Movie Quotes
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I have a lot of repression. So repression is what I make movies about.
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Any time I hear certain songs I put in a movie, I have to not listen to them anymore because I associate them with that movie. They take on that association rather than the association I had when I first heard them. So it's kinda bittersweet to put a song in a movie, honestly.
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The budgets are much higher now, it costs more to make a movie and the kids that go to see them are into instant gratification. They want things bigger and bigger. I don't make those kind of movies. I make movies about relationships.
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I guess I could say I'm an actor, which I am, but that sounds like I'm putting down being a movie star, which, let's face it, is what I've become to many people. For myself, I'm a guy who was very insecure from about age 14 until the day I hit my 30th birthday.
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I watched some serious '80s television. 'Alice,' 'Good Times,' 'The Jeffersons,' 'Family Ties,' 'Cheers'... every night it was eat dinner, watch 'Cheers.' I was actually on 'Jeopardy' with Rebecca Lobo and Dot Richardson, and we were laughing because I was just nailing every random '80s trivia question - sitcom, theme music, movie, you name it.
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Movie actors are just ordinary mixed-up people—with agents.
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I saw 'Food, Inc.' last night - it was like a horror movie. I'm definitely thinking about my food supply now and how I want to grow my own.
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What I love about low-budget movies is my interests and the director's interests and the actors' interests are aligned. No one makes money unless the movie works, and that informs every creative decision.
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Being able to be on set every single day and actually lead a movie was very humbling but so exciting at the same time.
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A lot of the films I like are more than fantasies - they're movies fascinated by the technology of space exploration, and they try to honor the laws of physics. I watched the Gregory Peck movie 'Marooned' over and over when I was a kid.
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Let's get a couple of things straight. It hasn't been years and years since I made a movie. I'm not coming back from the dead - I've just had two kids! I have no intention of retiring, but I do think it's impossible to do movie after movie, because there aren't that many good films made.
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I love 'The Orphanage' because the concept is so cool and the story is told in such an interesting way. It's a movie that will scare your socks off but make you cry at the end. It's one of the most tragic movies I've ever watched and is truly heartbreaking and scary at the same time.
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Everyone in my industry, the movie industry, is looking at the music industry and going, 'How do we avoid that collapse?' And I don't know if you can, to be quite honest!
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I'm the luckiest broad in Hollywood now. To be the lead actor on Scandal and to be in the highest-earning Tarantino movie- I don't get to ask for more.
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The people in L.A. do orient themselves to light. I used to call it 'Tan Fascist Culture.' Everyone there is tanned, wears dark sunglasses, looks like a movie star even when they're not.
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You can do a movie for Disney or not. People will still ask you inappropriate questions. So in order to answer it, do I feel like there's a difference in promoting it? Apparently not.
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Doing an animation is nothing like anything you could ever experience. You get to be a kid again and just play dress up in a movie studio.
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I feel totally lucky and happy. I think a lot of young directors feel this way but you sort of, like, have a biological clock that starts ticking and you like feel like you aren't anything until you direct a movie and you need to find yourself and this is how you do it.
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Even the favorite reviews, the audience response is the movie is too slow, deliberately slow. But for the Chinese audience, the biggest complaint is it happens too quick. I think the historical background that build into our genes is different. American people has never been occupied. The deep sadness and sentimentality, the cultural background that relates to melodrama that we relate to and grow up with, the propaganda, I didn't imagine the difference is so big. It's a very interesting cultural phenomenon.
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I love hanging out with my friends; I love to run. I box. I'm a huge movie buff.
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I feel so grateful when I see a movie and there's a woman who looks somewhat like me. I'm like, 'Thank you, Samantha Morton!' You know, a woman who feels like a human being. That means so much to me.
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I was a '90s kid, so I missed 'Jem and the Holograms.' But once I delved into the whole world of it, I realized it's iconic. There's incredible dancing in the movie, too.
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'Paranormal Activity' was the first of our independently made/studio-released films. It was also the ultimate low-budget high-concept movie, which is what we are always looking for. 'Paranormal Activity' was the genesis of our model, of which I am so proud.
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What's interesting is that producers, directors and writers tend to typecast me in terms of whatever movie they've seen me in most recently.
