Movie Quotes
-
In professional wrestling, I think that they want you to be bigger than life. It's almost like an over-acting type thing - whereas on the big screen, you're 35 feet and they've got a close-up of you to put it on the screen in the movie house. At 35 feet, it's more subtlety than the overboard drama that we do in pro wrestling.
Kevin Nash
-
I don't really know anything about the movie business, even though I've lived in Los Angeles my whole life - somehow I've never bumped into it.
Lisa See
-
When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.
Jesse Eisenberg
-
I look at American movies, the big muscles, and try to apply that to Chinese film-making.
Ang Lee
-
I loved playing Sasha. You don't have this on every job, or every show or movie, but every day was really an adventure, character wise, for what I got to do at that age.
Brigid Brannagh
-
I love what Paul Thomas Anderson did with 'The Master' with putting out those teasers made up of footage that's not in the movie.
David Lowery
Camper Van Beethoven
-
Audiences in every medium are becoming far more savvy. No one goes to watch a Tom Cruise movie any more just because it's starring Tom Cruise.
Joe Dempsie
-
In 'War Party,' I play a quarter-breed Indian. It's a serious movie, but it's funny, too.
Kevin Dillon
-
But the animation has become very good, and I think that a movie is not a book, and a book is not a movie.
Katherine Dunn
-
There hadn't been one done since the late 70s. I was living in Brooklyn, had no connection to Roger Corman, to no one in this movie. I didn't go to film school. I'm like the person who should have never made this film. But I just decided to put one foot in front of the other. I was writing film articles for magazines at the time. I convinced an editor from one of the magazines that I was working for to give me a shot to do a piece on Roger. This was an excuse to go meet him.
Alex Stapleton
-
Consequently, pictures are aimed at certain audiences, whether it be a teen comedy or an action movie or whatever. It's unfortunate, because while it may lead to big opening grosses, a lot of pictures that are a little different and don't fit so neatly into either a niche market or a high-concept marketing approach can get lost in the shuffle. That's one unfortunate thing.
Curtis Hanson
-
It's interesting to work with Emma Watson so quickly after Harry Potter. When we shot this movie, it wasn't that long after Harry Potter was finished, and it's knowing that's a big transition in her life. She's a very talented young woman.
Ethan Hawke
-
Training Day was such a Hollywood movie; I didn't like it.
Jason Patric
-
Everybody is always trying to make the best movie they can. It's a process.
Andrew Dominik
-
A movie is a filmed rehearsal in a way. The audience doesn't know that because you're taking out the things that don't work. There's no comparison to the theater because it's live. But making a movie is just as challenging and exciting, I find. A movie is pure process. The theater is the result of process.
Peter Riegert
-
Essentially, we wanted to be in one of Azazel's films, so the notion was we'd simply write an Azazel Jacobs movie ourselves, and then give it to him and be like, 'Right, here's you next film, now direct us. Go.'
Dolly Wells
-
No matter what you're doing, if you're trying to make a movie, you need to be working with people that are really good and who make you better.
Ben Affleck
-
It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
Chuck Klosterman