Movie Quotes
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I've realized as well after five years of being on the road that if I'm going to four or five months of my life to something even if I'm overpaid, it's four or five months of my life away from home, away from my son, away from family and friends. I better believe in it on some level even if it's a big movie.
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Every time we make a movie, 'Guardians' included, 'Black Panther' included, 'Infinity War' included, we just feel lucky to be making that movie, and that's basically what the focus is on.
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Awful film adaptations follow novelists for the rest of their lives. An atrocious movie of 'We Need to Talk About Kevin' could have stigmatised the book, aggrieved the novel's fans, and blighted my reputation forever.
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I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.
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You could say that Iron Man was a second-tier character, and it turned out very successfully. I simply think it's down to the movie itself, and whether people enjoy the movie, are involved in the movie, and that it entertains them. From that point of view, the movie has to stand alone.
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Look at the movies of the sixties and seventies. They were making a different kind of movie then. Would 'Network' ever be made now? No. Would 'Kramer vs. Kramer' ever be made now? No. Would 'Tootsie' ever be made now? Probably not. Robert Altman films? Never.
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I will never become a director or a movie producer. I was always looking at picture directing because I didn't know what to do! You can't be a movie director without real preparation.
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Everything is so funny in the movie. The funniest thing about the movie is the transformations they were able to make with the characters.
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We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.
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I've been in the bargain basement of the movie business.
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I love Peter Gabriel, and I've come so close to working with him a few times. We were on a movie soundtrack together, but we didn't actually write together.
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When Carpenter was shooting 'Vampires' in New Mexico when I was living there, I desperately tried to get a job working on that film, and I couldn't. So my first job as a PA was on a CBS movie of the week that was shooting next door, and whenever I could, I would sneak over so I could watch.
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People who would go to an arthouse cinema and watch a Swedish movie and read subtitles... it's a small percentage.
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He made the characters a lot more three-dimensional. It's still a 'B' movie and it's still kinda campy. Now it's these really well-developed characters, really three-dimensional.
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I was very blessed it was Steven Spielberg who made the movie. He was very much into the redemption side of the story. They asked him in an interview why he had owned the rights to this story for 20 years before he made the movie, and he said, 'I wanted to see what the real Frank Abagnale did with his life before I immortalised him on film.'
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My attitude is one movie at a time. I don't want to get ahead of myself.
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I'm a trailer junkie. I love watching movie trailers as soon as they go up.
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I have a romantic vision of the beautiful delineation between TV and film that existed for so many years. I romanticize the studio system and movie stars as a whole, but obviously that's just anachronistic and probably a non-reality.
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Sergio Leone came to see me when I was doing 'Mission Impossible.' He wanted me to do 'A Fistful of Dollars.' I turned him down. I didn't want to get stuck as a stoic Western movie star.
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The Super Bowl is like a movie, and the quarterback is the leading man.
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I always talk to young writers about when you make art in your room, you make art. And when you send it to New York and L.A., you have to be a professional. Of course, when you sell your book rights as an option for a movie, you have to be a professional about that.
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I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.
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Our ethos for 'Now You See Me 2' was that everything in the movie at least had the potential to be done in real life, and I'd say over 90% of it was actually done in-camera with no CGI. Of course, movies like this are always going to be bound by the rules of Hollywood, being there's going to be enhancements of CGI.
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I accidentally saw David Byrne's last two songs in Prospect Park at a free concert because I came out of a movie late, and he was still playing.
