Movie Quotes
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I realise that I do not change the course of history. I am an actor, I do a movie, that's the end of it. You have to realise we are just clowns for hire. After I had success it was great, at first, not to worry about money. It was on my mind when I was growing up.
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Never on any golf course have I been approached by a policeman who said, 'Lady, you can't play with an ordinary golf ball. You're movie star. You'll have to use a coconut for a ball.
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When you watch a Coen brothers movie, it is always so certain about what it is trying to portray. That is their strength. The minute they write a word, they know how it will look on-screen. They are very purposeful, with no kind of mistakes.
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The first movie I did was 'Dan in Real Life,' which was directed by Peter Hedges, the same director who did 'The Odd Life of Timothy Green.'
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Somehow, someway, you get kind of labeled this guy who was in a Freddie Prinze Jr. movie too many. And Freddie Prinze Jr. - it's not his fault, either - it's just these are the things that happen. I'm not a George Clooney; I don't have a ton of opportunities.
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The whole acting thing is a buffet. One, in terms of role choice and movie choice, I like to do lots of different things, and I think that's the whole fun of it. But I also see it as a buffet in terms of the character.
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I think everyone who saw Alfred Hitchcock Psycho movie, as I did when I was young, was impacted. The shower scene is nuts. It still is, and I think what's wonderful about it is that it's universal. People understand the darkness and the violence, and it's shocking.
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I have fun acting, and I want to do more of it, and I want to direct my own movie.
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People that went to art house theatre have more options, I used to go, but now think any movie can be delivered in a red envelope three months after it's released so why not watch it on my flat screen in the comfort of home.
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I think I probably think about myself as an actor, which is the way most people do. I think I'm good, I don't think I'm great. I think I would hire somebody else to play me in the movie about me.
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Every filmmaker imbues a movie with their own point of view.
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I did this film called 'Prom.' It was a Disney movie. And at that point, I didn't know what the hell I was doing. I had no idea how to act. It was purely instinctual. I just remember the first scene I did and the first take, it feeling so right.
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In this movie they took them up in space. They're floating around and doing zero gravity stuff. Well, they had to do it all on wires. All the wires had to be painted black against this black background. If you didn't light it properly you could see the wires. Drove them crazy!
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It's pretty rare that I watch a movie now without seeing the script in a way that I hate, where I can see the stage directions and the choices that the actors are making.
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I'm often uncertain of what's expected of a movie.
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The first movie I saw where it convinced me I could be an actor was 'Mean Streets,' so whenever I see Robert De Niro and he says, 'Hi, Denis,' it's still a really big deal.
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The movie style of fighting is completely exaggerated with over-the-top movements. You'd get completely hammered if you fought like that in a real fight situation.
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I've got to see my movie to see how I'm acting, see what little things I can learn about my craft.
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I love going to weddings. I love movie scenes of weddings. Even, like, TV-show weddings - I cry at every wedding.
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We are always acting on what has just finished happening. It happened at least 1/30th of a second ago. We think we’re in the present, but we aren’t. The present we know is only a movie of the past.
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I definitely related a lot to Perry [from That's Ordinary World movie]. I liked how he put family first. I identified with the exhaustion and klutziness that comes with being a parent, and how he's just a rock-and-roller at heart. For me, it was fun to kind of imagine whether or not this could've been the path I went on, or not.
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I always have a moment when I know I'm designing the last costume that gets made for a movie, and it's always been floating up there, but it's kind of the last one. That's always probably the hardest one for me.
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I want to be a part of a movie that changes people's conceptual framework, and suddenly you see things in a different way.
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No one I knew in Sydney was thinking about how they might come to America and become a movie star. That would be considered delusions of grandeur. My parents were supportive, though. They just told me to keep at it as long as I was having fun.