Musicals Quotes
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Being known for musicals is a great thing.
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The only stuff I don't like are Broadway musicals. I hate them. I don't even like to talk about it. I can't bear musicals.
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When I did musicals in London a number of years ago, I was in a workshop scenario for a year or more with 'Bombay Dreams.'
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I'm not going to be labeled a black filmmaker. I am not here to just tell black stories. I'm here to tell all kinds of stories, musicals and dramas.
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I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.
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I have a conflicted relationship with musicals, because I think the music itself can be so horrendous. It's an industry that relies on appealing to a mainstream culture in order to survive.
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I grew up doing a lot of theatre, plays, dramas, musicals.
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'You Can't Take It With You' has eighteen people onstage at one point. Musicals entail a larger collaboration, and I love that.
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Musicals look beautiful and great and fun, but man, when you're getting into it, you got to be on top of it.
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Singing was always the thing - I played some leads in musicals. Then when I went to college, I joined a singing group.
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I love Broadway musicals, but there's a lot that I want to do.
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I was involved with sports and student government, the regular stuff. I liked movies and all, but I did love the singing and putting on musicals, and I was always comfortable with that. I liked it.
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I'd like to have made one of those big splashy Technicolor musicals with Rita Hayworth.
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I think that of musicals - especially the big, splashy ones - require an actor that's also part cheerleader, too, and that's really tough to do if it's not something that really grabs you and your heart's not in it.
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Most successful musicals need to attach themselves to something bigger than themselves, a concept that will make people feel immediately connected to it.
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Musicals and horror movies are my two favorite genres because they're about extremes.
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Listen - I like musicals. Even when they're bad, there's a couple of dancers I can watch.
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Musicals don't get enough credit for being so surreal. It's like an alternate universe.
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I did a lot of musicals when I first started my career, so I can carry a tune well.
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I love musicals, and I grew up with them, but the first time I thought I could really do this was when I saw 'In the Heights.'
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I grew up loving Broadway musicals. I'd put on my parents' cast albums and stand on the stool and sing in the mirror.
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Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
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People in their early 20s are not often considered the target demographic for new plays; musicals have had much more success in exploring that coming-of-age period of life.
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I love musicals, I started acting because I wanted to be in a musical.
