Culture Quotes
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This is our most dangerous addiction - our addiction to things. For it is this addiction that underlies the materialism of our age. And nowhere is this addiction more apparent than in our addiction to money.
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There's this belief that some things can be taken seriously in an intellectual way, while some things are only entertainment or only a commodity. Or there's some kind of critical consensus that some things are "good," and some things are garbage, throwaway culture. And I think the difference between them, in a lot of ways, is actually much less than people think. Especially when you get down to how they affect the audience.
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We create music to express ourselves and when the world relates, that's a beautiful thing. We're all trading off each other's culture, so no matter what lines you put--country indie rock, rap, we're all somehow gonna find a way to come together.
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I'm really excited about breaking new acts. While I'm trying to preserve the culture and make sure I fight for the acts that the major labels have thrown away, you can't throw away Musiq Soulchild, Kelly Price and Jon B.
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It could be the sort of declining grip of the American MTV-nation culture-the fact that MTV doesn't play so much music anymore.
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There is just now a great clamor and demand for "culture;" but it is not so much culture that is needed as discipline.
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The surest way to lose democracy is to take it for granted. Every citizen must contribute to its advancement in some way. No nation or culture can long survive the absence of transcendent values and absolutes.
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the pyramids were built for pharaohs on the happy theory that they could take their stuff with them. Versailles was built for kings on the theory that they should live surrounded by the finest stuff. The Mall of America is built on the premise that we should all be able to afford this stuff. It may be a shallow culture, but it's by-God democratic. Sneer if you dare; this is something new in world history.
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I'm interested in the way that the language of labor has been suppressed in our culture, the way it has disappeared from our vocabulary and is never heard on stage. . . . I'm better at writing than I am at organizing [political action]. SLAUGHTER CITY is my small contribution. If it gives people a voice it is worth something. So often we forget what we are no longer hearing.
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France and the whole of Europe have a great culture and an amazing history. Most important thing, though, is that people there know how to live! In America they've forgotten all about it. I'm afraid that the American culture is a disaster.
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You’ll understand one day how murderous, how suicidal, individual isolation is. You’ll cry then, suffocated by our culture’s cannibal loving.
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I think graffiti is part of Berlin culture. You think about what the Berlin wall meant and how visible that was in everyone's life. How it was a part of their very identity.
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I attended classes and taught classes, in Food Anthropology at Pace University, with an anthropology professor. You can trace history by the architecture and food of a place. Food is one of those things that transcends and stays in the culture.
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In the culture people talk about trauma as an event that happened a long time ago. But what trauma is, is the imprints that event has left on your mind and in your sensations... the discomfort you feel and the agitation you feel and the rage and the helplessness you feel right now.
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Bringing back something akin to Glass-Steagall would clearly help limit risk in the system. And that's a very good and worthy goal. Letting banks sell securities and insurance products and services allowed them to grow too big too fast and fueled a culture that put profit and pay over prudence.
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The secret language of statistics, so appealing in a fact-minded culture, is employed to sensationalize, inflate, confuse, and oversimplify. Statistical terms and statistical methods are necessary in reporting the mass data of social and economic trends, business conditions, 'opinion' polls, the census. But without writers who use the words with honesty and understanding and readers who know what they mean, the result can only be semantic nonsense.
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I think slavery was an awful, awful period in our history, but when I look at what's become of black culture since emancipation, I think you have to admit, maybe the Confederacy was on to something
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The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
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I fully support your efforts to stamp out sexual assault in the United States military and believer that there is nothing in (Military Justice Improvement Act) that is inconsistent with the responsibility or authority of command. Your efforts in this regard have much broader implications that will actually strengthen the 'good order and discipline' of our military, which I believe accounts for much of the resistance that S967 is receiving...Protecting the victims of these abuses and restoring American values to our military culture is long overdue.
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I'm a great pop culture lover, and I'm not a snob.
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Our problem is that sound is not important in our culture. We know the world from the visual, not from the other senses. I had to be taught other ways of understanding.
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What we are confronted with now is a growing perception that if we desire a certain type of civilization and culture we must exterminate the sort of people who do not fit into it.
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I love the culture of animation. What stop-motion has in common with live-action is that it has many of the same departments. There's hair, costume, makeup in the form of paint, gaffers, electricians. So there's the same sense of real stuff, real light. But it's not like everything happens at once, like it does in live-action. It's all subdivided into these small sets. It's where my strengths are. Live-action is just an utterly different world, and I'm not a public enough persona to be big and loud at the front of the ship. I'd rather more quietly interact with the artisan animators.
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I've rebelled against all types of conformity throughout my life, not just Utah's conservative culture
