Movie Quotes
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Me and Fred Wolf wrote the movie [ Grown Ups]. The whole idea was about putting together old friends that get to hang out for a weekend.
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In most science-fiction pictures, the black guy is either an engineer or a radio operator, and he is the first guy killed - gone from the movie.
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A movie doesn't have to do everything. A movie just has to do a couple of things. If it does those things well and gives you a cool night at the movies, an emotion, that's good enough.
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It's pretty rare that I watch a movie now without seeing the script in a way that I hate, where I can see the stage directions and the choices that the actors are making.
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Probably more than any other movie we've made here at Pixar, 'Up' was the one we were the most nervous about.
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'Election' is a movie I'd give a leg to cross the director's name out and put mine in.
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For the gun work, I had more of the basic training from the previous [movie John Wick] and the weapon work I have done in the past. In the second movie [John Wick 2], it really went on into another level. I've done the three gun training, where you worked with the pistol, rifle and shotgun. So that all is in the film.
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All of life’s riddles are answered in the movies.
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I'm prepared to take risks. And every movie that I do is a risk. No one knows what the movie is going out turn out like.
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I sure hope there will be more theatre on television and in the movie theaters. I do have to say, the idea of theatre in movie theaters is really exciting to me.
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I am so excited about the 'Goosebumps' movie; I am geeking out. I was a huge fan of the books.
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What happened on 'Mr. & Mrs. Smith,' I was given a big budget and given too many choices, and I made a lot of mistakes and missteps early on until I squandered all that extra money. But then, once my back was up against the wall, I made what I consider a really good movie.
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There's not going to be a 'Rescue Me' movie. Not a chance.
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What you write on the page has nothing to do with when you're on set. When you're on set, it has nothing to do with when you're in the editing room. And when you're in the editing room, it has nothing to do with the final movie. You just have to let it go.
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I think 'GoodFellas' is just a perfect film. From an efficiency of storytelling standpoint, from an entertainment standpoint, from a performance standpoint, from a use of music standpoint, from a cinematography and editing standpoint - to me, it's just a perfect movie.
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It's the rare book that's able to transport you in a way that a movie does.
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A dancing movie with Remo is something I would love to take up.
Jacqueline Fernandez -
Anytime I do a movie or a TV show, I make them aware of my hearing loss at the beginning, and that makes it much easier for all of us to communicate and get the job done.
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Honestly, when I had the idea to make 'An Inconvenient Truth,' and I was going out and raising the money, and I said, 'I want to make a movie about Al Gore's slide show, will you give me a million dollars?' People thought I was insane, looked at me cross-eyed.
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I think there are always actor parts, and then there are movie-star parts, and an actor's always an actor until he does a movie-star part.
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I would like Albert Brooks to have received the Oscars for best actor, best director and best screenplay for 'Modern Romance.' I love that movie.
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We make a lot of movies that I don't think merit a wide release. We have this label called Tilt, and we have the movies come out on that, and that's fine. But it shocks me when, having done this a few times, when I really believe a movie should get a wide release, and I struggle to get it released. That does surprise me.
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When I tell my friends, 'I'm in the 'Bourne' movie,' they're like, 'Congratulations! Wait... is Matt Damon coming back?' I go, 'Yeah.' And they're like, 'Yo! Matt Damon! Matty D!' Everyone pretends they know Matt Damon. It's exciting.
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The first movie I did was 'Dan in Real Life,' which was directed by Peter Hedges, the same director who did 'The Odd Life of Timothy Green.'
