Movie Quotes
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I've done a movie called 'Lemonade Mouth' for Disney Channel, which was fun to do. I actually got discovered through an open casting call where anyone could audition.
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I never want movie theaters go away. It is the greatest time out on the town. You go out, it's a great place to go, great location, great hang, great date, good place to be with friends. But as an actor who works hard at making movies, I am glad that no matter what people can see your movie on. It's hard to keep a theater for long time; there are so many movies, so when you leave a theater, you're just glad there's a life for your movie.
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In Arthurian battle the trick for us was to figure out how to give it the scale that the movie deserved and fitted in a financial box that was necessary. We made the battle quite a bit bigger than originally intended, just because we felt that being part of the opening sequence of the movie we really needed to grab the audience's attention.
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I got my SAG card on my first movie, 'Goin' South,' with Jack Nicholson in 1978.
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Woody Allen has done some excellent serious movies, too, like Crimes And Misdemeanors. Very overlooked movie, I think, and really his best. And currently I like Big Fish!
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I often wonder, with my hand on my heart, if 'The Dying Hours' was made into the biggest movie franchise in history, would I pick up my pen again? Wouldn't I be happier spending the rest of my life travelling around with my wife?
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The riot isn't seen in the movie, but it is alluded to. He has this one speech that gives a great sense of texture and paints a picture of what was happening in Harlem then.
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If you think about movies that are adapted from books, they never feel like enough. There's always too much cut out in the end. You either make a five hour movie or you leave out stuff that should be in there.
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What's the shelf life of a 1931 movie? If it still exists, there will always be film buffs and a niche audience who will want to see it. But in terms of people even understanding in common usage, some of the words we use to describe these movies, I don't know how long that's going to last.
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I open myself up every time I walk on screen and give you everything that I am. There are parts of me that are in every movie that I've done. That to me is what my job is.
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'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.
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The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of [2006].
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I always wanted to do an action movie, not particularly 'Bond.'
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I like 'Notting Hill.' If you can do a movie that's simple, but do it well, there's room for that.
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In the last 'Batman' movie, they told me that I couldn't get an audition for a small role they were casting because they weren't 'going urban.' It was like, 'What does that have to do with anything?'
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Ghost stories really scare me. I have such a big imagination that after I watch a horror movie like 'The Grudge', I look in the corners of my room for the next two days.
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It's the same assignment on every part: you want to create a real world, and the tone of it is a little different on each movie. You have to find your tone and work within that to make it as real so the audience can really engage in the story you're telling.
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When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
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All of a sudden Kevin told me that the movie got bought and was gonna be shown in a movie theatre. I was shocked. I was psyched. It was just weird.
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I really liked John Candy in 'Planes, Trains & Automobiles.' He was so good in that movie.
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When you play the young girl a lot, you can be in the movie a lot and have nothing to do.
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The first sales meeting I made was for the television movie 'Farrell for the People.' I walked into a conference room at NBC that I had built. It was my memorial conference room. There were 10 people at the meeting, and by habit, I sat at the head of the table.
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It's a movie that bewilders some viewers and mesmerizes others. A man I met while we were exercising our dogs told me it was the greatest film he had ever seen, and one of my editors claims it's the closest any movie has ever come to photographing the inside of his mind.
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Big movie or small movie, you make this thing, and then you show it to people, and you just hope they like it. You hope it works.
