Shows Quotes
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What excites me is doing shows now. I don't really get excitement from doing music because you never know what your music is going to bring. It seems like now it's all for nothing.
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I would do nightclubs and concerts - particularly concerts, which is mostly what I did - and only people who already agreed with me would show up. People weren't going to come and inadvertently turn on their television set and find this offensive stuff coming out.
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Touring definitely helps sell albums. Things have changed. I've noticed now more than ever when you market an album, get radio play/video play etc. it helps sell albums but it helps get more shows.
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I'm always looking upwards and looking forwards and so when someone says, "Hey, would you consider a TV show?" I say, "Hell yeah, I'll consider that. I'll check that out."
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The world is made by the people who show up for the job.
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You start to do shows and people come up to me and say, "I wish more people were here, how come more people aren't here?" and that just starts to get a little.
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People trust those leaders who show real results of their work, rather than those who just talk about the results.
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I was watching 'Wild at Heart,' and I can honestly say I did nothing for that apart from show up!
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The dumbing down of the country reflects itself on Broadway. The shows get dumber, and the public gets used to them.
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My stepfather was a producer. I'd always wanted to be in show business. And so when he came into my life and he told my brothers and myself, he said, look, if you want to be in this business, you're all going to have to start at the bottom.
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I do most of my own stunts because the stunt guys show me how.
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I love all the different ways that New Yorkers show their individuality through what they choose to wear.
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They want me on the television shows now because I did so well on Celebrity Assholes.
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You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.
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I really wanted something that could make a statement about what we were doing and the life we were living in society, and the shows that push the boundaries, in those ways, are shows on cable, particularly networks like Showtime.
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I think at the end of a show, you have to walk out with a message. That's my hardest struggle right now; that's what I'm working towards.
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When you're a guest star on TV shows - particularly in the 1960s - you're always the villain.
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I want to do more comedy... I've done a couple TV shows that had some comedy going on.
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There's always some pressure to achieve something. You make a pilot, but you don't know if you're going to get a show. And then, you make a show, but you don't know if people are going to watch. And then, people watch, but you don't know if enough people are watching.
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We have a policy at The New Yorker, .. That is, if someone doesn't want to be profiled, we drop it. I would like you to show me the same courtesy.
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Probably the TV show I've watched the most is 'How It's Made' on the History Channel. I could watch 24 hours of 'How It's Made' and never get bored.
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People come along and impose their own stuff on plays, and it shows.
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I find a ton of inspiration from the artists that I'm writing with, that I'm playing shows with, and that I'm sitting down and having coffee with.
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I've been very lucky as an actor. I have worked all the time. Some shows I do, they get cancelled. Some, they're critically acclaimed, and then they get cancelled. And some, I'm in the last season of this or that. But I can't complain about my career.
