Movie Quotes
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What bother me, not "bother me," exactly; that's not the right way to put it. But especially in the horror genre, once a movie like Paranormal Activity comes out and becomes popular - and that's a totally fine and valid movie - everyone starts copying it. Everything becomes a found-footage movie that looks like somebody shot it with their phone.
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I guess what's most surprised me in most of the reviews is that they don't seem to get the noir story in the dream sequence, so they analyze it like a straight noir movie.
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I don't believe that you can judge the worth of a movie in the atmosphere in which it comes out the first time. There's just so many reasons why some pictures don't catch on.
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There's this unspoken club where you say to each other: Oh God, if they only knew how ordinary I was, they wouldn't be interested. That includes movie stars and politicians.
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I can go to a movie theater and watch a movie I was in with an audience... but with television, the opportunity to meet the fans at Comic Con or any other situation, it's a chance to enter that circle; it's that sharing.
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I love movies. I can't participate in my love of movie-making fully unless I'm producing it.
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People don't care about what someone says about you in a movie - or even what you say, right? They care about what you build. And if you can make something that makes people's life better, then that's something that's really good.
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My parents are refugees from Vietnam, so they didn't grow up with 'Star Wars.' I don't think they know what's going on in the movie at any given time.
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We can't keep begging or expecting people to give us an opportunity to make a movie or to represent our culture in the right way. They're not from or neighborhoods and communities so of course they can't truly relate to our experience. It's our responsibility to properly protect our people and to properly give them opportunities for employment.
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Full disclosure: I've never read 'Eat Pray Love,' nor have I even seen the movie.
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One thing I definitely experienced up here (New York), that maybe I have to sort of cop to feeling defensive about, is since the election, people in my cohort, who are sensitive to portrayals of people in the movie as classist, have had no problem coming up with those sorts of [middle-American] stereotypes about a phantom real person they can blame for re-electing George Bush.
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I learned English kind of late. I remember when I got my first opportunity to work in America, I didn't speak a lot of English, so I only really knew my lines for the movie I was doing.
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I don't know any real jiu-jitsu or judo or anything. I do movie kung fu. With that, you can fake a punch, but you can't really fake a judo throw. You can get help from the person who you're throwing because they can kind of launch themselves.
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My belief is that no movie, nothing in life, leaves people neutral. You either leave them up or you leave them down.
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It's been scattered and I had to follow leads. Some stuff was with different family members in various drawers. I find out about more stuff and more stuff [over time]. I won't call it a treasure hunt, but it's like an old Western movie we're you're onto one thing and it turns into another.
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I liked it because it was such a dangerous script and showed just what human beings are capable of. Here was a movie in which Morgan Freeman and Brad Pitt, who always win in every movie they ever do, simply don't win. I felt that was outrageous for a commercial movie.
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I turned down a movie this summer because it was nine weeks in Vancouver and my oldest daughter is 14. I've got four more summers with her. I'm not giving away nine weeks of her summer to go do a silly movie.
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Most people don't watch a movie four or five times; they watch it once.
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I'm developing some high-frame-rate 3-D processes that are going to be, I hope, indistiguishable from reality. This will be quite an unusual cinematic event - you don't just tell an ordinary story, it's more of a first-person experience where the melodrama doesn't get in the way. Being inside the movie rather than looking at the movie.
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When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.
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I want to be in a 'Final Destination' movie.
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My folks made me a Jawa costume for the Halloween after 'Star Wars' opened in '77. In '78, when it was re-released, I was hired by the local cinema to be the Jawa: to dress up all summer long, and I could frighten people with my Jawa sounds and my Jawa outfit and watch 'Star Wars Episode IV' all summer long and get paid with movie passes.
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I learned that as a director, you're around all these talented people, so you have this window that all these really good ideas can come in to help your movie, so you're crazy to close them. You need to be inspiring people, engaging people. There are lots of people who are really good at their jobs but might not know or feel like they want to come up to people and get them to participate and want to do their best.
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I want really badly to just be funny in a movie but be close to myself.
