Shows Quotes
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I think that still, for the most part, even in 2010, the vast majority of museum shows and gallery shows and gallerists are pretty much dominated by men. So having a sense of what women are up to, for me, frankly, is very, very important.
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It's a whole new world as far as getting a show on the air. There's good things and bad things.
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A friend of mine once asked how to make it in show business and I said "Be so good that they can't ignore you." She thought I was being flip but it's true. The challenge is trying to live up to the opportunities given me.
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By 1976, I was, like, Gonesville. I practically lived at the Troubador for several years. When Bette Midler was there for six weeks, I went every day for both shows. I sat there mesmerized. The only person who went as much as I did was Cher.
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I tour a lot, sometimes like a hundred shows a year.
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Everything was too sharp and clear, so that I could never tell where to start- the way a map that shows too much can sometimes be useless.
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Having lots of human interaction online and during shows is very important to me.
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Being a working actor, you're going to do a Spelling show. It's hard not to.
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As performers grow older, I reckon there are two ways they can go. They can either be up there, playing more deeply from their guts than ever, or they can be phoning it in so crassly that it leaves a lump in your throat as you leave the venue at the end of the show.
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I may think I am ready to go out there and run a Busch race tomorrow, but the reality is I have to wait, because if you go out there and stink up the show, your credibility is shot. You work so hard to get your chance, and if you blow it when everyone is watching, that's it. And it's just not worth the setback.
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When I watch medical shows or other shows where characters die, it kind of bums me out.
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The first syndicating I tried was when two partners and I created a production company in 1952. We wanted to syndicate famous Bible stories and sell them for $25 a show.
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You feel like you're trying to show off your cool by mentioning the five bands that you know are great and the five books that will reflect well on you. I can't do it. I should take the time to but I don't want to take the time to do that.
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I'm learning as much martial arts as I possibly can. My show is packed with action. Enough to get a rise.
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If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.
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I've been to Loch Ness three times, I've done a fair amount of research on the Chupacabra and things like that, so I've actually done a bit of the sort of paranormal investigation that happens on this show X-files.
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What a lovely balance. Lend shows whatever he wants the world to see and you see through whatever the world wants to show you.
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' Torn' is hopeful. It's a book that meets you in your pain and shows you how to move forward with life and in your walk with God.
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Endings of television shows are sometimes such depressing things. It's like you're not going to hang out with these people anymore, and that's bad enough.
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Well, we must wait for the future to show.
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Until I created my own shows, I had nothing but bad experiences on staffs.
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I think musicians should stay off television generally. I get asked all the time. Those shows are just promoting insipid comedies. Who watches those shows? And whoever does I don't think my music would speak to those people. I don't even want those people to hear what I'm doing.
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What excites me is doing shows now. I don't really get excitement from doing music because you never know what your music is going to bring. It seems like now it's all for nothing.
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I have to make small adjustments, but I can't change too much. If I'm worrying about that stuff too much then the show isn't as funny.
