Movie Quotes
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'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt.
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I love Elmore Leonard. To me, True Romance is basically like an Elmore Leonard movie.
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If an actor is going to be an action hero, do it in a Robert Rodriguez movie, because that guy is going to make you look like a million bucks.
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I think if you make a good movie people walk away arguing.
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You gotta understand, 'Swingers' was a resume film for me. I never thought anybody would see the movie who I wasn't in the room with showing it to them.
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A film should appeal to sophisticated, profound-thinking people while at the same time entertaining simplistic people. A truly good movie is really enjoyable too. There’s nothing complicated about it. A truly good movie is interesting and easy to understand.
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Yes, it's a prequel. It tells the story about how the girls were born with superpowers, but they weren't necessarily heroes at the beginning of this movie, so the movie is about the events that happen in their life to make them decide to be heroes.
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As I was walking down the stairs, I kept thinking that the room felt like a movie theater with all your attention on this wall, so it seemed like a big challenge.
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At certain points, I was afraid there was something - a missing chink of skill - that was going to prevent me from having a movie that was financially successful. That frightened me.
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There seems to be such a laziness in - and I hate to use this phrase - the modern world. Everything is pumped out so quickly so that you can read it while passing by, like billboards or those flashcards before movie shows.
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When Bruce Lee gets his cameo in 'The Green Hornet' - as one of the drawings in Kato's notebook - it clarifies what the film is: an unrealized sketch. A sketch can afford to allude to a point of view. Moviemakers need to show their point of view, something this shrug of a movie never gets around to doing.
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Doing a movie of one of the Raksura books would involve a lot of CGI, but I have thought about who I'd like to play the characters. Some of them I just can't pin down to a specific actor, and I keep revising my mental list.
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Inevitably you're going to be delayed somewhere. Always have a book. Always have a movie. Always have a notebook. And then always have a sense of humour.
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3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody.
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The seminal elements of what makes a story great - challenge, struggle, resolution - are the same whether we're talking about story content for a movie such as 'Rain Man,' or telling a purposeful story to forge new business relationships or conclude a fruitful transaction, such as acquiring an NBA franchise.
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I had a really great performance with Steven Tyler in the movie 'Be Cool.' I performed 'Cryin',' so we recorded the song beforehand. But I didn't get to meet him until I hit the stage with him, and we had a live performance with 30,000 people in the audience, and that was for the movie.
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Who cares if a movie star has an opinion unless the person is very well informed?
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It was actually the movie 'Rushmore' that made me first realize that I could try writing, but 'Cheers' is the best show ever. The writers on that show created a relationship that writers today still fail to rip off successfully: the Sam and Diane.
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In the sense that Watchmen references movies, comic books, pop culture in general. It knows it's a movie. I really do like movies that ride that fine line, the razor's edge between parody and supporting the fake movie part of the movie.
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Noah is the battle of justice versus mercy. In Genesis it says that Noah was righteous in his times. You think you sort of know what righteous means, you know, if you listen to a lot of Bob Marley. According to all the biblical scholars we talked to, righteousness is the proper balance of justice and mercy. If you think of that, as a parent, you know that if you have too much justice and you're too strict, you destroy a child. If you have too much mercy, as a parent, you destroy a child as well. A big part of this movie is Noah finding mercy for man.
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In general, I think you can watch a movie in two different ways. One is the ethical point of view, one is the point of view of the story.
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Watch the movie closely, and you’ll see how personal it is. Here’s a film in which cinema brings down the Nazi regime, metaphorically and literally. What could possibly be better than that? In this story, cinema changes the world, and I fucking love that idea!
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My plan is to have a theatre in some small town or something and I'll be manager. Ill be the crazy old movie guy.
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Anytime you make a movie, the goal is a wide theatrical release, with the right distributor.
