Material Quotes
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Twyla Tharp put it together from the material I wrote and recorded over my whole career. I thought it was pretty good, but how objective could I be?
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Before starting work go thru all the former material. Many things of vital importance have been lost sight of.
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If you're given source material that's as special and well-written such as the new project from Robert Kirkman, you would be foolish not to want to do that and not to be faithful to that to some degree.
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What we see is what they're trying to sell us. It's not true nostalgic as much as it is repeating old material because it's less expensive than new material.
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If you don't put out material that's going to last, you're not going to last.
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More specific material relating to the bourgeois state will be found in subsequent volumes. This approach is of a piece with Marx’s. One must remember that most of the states that Marx had occasion to discuss were not capitalist states—as yet—even in Europe, let alone throughout the rest of the world. From the standpoint of theory this is a good thing, since no phenomenon can be thoroughly understood if only one specimen or type is available for examination. The literature of Marxism and marxology is unfortunately full of statements about Marx’s views which actually apply only to capitalism and the bourgeois era, and which require at least considerable qualification as soon as the focus is widened to include most of the world and world history. It is a form of ethnocentrism.
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Make notes—I’ve lost more material than I’ve ever written. Contrary to popular opinion, it’s not still up there in one’s brain. It’s in outer space and it ain’t coming back.
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We are so focused on the material aspects of life that we lose sight of everything else.
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Lamar related the Texas & Pacific bill to the national political crisis by presenting it as a means of “reconciliation” between the sections, “material reconstruction” of the South, and a way of restoring “mutual respect and affection” at a moment when those sentiments were desperately needed.
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Those too impressed with material things cannot hold their place n the world of culture; they are relegated to inferiority and ultimate death.
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No. I can survive well enough on my own— if given the proper reading material.
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I don't know of any artist who started off in the 50's who's making it now with new material.
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Where can we find greater structural clarity than in the wooden buildings of old? Where else can we find such unity of material, construction and form? here, the wisdom of whole generations is stored.
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Music is like nuclear plants. In a way, it's true! Music is totally artificial. Still using some material from nature, a piano is assembled with wood and iron. Nuclear power uses material from nature, but it's been manipulated by humans, and it produces something unnatural.
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I don't like to attach myself to material things.
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With respect to the use of this sparkling coloured material (butterfly wings around 1955, fh) - the constituent parts of which remain indistinguishable - with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.
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I didn't sit down and work out other people's material; I've never believed in that.
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A big part of my living is my stand-up material on the road.
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I get to the point where I feel relaxed, and then I just shoot a ton of material and make a lot of different choices.
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You learn early as an actor that creating your own material is the only way to have any control.
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For reasons of national security and out of consideration for some people still alive I have omitted certain material. Some of this material cannot be made available for many years, perhaps for many generations.
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To make the material speak to man in the name of man, this is the aim and reality of art.
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Never in the history of fashion has so little material been raised so high to reveal so much that needs to be covered so badly.
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If you can't write your own material, you have very little chance of making it as a comedian.
