Movie Quotes
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The world we live in is like a Benetton ad. It's changed, and we have to appeal to a broader audience. You want younger kids of every race to be able to see themselves in the movie.
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I know there are people, if I go into a market or a city for the first time, there are people that are there that just want to see the famous person, or the guy from 'Dumb and Dumber' or whatever movie they liked. And that's fine, it gets them in the door, but then it's my job to give them something different.
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I've always believed in expanding the definition of what a Marvel Studios movie could be.
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Every movie I've done, when they cast me, they knew I'd probably do it for a toffee apple and a Frappuccino.
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But Clint I love, because Clint was my mentor. I knew nothing about making an Italian movie.
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It's not a movie, no private screening This method acting, well, I call that living
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I didn't like Jaya's Hazaar Chaurasi ki Ma, though I did like her performance. I felt the movie was too verbose. I thought why did they have to make a film? They could have simply written an article.
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I had a lot of coaching for the movie and no, I have never sung professionally before.
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'Jaws' freed me to discover that a successful movie didn't make a damn bit of difference to my life.
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I've always lived out of a suitcase. I was in a new city every three months. When I was a model, I traveled the world, and as an actor you're traveling from movie set to movie set. So I've never been in one place long enough for anything super-bad to happen.
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This is my one beef with Hollywood: It's great for movie sales, but they've created this fiction for us that, when you have a hard thing in your life, it's going to get fixed, and then your life will be awesome! Forever!
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You can't create a movie as you think about it. And what's in the scene is not what's being seen. A shot always means something other than what it is. All are vehicles. A landscape is just a vehicle. The viewer might think different things, and I'm not going to intervene.
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I have no idea why one of our most original filmmakers would want to spend two years of his life translating someone else's movie from Spanish into English. And it wasn't such a good film in Spanish, either.
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Not taboo - it's just that straight actors still risk their careers commercially and economically. They have to please the crowd - they're movie stars; their image is their industry. It goes beyond acting.
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'Love' has that Kubrick tonality to it, but this is not a Stanley Kubrick movie - there will never be another. At the same time, 'Love' has a modern feel. For example: In one scene, these astronauts go through a wormhole sequence, and you feel like you're being slapped around inside your head by a sonic boom.
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I've always thought of the audience. I just want to entertain the audience. That's what it's about: what's good for the movie, what's best for the movie, what's best for the audience.
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Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it.
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Stars don't make movies. Movies make stars.
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In the olden days, a couple could be in every movie together, but it's just not like that anymore.
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Since most of 'Mean Girls' consists of the outsider Cady observing the tribal rites of her new setting and laying it all out in narration, this movie is just like home for the meticulous and ruthless deadpan that Ms. Fey has perfected for the satirical 'S.N.L.' newscast in which she and Jimmy Fallon are the anchors.
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I don't want to jump off the roof or jump for joy depending on my movie reviews, or whether it makes money. I think the larger, more meaningful things are family and the people you love.
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I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
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It doesn't matter where it is in the world or who I'm making the movie with; that's the closest thing that I've got to a sense of placement.
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The entire process of making a movie is sort of blind trust because, otherwise, all of it just doesn't make any sense: the fact that we can create any sense of reality or emotion given the arbitrariness of a day.
