Movie Quotes
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With an independent movie, it's like, 'Okay I know what I want, and I got to go for it.' I just got to get the A version of this. Occasionally we'll try a B version, but not often. We'll just get what's scripted and try to do that as best we can, so you sort of edit while you shoot an independent movie.
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It never occurred to me that I looked like a movie star.
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Most people don't watch a movie four or five times; they watch it once.
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Full disclosure: I've never read 'Eat Pray Love,' nor have I even seen the movie.
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My parents were big movie-musical fans. And I thought 'Grease' was different from the usual MGM musical. I was intrigued and fell in love with it.
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What's the shelf life of a 1931 movie? If it still exists, there will always be film buffs and a niche audience who will want to see it. But in terms of people even understanding in common usage, some of the words we use to describe these movies, I don't know how long that's going to last.
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It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.
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When I started Participant, I felt that the movie business was ripe for a company that dealt with big issues in a systemic way. I was a little surprised that nobody had done it before. But to most people, entertainment is escapism.
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When I was a kid, I used to sneak down the stairs when my folks were listening to 'The Witch's Tale' and 'Inner Sanctum' on the radio. I went to see 'Frankenstein' in the movie theater and got the pants scared off of me.
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We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family.
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Acting and recording an album at the same time, that's not my sport. I could write a movie when my attention was paid to that. But I'm good at one thing at a time.
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I do get starstruck working with Bruce because even though he is such a nice guy he's a real movie star. I grew up watching his movies it is just really hard to get used to just being around Bruce Willis. I mean, he's Bruce Willis!
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Britain produces great actors because they learn on stage so know their stuff when they get on a movie set.
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I was doing a movie, 'Diana,' and I pulled aside the guy who was making the nose for Naomi Watts and said, 'I'm about to do 'Cyrano.' So he did various Photoshops of different looks that might work. I was really against any kind of 'Pinocchio' theater thing. The way that it's described in the play is this disfigurement.
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I think that when you see the trailer [on movie "300"] - my feeling is anyway and maybe I'm not objective because I live it - but I think when you see it you immediately go, 'Okay, this is another sort of way of doing this.'
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It's actually shocking to me how hard it's been to get back into the movie business.
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Being a working mother is not easy, but I think it helps you choose what's important in your life. If I think about starting a new project - whether it be music, a movie or a fragrance - I always stop and think: Is this something I feel really passionate about? That way, if I'm not at home at least it's for something I really love, and my son can look up to that.
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I want to produce the music to a movie that I'm working on, like what Prince did with 'Purple Rain.'
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If you are the record label who owns Lady Gaga, and you have a new artist coming up, you can say, 'Let's have the artist play just before Gaga.' Now you've exposed the huge Gaga audience to the new artist. It's similar to showing a trailer before a movie. The hit creates a hit.
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I still remember 1997 when I made the movie 'Storm Riders;' that moment, a lot of American producers want to hire me to make movies in the States.
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My folks made me a Jawa costume for the Halloween after 'Star Wars' opened in '77. In '78, when it was re-released, I was hired by the local cinema to be the Jawa: to dress up all summer long, and I could frighten people with my Jawa sounds and my Jawa outfit and watch 'Star Wars Episode IV' all summer long and get paid with movie passes.
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The Dardenne brothers do a movie almost every year, and they put everything together to have a comfort.
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We set up a beta site, a test site, with movie, music and book reviews. If you're reading them and you want to buy a book or a ticket for a movie that's reviewed on the site, you can do that without leaving our site.
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I have always wondered why the movie industry was so firmly persuaded that the original author could be of no possible help in the case of a remake or any other change in a work.
