Movie Quotes
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I always tell people, 'If you say you don't like horror, it just means that you haven't found the right movie.'
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It's not like you do 'SNL' and then get handed movie roles. You work, you audition for stuff and try to get it. I think, a lot of people, it's the goal to be in movies or just to be working in general. But yeah, some of us get lucky and get some movie roles, and it's nice.
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My point of view when I make a book or I make a movie is to see the humanistic point of view. The point of view of the daily life of normal people.
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You put a movie star or a bunch of movie stars in a movie, it doesn't mean people are gonna go see it. It's been proven time and time again.
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I really love 'Poltergeist.' I think that's a great, terrific movie. I did really love the first 'Friday the 13th.' I thought that was such a crazy movie.
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I like a movie that the audience actively has to participate in and not just casually observe.
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Any jokes I make I try to make sure it's on story and helps the characters and makes sense with the movie.
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I've been in love with the cinema since childhood and it's a fantasy of mine to appear in a Hollywood movie.
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When I was 28 years old, I thought it would be great to have a movie about my life. I was egotistical and self-centered.
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People say, 'Well, whose career do you follow? Where do you see your career going? What movie do you want to do next?' And I can't tell you what type of movie I would go and do next. I would have to read the script and feel for a character. And if I feel in my gut for a character, I know that that's somebody I have to play.
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I like storytelling movies and more than that I like historical movies; and I think someday I'll definitely make a movie about the past 50 years history.
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My very first scene on camera for anything was with Sarah Jessica Parker in the 'Sex and the City' movie, and she couldn't have been more lovely and beautiful and kind, and on top of that, she's just a killer actress.
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I am in love with the idea of doing a movie in 3D. I think 3D would be great in a kind of realistic normal story without throwing objects to the camera, but using the 3D on the emotions in an intimate story.
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Mostly, I would like people to ask other writers about the craft of their writing so we could learn from one another. We ask movie directors why they chose to use certain lights and angles and speeds of film, but most of the time, we ignore the craft of a writer.
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I always want to make an album that lets people immerse in it, kind of like you get caught up in a good movie.
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My friends know I'm a really big movie buff, and I named Vivianne after a movie character. She was named after Vivianne Walker in 'Ya Ya Sisterhood.'
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I love that movie 'Chicago.'
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I think, probably, the place that I feel I most belong is a movie set. It doesn't matter where it is in the world or who I'm making the movie with; that's the closest thing that I've got to a sense of placement. So I guess acting was a way of finding a home, if that makes sense.
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Ever since I worked on 'Buffy', it's always helped me to find a genre container for something, and I was like, 'Oh, this is where the movie melodrama has gone to. It's gone to YA.'
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I directed a movie back in the '90s which had calf roping in it, and I got into it quite a bit back then.
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I learned English from watching American movies and American series. And you'd watch the movie the first time and not understand anything. Then you'd watch it again, and you'd start understanding more and more, and that's how I learned English.
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When you make a 3-D movie you actually have to plan the way the visuals look because there's a parallax issue, and there's an issue of editing; you can't edit very quickly in 3-D because the eye won't adjust fast enough for it.
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If I go on dates, my mom is always with me. She's always there making sure I'm all right. Like if I go to see a movie with a boy, she'll go to dinner next door.
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I cry very easily. It can be a movie, a phone conversation, a sunset - tears are words waiting to be written.
