Movie Quotes
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That's the most important thing to me - that if I'm gonna spend however long it takes to make a movie, give up 14 hours a day for however many weeks or months, then it's very important for me to know that I'm working with people who I respect and enjoy and that we're going for something together.
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Writing a novel is so hard, and there are so many problems that the last thing you're thinking about is adapting this mess you have on your hands as a movie. You just want to get it to work as a novel. That's your main focus.
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I didn't feel like going any further in this scene with the boy. He was not a professional actor, and if I had pushed the scene any further it would have destroyed the tone of the movie.
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One musical that deeply influenced me - and continues to do so - is the 1997 ABC TV movie of Rodgers and Hammerstein's 'Cinderella,' starring Brandy, with Whitney Houston as the Fairy Godmother and Whoopi Goldberg as the prince's mom.
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This is a very pivotal time in America and I think families are still reeling from events depicted in that movie The Big Short.
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The power and influence of a movie star is curious: I didn't ask for it or take it; people gave it to me. Simply because you're a movie star, people empower you with special rights and privileges.
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I'd rather shut myself in a room for six months than act in a bad movie.
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I always wanted to be part of a movie that creates a different world.
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I quit smoking the day I found out I was pregnant, which was nine years ago. But I'll still smoke in a movie. I have other vices, you know, like potato chips and chardonnay - but not together.
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If I like a movie, I see no reason not to go back for Parts 2, 3, 4, etc.
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From the first time I did a movie, people have said, 'Oh, it's all going to change now.' And it would change, but very incrementally. I think I prefer that to some big explosion of fame all of the sudden.
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One interview would lead us to another interview, which led us to another interview. We had the questions and the idea of chonicling this moment in time. But we didn't have a movie, per se. As we started interviewing people, it started to kind of define itself.
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I have never really had a goal to be a true blue movie star, unlike a lot of my colleagues.
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The words 'Kiss Kiss Bang Bang,' which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies. This appeal is what attracts us, and ultimately what makes us despair when we begin to understand how seldom movies are more than this.
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When you do a movie as opposed to a TV show, it's always tempting to think everything has to be big and exaggerated and spectacular. And in fact, a lot of the funniest comedy films have been very intimate.
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Sometimes, I've had the experience with a director where I didn't share the same vision of the movie.
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It's easy to get caught up in a moment and think, 'Oh, I've been offered some giant studio film or a superhero franchise or some actor wants to meet with me about a project they want to do.' And it's easy to get caught up in a moment because it's flattering. But you can't do a movie because it's flattering.
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I was bar mitzvahed, which was hard. I feel it was the hardest thing I ever had to do; harder than making a movie. It was a lot of studying, you know. I wasn't a perfect Hebrew reader, and also, they say when you're reading your Torah portion, you're not supposed to memorize it. It turned out very tricky.
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I saw the 'Wizard of Oz' recently and realized that, all my life, I thought they were real monkeys with wings. That's how scary that movie was for me.
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One of the things I've learned as a filmmaker is to have some aspect of the movie be something that I admire greatly, whether that's an actor I'm working with, the subject matter, or a book.
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I'm a big movie fan, and I want to make movies in every genre. I want to make my romantic comedy one day.
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Speaking as Coulson, it's unclear. I feel like that are other formidable S.H.I.E.L.D. elements and they don't have Coulson's connection to some of these people. I think what I like about what seems to be going on is there are differing opinions about who's where on the hierarchy and I think that's some of what goes on in the movie.
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'Shotgun Stories' and 'Take Shelter'... I was willing to make those with no money and no time. With 'Mud,' I just wanted to protect it until I could have the resources. It's a real tricky movie.
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I'm trying my hand at directing. I'm doing an independent movie that we haven't started casting yet, but it's like an edgy version of 'Lethal Weapon' and '48 Hours,' only with two women in it.
