Movie Quotes
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Those reliable axioms about the taste and expectations of the mass movie audience are not so much laws of nature as artifacts of corporate strategy. And the lessons derived from them conveniently serve to strengthen a status quo that increasingly marginalizes risk, originality and intelligence.
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'Punch-Drunk Love' is my favorite movie.
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I really enjoy acting. I feel I'm getting better and better with each movie I make.
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I would like to perform more in English. But there have to be many good things gathered for me to be willing to do a movie. I watch trailers of every new American movie and I'm, like, 'OK, I'm not missing anything!'
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In the life of a director - these days in particular - when it really does take so long to do a movie, with a few exceptions, actors may never work with a director again, even if they're great friends.
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Anything that's memorable about a movie is often what a test audience will object to because they're being asked to be experts. They just compare the film they finished watching to all of the other films that they've seen.
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I totally heard by chance that they were doing the casting for a James Bond movie, and that one of the auditions was taking place in Paris. So I tried myself to contact every name involved in the movie I could possibly find on the IMDb!
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There's this group online that I frequent. It's a group of prop crazies just like me called the Replica Props Forum, and it's people who trade, make and travel in information about movie props.
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You could go out with a camcorder tomorrow and make a movie with virtually no money, but promoting a tiny low-budget movie costs $20 million. And the money they spend on the big movies is astronomical.
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I believe in research. Each movie at Pixar involves research with college professors or taking trips to learn as much as we can about a particular subject matter.
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What is a movie star? It is an illusion. It was everything I ever wanted to be, but it became a kind of shell, non? It was what made me famous and got me women. But it wasn't real.
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You have a bad day at the office, four people know. You suck in a movie, everyone knows.
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Proving that the best villains have the charisma of a hero, (Jason) Statham makes a strong impression, supplying the kind of menace that permeates the movie even when he's not on screen. His fight with (Dwayne) Johnson doesn't have the bang you'd expect from a The Transporter versus The Rock match-up, but the climactic Statham-(Vin)Diesel battle more than delivers.
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It's nice when you're working in Hollywood and there's a movie you'd like to see that no one is making anymore. You make it yourself.
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I tend not to go look at movies before I make a movie. I'd rather not be specifically influenced.
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Everything is so funny in the movie. The funniest thing about the movie is the transformations they were able to make with the characters.
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A novel, of course, is a fully self-contained work of art. You pick it up off the shelf, open it, and there it is - a whole universe waiting for you to enter. A screenplay is just a blueprint for making a movie. Until the movie is actually filmed, the script really means nothing.
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I didn't feel like going any further in this scene with the boy. He was not a professional actor, and if I had pushed the scene any further it would have destroyed the tone of the movie.
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Growing up in the '70s and '80s when my dad had an art gallery, one of the things that frustrated me was the world seemed so tiny, and to appreciate contemporary art, you needed a history of art, a formal education. I was more interested in the people, and that's why I went into the movie business in the first place.
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The greats are 'The Shining', 'Rosemary's Baby', 'Don't Look Now', 'The Exorcist' - those movies were not really slashers: they were about psychological terror and had very deep emotional backdrops. If we do our best, '6 Miranda Drive' can be that kind of a movie.
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Adaptations, especially movie musicals, are really hard to do.
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Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie.
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Sometimes I only hope to make a good popcorn movie.
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A movie about the past is not the same as the past.
