Movie Quotes
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It's pretty easy to make a film in China. A few years ago I just walked into the office and let them know I wanted to make a movie called 'Red Cliff' and they were so excited. They said, 'Let's do it!' It's that simple.
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There are definitely strictly independent movies. 'Gummo' is one. Another is one I made, 'Fresh,' a $3 million movie which Boaz Yakin directed.
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I really enjoy acting. I feel I'm getting better and better with each movie I make.
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Anything that's memorable about a movie is often what a test audience will object to because they're being asked to be experts. They just compare the film they finished watching to all of the other films that they've seen.
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I got 'The Grey' made because Liam Neeson wanted to make that movie.
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We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.
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There is that stereotype of a nerd with the high pants and pocket protector and that kind of thing. That can sustain comedy for maybe a movie - hence the 'Revenge of the Nerds' franchise - but not for hopefully years on the air. It's a sight gag, not a story.
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You know how to tell if the teacher is hung over? Movie Day.
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My mother loved movies, and I loved movies like she loved movies. So I wanted to do that. I'd send away for movie magazines - the old thing of everybody wanting to be a star or whatever.
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Directing is the last frontier for women in the movie business. We are studio heads, we are producers and we are writers, but we are not directors in any numbers.
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It was a movie [The Railway Man] that stayed with me a long time. It's still one of the things I'm most proud of. I got to know the man that I was playing and unfortunately he passed away just before the movie came out. It's one that meant a huge amount to me, and one that I'm particularly proud of.
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Certain things are done intentionally opposite - like there's no sound at the end or synthesizers or all that stuff. Anything that drowns the movie, no. Anything that makes you sit up and watch it, yes. So, some are expecting a very sad theme going on.
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Was it my lifelong ambition to be in the movie business? No.
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I would hate to say as a non-African-American person that it would be wrong for a black person to direct white people in a movie. Wouldn't that be awful of me to say that? The only sympathizing thing I might say for people that want to [grumble] is that a filmmaker should have an understanding for the place where the people you're portraying are coming from.
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'Election' is a movie I'd give a leg to cross the director's name out and put mine in.
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You could go out with a camcorder tomorrow and make a movie with virtually no money, but promoting a tiny low-budget movie costs $20 million. And the money they spend on the big movies is astronomical.
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When you're researching something for a movie, you get a very different kind of reaction than when you're researching something for an article for 'The New York Times.'
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When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.
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I honestly love any good chick flick, as long as it's a good movie or pretty funny. 'Love Actually' is a no-brainer.
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I told everyone I would bring (the movie) back,
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One of the things I've learned as a filmmaker is to have some aspect of the movie be something that I admire greatly, whether that's an actor I'm working with, the subject matter, or a book.
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We make a lot of movies that I don't think merit a wide release. We have this label called Tilt, and we have the movies come out on that, and that's fine. But it shocks me when, having done this a few times, when I really believe a movie should get a wide release, and I struggle to get it released. That does surprise me.
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It is not like casting me in your movie is going to help you get financing.
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We went on the opening weekend [of Star Wars], a group of us went out and just popped into a couple theaters just to see people in the theater watching the movie, and it was incredibly gratifying just to see the thing out there being watched by people. And the reaction was more than we could've expected.