Movie Quotes
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People will say a movie bombed at the box office but I couldn't care less.
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The movie industry can be tricky and occasionally creepy, and I have this sense that the music industry is just shady as hell. I don't want to be a part of it.
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'The Lego Movie' did better than we could possibly have imagined. We were very nervous that people would discount it because it is called 'The Lego Movie.'
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The core of the movie business remains intact and it's not descending in scope. Studios want movies that are bigger than ever.
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In professional wrestling, I think that they want you to be bigger than life. It's almost like an over-acting type thing - whereas on the big screen, you're 35 feet and they've got a close-up of you to put it on the screen in the movie house. At 35 feet, it's more subtlety than the overboard drama that we do in pro wrestling.
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I won Miss Teen World, and then a movie rep saw me on the pageant website and thought that I had the perfect image for the role in 'Madrasapattinam.'
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I'm a novelist who read a lot as a kid. When you grow up on books and then grow up to write books, famous authors are a lot more meaningful to you than TV and movie stars.
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I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.
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The comforts come from my movie and television writing. It is unusual to live this well simply from books.
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I want to be a part of a movie that changes people's conceptual framework, and suddenly you see things in a different way.
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Uh, I do not wear a wig in 'Star Trek' like I did in 'Bottle Shock,' thank God. 'Bottle Shock' will be the last wig movie I ever do.
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When you watch a movie, you don't want to feel like a machine made it. You want to feel a soul.
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We can't worry about competition. Besides, you aren't competing with anyone but yourself. They have nothing to do with whether you make a good movie or not.
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You know how to tell if the teacher is hung over? Movie Day.
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'New Girl' is how I make my living, and if I'm going to do a movie, it's because I really, artistically, want to do it.
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I'd like to make really important movies, like American Beauty. I was really proud to be a part of that movie.
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To come into my world, I've got some M&Ms and some potato chips, and I'm asking you to move furniture. We're making a movie. We're making it like we're putting on a play.
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This movie 'On the Road' with Kristen Stewart - they were trying to make that movie for 30 years. She says she wants to do it, and they can finally make it. You have so much at your disposal if you're in a successful commercial film.
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'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.
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'Drake and Josh' was strictly nine to five. We'd go in and know what we were doing, and 'Superhero Movie' was just nuttiness every day because there's a joke every ten seconds.
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It's easy to get caught up in a moment and think, 'Oh, I've been offered some giant studio film or a superhero franchise or some actor wants to meet with me about a project they want to do.' And it's easy to get caught up in a moment because it's flattering. But you can't do a movie because it's flattering.
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I always talk to young writers about when you make art in your room, you make art. And when you send it to New York and L.A., you have to be a professional. Of course, when you sell your book rights as an option for a movie, you have to be a professional about that.
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The worst thing ever for me is go see a movie, and the next day I go, 'What did I do last night? I have no memory of this $300 million movie I watched because I felt nothing.'
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People don't talk about how hard it is to make a movie. Nobody does. Ever.
