Movie Quotes
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Growing up in the eighties, you could go from one style in a movie to another style, and that was okay. In the nineties, you had to obey your niche. You had to follow the code and never step outside of exactly what you're doing.
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I think I'm going to keep my Irish accent forever now in any movie I make, because chicks dig it and that's all I care about now!
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I'm interested in trying to explore what I think is the truth at a given time in my life, and part of the process of being honest is - in my mind - talking about the idea that you're watching a movie. You're sitting here watching a movie. And I like that. It appeals to me intellectually, and also in a way I can't even explain.
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I've always wanted to do a movie that takes place in the 70's and was about rock and roll and getting high, like Dazed and Confused or Fast Times at Ridgemont High.
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All you need for a movie is a gun and a girl.
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Television studios bet the farm on reality shows, where they didn't need any actors and movie studios had no plans for any quality movies that required the presence of me.
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I've done a couple of movies for scale, and it's the only way to get a lot of these independent movies made. The actors negotiate deals where they're given just enough money to live on during the filming, but then they participate in the back-end. If the movie suddenly makes a gazillion dollars, we'll participate in that profit.
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Whenever I open a movie, I go secretly to the theater and stand in the back and enjoy the moment. I laugh when people laugh, and when people cry, I laugh.
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The entire process of making a movie is sort of blind trust because, otherwise, all of it just doesn't make any sense: the fact that we can create any sense of reality or emotion given the arbitrariness of a day.
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I wasted most of my 20s being so frustrated I forgot to have fun. I was so concentrated on one thing - 'Must make movie.'
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But audio is a component of video, so there's always been that anyway, and although we've never expressed a visual side apart from the Grateful Dead movie, I don't find it that remote, you know what I mean? It's a departure of sorts, but it's like a first cousin.
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Everybody - even huge movie stars - have downs. That's just how it is. The work ebbs and flows. My manager and I were saying, 'Let's remember that in 2013 we were soooo busy.' So whenever it is that we're not, maybe it'll come back again. Maybe it won't. But you've gotta love the ride.
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Look: the day I've made a movie that I think is really good, I hope I say it out loud so somebody can say, 'Then you probably made the worst movie of your entire career.'
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I did a good bit of episodic television directing, but directing a movie is so much more complicated.
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I want to tell the story. Mostly, when you see rock movies, it has to be this over-the-top thing. I want to give people a Bret Michaels movie where they see that my life is a comedy of errors. I also want to show my fans how to get through the kind of troubles that would leave most people flat on the floor.
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I did some background work for a movie called 'Bobby Jones: Stroke of Genius' in Atlanta and got bit by the bug. That was it. I saved a few thousand dollars and packed up my car. I had hoped that I would start working just doing some modeling stuff or something while I studied acting. I thought I could support myself that way.
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In a series, you have the luxury of time to establish the character and build a rhythm. In a TV movie, you've got to come up with the rhythm now. Right now.
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Hopefully, after 'Victorious' has lived a long and beautiful life, I would like to go into movies. And I'd like to have a very successful movie career. Ultimately I'd love to win an Oscar; that's my big goal in life, so that's what I'm going for.
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Most movie-goers are overdosing on star coverage; it's the ultimate example of too much information.
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I've been to a lot of school and read a lot of thick books, but at my very core there's a made-for-TV-movie mentality I don't think i will ever shake.
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I really enjoy the iPad because you can multi-task: I can watch a movie, read, look at pictures that I shot - because I'm into photography. It serves a lot of purposes for me.
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When I got off '24,' pretty soon after that I did a movie that took place in the '70s, this movie with Jimmy Caan and Gena Rowlands, and I needed to kind of have that '70s pouffy housewife hair.
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I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.
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You only have so much money to shoot a movie with.
