Movie Quotes
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I also love horror movies; I like me a big Peter Berg action movie. I'm a movie lover in general.
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Movie dialogue is movie dialogue. It can sound real, but no one speaks that way.
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That's kind of the weird thing that M. Night Shyamalan has sort of unleashed upon the world is this need for every movie to have these ridiculous endings.
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I'm not sure that 'Iron Man' is a superhero movie. I think towards the end of the movie, Iron Man pretends to be a superhero - he's entertained by that notion. I think 'X-Men' is a sci-fi movie.
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I feel like every time I take on a movie, it's important that the possibility of failure exists, and of the unknown, because it's a challenge to do something I haven't done before and something I have to try to work out.
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The movie - any sports movie - becomes a praise song to life here on earth, to physical existence itself, beyond striving, beyond economic necessity.
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The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired.
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I'd seen the movie 'Paranormal Activity' and was convinced for weeks that it was real.
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You can shoot and edit a movie from your iPhone and upload it to YouTube. Of course, what's not universal is talent. Are you making anything that anyone really should see?
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I always wanted to be part of a movie that creates a different world.
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I don't want to admit it, but I do enjoy the feedback from the audience. It's instant feedback. It's like, you could do a movie, shoot it for a year, wait six months, it comes out and you gotta do three weeks of marketing. Three weeks of that, and everyone goes, 'It sucks.'
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When the financial crisis arrived, it seemed to me that this was something I had to make a movie about.
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Only an unhinged movie survives as a disconnected series of images, of peaks, of visual icebergs. It should display not one central idea but many. It should not reveal a coherent philosophy of composition. It must live on, and because of, its glorious ricketiness.
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I was a paperboy first, then I worked at a movie theater. But I was a caddie at a golf club, which I didn't like. The people were so bougie and racist at times.
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I was Renee Zellweger's fat doppelganger. If she ever played in a movie where she needed to be fat, apparently I could be her stunt double.
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When I tell my friends, 'I'm in the 'Bourne' movie,' they're like, 'Congratulations! Wait... is Matt Damon coming back?' I go, 'Yeah.' And they're like, 'Yo! Matt Damon! Matty D!' Everyone pretends they know Matt Damon. It's exciting.
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I played a bass player and a singer in a movie once, but I totally lip-synced to everything.
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Designing a house is like doing a movie: Once you're done, you want to say, 'I hope you all enjoy it.'
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To me, Helsinki is one big movie studio.
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Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director, and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop.
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No studio in Hollywood wanted 'Cold Mountain.' None. No one wanted 'Ripley,' no one wanted 'The English Patient.' That tells you there isn't really an appetite for ambitious movie-making out there.
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In the beginning, I was doing whatever came my way. But that's how life is. I am not sitting around calling a 'daddy' to make a movie for me.
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If I can avoid doing stunts, I will. I don't want to die just for a movie. It's not worth it.
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I read books all the time. I'm just half looking for something to do; I mostly just read for pleasure. Occasionally I stumble across something that could be a movie, but I don't put a book down just because I don't see a movie in it, either.
