Movie Quotes
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Hollywood producers aren't going to say, 'Get me that swearing, grey-haired, headless chicken. We need him for our new 'High School Musical' movie!'
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I've never directed before, so I need to make sure that people know that I can. The movie that I've written, 'The Sophisticates,' is a... small ensemble comedy and I hope it's charming and funny.
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At the end of the day, it is just a movie, and we should remember that we're doing it for the audience, and we should have fun doing it. If we have fun doing it, it will come across on the screen.
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But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a comic book, that was just great.
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We always set out to just make a great movie.
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The Christmas story has such power and such appeal every year. There are other stories we get tired of. You think of your favorite movie; you don't want to watch it 15 times.
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The people in L.A. do orient themselves to light. I used to call it 'Tan Fascist Culture.' Everyone there is tanned, wears dark sunglasses, looks like a movie star even when they're not.
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I was living in Evanston, Illinois and I was taking theater classes down the street, and our theater school was kind of affiliated with an agency, and so I went on one audition for whatever that movie was, 'My Stepmother is an Alien' or whatever it was, and 'Roseanne' was my second audition.
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That movie was my girlfriend. That was my girl." I knew there was going to be initial anger. As a matter of fact, when I was deciding to do Footloose that was one of the first things that I had to realize. First of all, I had to figure out a human connection to it but then I also had to reconcile that I was going to get beat up a little bit on this a little bit.
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The riot isn't seen in the movie, but it is alluded to. He has this one speech that gives a great sense of texture and paints a picture of what was happening in Harlem then.
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I got into history when I was 11 years old, and it all started with the Titanic. I'd read books in the library about it. Of course I've seen the movie, too - I don't think I've ever cried that much.
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I feel totally lucky and happy. I think a lot of young directors feel this way but you sort of, like, have a biological clock that starts ticking and you like feel like you aren't anything until you direct a movie and you need to find yourself and this is how you do it.
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I don't necessarily go out and try to do something that's going to be just something that will please the audience. I'm not interested in doing something where I get the most people to come see the movie at the same time and they get the biggest explosion. I'm not interested in that.
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People always ask us, 'When are you guys gonna do a movie? When are you gonna do a TV show?' And to me, that feels like such a step backwards from where are.
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The original Mickey Mouse Club, established in the '30s, was designed to attract children to movie theaters.
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There was a widespread indignation in the American media. They were saying, 'How can you make a movie during an election that's about politics? What are you doing? Are you trying to influence people's lives?' To which my response was, 'Well, I hope so.'
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I cry very easily. It can be a movie, a phone conversation, a sunset - tears are words waiting to be written.
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I touched emotions I've never tapped in my entire life. I've heard people say, 'I hope this movie doesn't glamorise drugs.
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It's very hard to impose your beliefs or a specific message about any given movie. I think that audiences always extract what they want from a film even if something isn't overtly political. They may or may not get it, and it's hard to control that.
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It's not like you do 'SNL' and then get handed movie roles. You work, you audition for stuff and try to get it. I think, a lot of people, it's the goal to be in movies or just to be working in general. But yeah, some of us get lucky and get some movie roles, and it's nice.
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I decided I wanted to be a musician when I saw the movie 'Amadeus' around 1987. I was five years old, so it was a good time to start piano lessons after seeing Tom Hulce who played Mozart play the harpsichord on his back with his hands crossed. Such a great movie to inspire a five-year-old.
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'Deep Red' (1975) is my favorite movie. The character David Hemmings plays is very much based on my own personality. It was a very strong film, very brutal, and of course the censors were upset. It was cut by almost an hour in some countries.
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The most powerful Vietnam movie, to me, was 'The Deer Hunter,' which was more about what happened to the folks who went and about their relationships.
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The Marvel experience was particularly wrenching because I was sort of given absolute freedom while we were shooting, and then in post, it turned into a different movie.
