Material Quotes
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If you're given source material that's as special and well-written such as the new project from Robert Kirkman, you would be foolish not to want to do that and not to be faithful to that to some degree.
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More specific material relating to the bourgeois state will be found in subsequent volumes. This approach is of a piece with Marx’s. One must remember that most of the states that Marx had occasion to discuss were not capitalist states—as yet—even in Europe, let alone throughout the rest of the world. From the standpoint of theory this is a good thing, since no phenomenon can be thoroughly understood if only one specimen or type is available for examination. The literature of Marxism and marxology is unfortunately full of statements about Marx’s views which actually apply only to capitalism and the bourgeois era, and which require at least considerable qualification as soon as the focus is widened to include most of the world and world history. It is a form of ethnocentrism.
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Lamar related the Texas & Pacific bill to the national political crisis by presenting it as a means of “reconciliation” between the sections, “material reconstruction” of the South, and a way of restoring “mutual respect and affection” at a moment when those sentiments were desperately needed.
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No. I can survive well enough on my own— if given the proper reading material.
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We are so focused on the material aspects of life that we lose sight of everything else.
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Where can we find greater structural clarity than in the wooden buildings of old? Where else can we find such unity of material, construction and form? here, the wisdom of whole generations is stored.
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With respect to the use of this sparkling coloured material (butterfly wings around 1955, fh) - the constituent parts of which remain indistinguishable - with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.
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Now that practical skills have developed enough to provide adequately for material needs, one of these sciences which are not devoted to utilitarian ends has been able to arise in Egypt, the priestly caste there having the leisure necessary for disinterested research.
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I didn't sit down and work out other people's material; I've never believed in that.
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Before starting work go thru all the former material. Many things of vital importance have been lost sight of.
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I have a producing partner named Stephen Hamel, and we've been trying to generate material.
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You learn early as an actor that creating your own material is the only way to have any control.
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Novel-writing is a highly skilled and laborious trade. One does not just sit behind a screen jotting down other people's conversation. One has for one's raw material every single thing one has ever seen or heard or felt, and one has to go over that vast, smoldering rubbish-heap of experience, half stifled by fumes and dust, scraping and delving until one finds a few discarded valuables. Then one has to assemble these tarnished and dented fragments, polish them, set them in order, and try to make a coherent and significant arrangement of them.
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The first two-dimensional images were thus not two-dimensional representations of three-dimensional things in the material world, as researchers have always assumed. Rather, they were ‘fixed’ mental images.
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If you can't write your own material, you have very little chance of making it as a comedian.
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All material Things seem to have been composed of the hard and solid Particles ... variously associated with the first Creation by the Counsel of an intelligent Agent. For it became him who created them to set them in order: and if he did so, it is unphilosophical to seek for any other Origin of the World, or to pretend that it might arise out of a Chaos by the mere Laws of Nature.
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I don't put my nose up at anything if the material is good.
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Never in the history of fashion has so little material been raised so high to reveal so much that needs to be covered so badly.
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I don't know that I necessarily feel more comfortable in the context of smaller films, but I tend to feel more comfortable more often than not with the material of smaller films.
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I truly think that you can't go and stalk your material, you have to leave the door open and whatever chooses you, chooses you. You can't go and wrestle it to the ground.
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For reasons of national security and out of consideration for some people still alive I have omitted certain material. Some of this material cannot be made available for many years, perhaps for many generations.
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Now it is time to turn to an older wisdom that, while respecting material comfort and security as a basic right of all, also recognises that many of the most valuable things in life cannot be measured.
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I get to the point where I feel relaxed, and then I just shoot a ton of material and make a lot of different choices.
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I just wanted to try directing, and the best way was to write the material, so I was imbued with its origins when I was dealing with the actors.
