Movie Quotes
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I think all minority audiences watch movies with hope. They hope they will see what they want to see. That's why nobody really sees the same movie.
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Every time I see Peter Falk in the movie I think that would be great. We'd be fun together.
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Apollo 11 was the movie premiere of moon landings, with Neil Armstrong and Buzz Aldrin. Neil was a bit of a mystic, but also a taciturn guy from what I can tell. He really saw the moon as looking like the American high desert. He wasn't someone who dealt in metaphors.
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I've got to see my movie to see how I'm acting, see what little things I can learn about my craft.
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That movie - 'Airplane!' - it influenced so many of us.
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Every time I make a "Mission" movie or other films, people kind of look at me and go, "Well, now what? What's next?" I think there's always going to be another mountain. I think there's something always in store.
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For the gun work, I had more of the basic training from the previous [movie John Wick] and the weapon work I have done in the past. In the second movie [John Wick 2], it really went on into another level. I've done the three gun training, where you worked with the pistol, rifle and shotgun. So that all is in the film.
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'Brokeback Mountain' just blew me away. I'll always remember talking to Heath Ledger just after he finished that movie and he was going on about working with Ang and how incredible he was.
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Just getting movies made is difficult because it takes a lot of money; I mean, it costs more money to make one movie than most bands will spend on every single record of their entire career; it's a huge undertaking.
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The last thing in the world my parents would want to do is get on a stage or do a movie. They would probably rather die. But they let me be who I was, and they supported me.
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Everybody wants to be a movie star. I bet if you ask that guy would he like to be a movie star, he'd say, 'Sure.'
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My greatest sense comes from the experience of performing in the movie. When I have a great experience, that becomes a perfect movie. If it makes a nickel, it's still perfect. The same is true with a movie that's a bad experience. If it makes a bejillion dollars, I will hate it till the end of time.
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Box office is one of the strongest tools we have toward preserving our ability to make our movies. We really can make a difference by purchasing a ticket each opening weekend to a movie made by a woman, even if you don't like the movie or the filmmaker and even if you don't see the film.
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I'm sure everyone that has ever done an action movie has just drooled over how full of talent Bruce Lee was and how unique he was.
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Probably more than any other movie we've made here at Pixar, 'Up' was the one we were the most nervous about.
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I think before 'Saw' came along, there really wasn't a movie franchise that actually went out there and said, 'We're going to come out with one every year during Halloween and make that our trademark.'
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I read, go for walks and I love to garden. My hands are such a mess. People think I should have movie star hands, but they're just gardening ones. Always slightly grubby and with a bit of dirt under the fingernails.
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It's a difficult undertaking. I've been married for four years and I see this movie as a cautionary tale about people who've gone deeply out of communication.
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All of life’s riddles are answered in the movies.
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This movie 'On the Road' with Kristen Stewart - they were trying to make that movie for 30 years. She says she wants to do it, and they can finally make it. You have so much at your disposal if you're in a successful commercial film.
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The only time I have a good hunch the audience is going to be there is when I make the sequel to 'Jurassic Park' or I make another Indiana Jones movie. I know I've got a good shot at getting an audience on opening night. Everything else that is striking out into new territory is a crap shoot.
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I think 'GoodFellas' is just a perfect film. From an efficiency of storytelling standpoint, from an entertainment standpoint, from a performance standpoint, from a use of music standpoint, from a cinematography and editing standpoint - to me, it's just a perfect movie.
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In animation, there's not a medium I believe that's more collaborative. It is a team of people, of different disciplines, coming together. The decisions are made by consensus in many cases. My job as a director is to exercise the best judgement I can in terms of which decision is the best one to make for the movie.
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When I was a kid, there was no distinction between a movie about old people or young people. It was either funny or not. It was either entertaining or not. It was either exciting or not. It was either thrilling or not.
