Movie Quotes
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I've been in movies where so much of the conversation was about, 'Well, after this movie, you're gonna be the biggest movie star.' I sort of have learned that you never really can predict any of that.
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Hollywood producers aren't going to say, 'Get me that swearing, grey-haired, headless chicken. We need him for our new 'High School Musical' movie!'
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I started working as a movie writer and a movie producer... all the way back to 'Teen Wolf' and 'Commando.' All of those experiences, plus working both at DC and at Marvel - each of those things are bricks in the wall.
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I'm really not a TV junkie... OK, I kind of am a TV junkie, but I'm much more of a movie junkie - my junk food is romantic comedies I've seen a million times.
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If you're a film studio, you're making a movie for a foreign market. You're pursuing ideas that travel well. It changes the movies we see and how movies are made.
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For myself, I would rather take less roles and be working on films that I'm passionate about, that are going to challenge me and that I'm going to be growing from. I don't ever want to take a movie just for the sake of working.
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Come on, guys, I am a computer nerd. I love Hollywood and movies. My whole life is like a movie. I wouldn't be who I am if it wasn't for the mind-altering glimpse at the future in 'Star Wars.'
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It's high school, man. They compare it to prison in the movie.
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I never want to be away from you again, except at work, in the restroom or when one of us is at a movie the other does not want to see.
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Denzel Washington is a big Hollywood movie star now. But he started out as an actor in the Negro Ensemble company.
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Somehow, someway, you get kind of labeled this guy who was in a Freddie Prinze Jr. movie too many. And Freddie Prinze Jr. - it's not his fault, either - it's just these are the things that happen. I'm not a George Clooney; I don't have a ton of opportunities.
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I really love 'Soapdish.' I wish 'Soapdish' had more of a moment because I felt that that is a really strong, funny movie. Kevin Kline is hilarious in that movie.
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The idea of getting to make a movie like the ones that impacted me as a child is my life's dream.
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The major studios are by and large banks, and they give you what is by and large a loan to make a movie. Like banks, they want their money back plus.
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I directed a movie back in the '90s which had calf roping in it, and I got into it quite a bit back then.
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In starting to learn about film festivals and what were good ones - 'cause there are five billion of them - it was just a really good East Coast festival. And I thought this little movie was an East Coast film.
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It's the first movie I feel really proud of. But I know it's not a movie for everyone. Some people will embrace it, but some people will hate it, and I'm not really sure how to deal with that. In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.
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I have to do popcorn for movies. I can do more important things for television. You're going down when you're making a movie, not going up.
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I love that movie 'Chicago.'
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The most important thing when you do a movie is that you find an audience that really understands what you want to do and is really supportive of it.
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I think it's important to say typing in the computer is like the last, last phase of my writing process. That's kind of the fun part. Well, it's all somewhat fun, I suppose. But usually what happens is I think about a movie for at least a year - maybe a couple more - and I don't put anything down.
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I was obsessed with movies, and it ended up being the tool with which I could make friends. Because I was too painfully shy in other circumstances, I would say, 'Hey, do you want to make a movie?' And that's how I made friends, and it was also my escape.
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I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie.
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I always loved movies as a child, and I love story. I got my degree in English. Film and story seemed, to me, the vector of the movie business. I really didn't know what 'the film business' meant, but I decided I wanted to be in it.
