to teach viewers; I want to show them. I want to share my culture.
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"Culture" is a new phenomenon, I believe. Culture is the new religion. People treat you based upon your culture. You are pushed to describe yourself by your culture: Kurdish or Turkish? Left wing or right wing? Progressive or conservative? Westerner or Easterner? European or Asian? So we have a label ready for you.
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The tunes, rhythms, and messages are drawn mainly from secular culture.
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It's a classic error in American discourse: the conflation of race with culture.
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Culture' means a long receptivity to things of the mind and the spirit.
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Let's start doing new and different things that enable us all to grow as a film culture and a community in total.
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In every aspect of the religious life, American faith has met American culture -and American culture has triumphed.
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Many of the traits that make Amazon unusual are now deeply ingrained in the culture. In fact, if I wanted to change them, I couldn't. The cultures are self-reinforcing, and that's a good thing.
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So, Mexico, Brazil, they wanted their national culture to be 'blackish' - really brown, a beautiful brown blend. And finally, I discovered that in each of these societies the people at the bottom are the darkest skinned with the most African features.
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The answer runs counter to some important aspects of U.S. culture— we must become better at asking and do less telling in a culture that overvalues telling. It has always bothered me how even ordinary conversations tend to be defined by what we tell rather than by what we ask.
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In contemporary art or movies, it makes perfect sense to be focused on the bleeding edge, on the new idea that's never been previously contemplated. But when we're discussing our goals, our passion and the way we interact with the culture, it seems to me that what works is significantly more important than what's new.
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Many men absorbed in business show such a rare quality of culture that we are surprised at it. The reason invariably is partly because hard work and even the weariness it leaves carry a nobility with them, but also because there is no room in such lives for inferior mental occupation.
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William Carey chides his countrymen for deciding it would be impossible for the Gospel to travel over great distances and to penetrate varied cultures when they are willing to face the same trials for the sake of commerce.
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For all the casual slurs about 'cultural imperialism', British imperialists were more interested in other cultures than anybody before or since, and, if they hadn't dug it up and taken care of it, we'd know hardly anything about the ancient world. What's important about a nation's past is not what it keeps walled up in the museum but what it keeps outside, living and breathing as every citizen's inheritance.
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Curiously, only in sports do we agree to eschew technological advances, making rules, for example, to limit the power potential of baseball bats. We understand that technology will ruin our games, but we do not understand that it can also ruin cultures.
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Culture is a matrix of infinite possibilities and choices. From within the same culture matrix we can extract arguments and strategies for the degradation and ennoblement of our species, for its enslavement or liberation, for the suppression of its productive potential or its enhancement.
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The information that was contained in a cathedral was based upon a common culture - a common Christian culture - and the elements were chosen for a common symbolic meaning. Someone who knew everything that was represented in a cathedral had a sort of encyclopedia - you can indeed call it that - but it was a selective encyclopedia, like encyclopedias back when they were books and the people writing them were supposed to be specialists in their field. I think today the problem is that people don't know how to choose between different kinds of information.
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We want to help further the understanding of the Italian culture and language to those who are interested. We're hoping that these events will spark students' interests in our club and prompt more people to join, along with providing an educational and entertaining experience.
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The real issue at hand is how God is going to respond to a culture when the majority of the people seek to veto Him.
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I love the culture of animation. What stop-motion has in common with live-action is that it has many of the same departments. There's hair, costume, makeup in the form of paint, gaffers, electricians. So there's the same sense of real stuff, real light. But it's not like everything happens at once, like it does in live-action. It's all subdivided into these small sets. It's where my strengths are. Live-action is just an utterly different world, and I'm not a public enough persona to be big and loud at the front of the ship. I'd rather more quietly interact with the artisan animators.
