Movie Quotes
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Warren Beatty has always acted like a Movie Star even when no one knew who he was.
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If it's a real bad score, then it can ruin a movie for me, or, at least, it will draw a lot of my attention to the score.
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Movie-making taught me to better appreciate the benefits and joy of a good collaboration.
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Movie stars exaggerate certain things to let the audience know they're just playing a character, as if they're saying, "Look at me, I'm not really an old man, I'm just playing one." Or "I'm not really a homosexual, I'm just playing a gay character. Or an alcoholic. Or somebody who's mentally impaired." They often do it very successfully and win awards for it.
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The movie style of fighting is completely exaggerated with over-the-top movements. You'd get completely hammered if you fought like that in a real fight situation.
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When I work alone, my process is like painting. With Fleetwood Mac, it's more like movie making.
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A fun movie is something that is pleasurable without being demanding, you don't have to think too hard.
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To me, Helsinki is one big movie studio.
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Everybody wants to be a movie star. I bet if you ask that guy would he like to be a movie star, he'd say, 'Sure.'
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Material Girls was so different for me, I'd never done a teen movie.
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This technology will obviously become more prevalent. Who knows what will result? One thing is certain, computer technology will revolutionize the way we tell stories as much as movie film has.
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Putting on a movie is like going to war - for me, at least. It's all about time; time is money, and we don't have it. So it's all about getting to know each other intimately quickly. You are with family members that you like or don't like, but you can't leave them because you're stuck with them.
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The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired.
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In the beginning, I was doing whatever came my way. But that's how life is. I am not sitting around calling a 'daddy' to make a movie for me.
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Bob Balaban is so perfect that the first movie I did with him, I couldn't talk to him because I was so intimidated by him.
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One of the big problems we had was, 'Where are we going to put the trailer?' So now they've found places - they did 'A Walk in the Woods,' they put it with that movie 'War Room,' they put it with 'Ricki and the Flash.'
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Moana is such an amazing character. She's brave; she is so empowered. She knows what she wants, and she's not afraid to get it, and I think that's something that I can relate to as well. I just love watching how she goes along in this wonderful movie and grows as a person and helps her culture along the way.
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If you do a fifteen hour day on a film, there's a lot of time standing around but at the end of that, you want to go home to your hotel room and have a bite to eat, watch a movie and go to bed.
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Every movie I touched bombed.
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I loved playing Sasha. You don't have this on every job, or every show or movie, but every day was really an adventure, character wise, for what I got to do at that age.
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I love movie sets. It's another home for me. Movie theaters and movie sets - they're just the best places to be. I love them.
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In 'War Party,' I play a quarter-breed Indian. It's a serious movie, but it's funny, too.
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Only an unhinged movie survives as a disconnected series of images, of peaks, of visual icebergs. It should display not one central idea but many. It should not reveal a coherent philosophy of composition. It must live on, and because of, its glorious ricketiness.
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I think if the movie has resonance and stimulates the viewer to talk about it, you can have as large an audience as you want. The most important thing for me is that the movie exists. And that's success enough already.
