Movie Quotes
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I'd like to be in a Spike Jonze movie. But I live in a Nancy Meyers movie.
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'3:10 to Yuma' was one that I just kept on talking and thinking about after reading it. And I think the reason is because, like in most Westerns, you have the very clear-cut bad-guy/good-guy, however, as the movie progresses, you kind of see that it's a very fine line that divides these two.
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When you do a movie as opposed to a TV show, it's always tempting to think everything has to be big and exaggerated and spectacular. And in fact, a lot of the funniest comedy films have been very intimate.
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It's amazing because people come up to me and say, 'Chuck, you're the luckiest guy in the world to be a world karate champion and a movie and TV star.' When they say this to me, I kind of smile because luck had nothing to do with it; God had everything to do with it.
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I think that where I've watched a movie go wrong, it's usually because the dread committee has been interfering with it.
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I do not have to watch late-night television, watch a movie, to find out what combat is like.
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There are so many factors that go into how you feel, as a performer, on any given movie, that it's really hard to identify which things are the things that help you be good, and which are the things that hinder you.
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I'd rather shut myself in a room for six months than act in a bad movie.
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I applied everything that I could muster creatively to this mission to find a way to create a new 'Jurassic Park' movie for a new generation.
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I think that 'Elysium' the movie is unrealistic, with the space station and everything. I think 'Elysium' the metaphor is completely realistic: it's exactly where we're going.
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I fundamentally believe that your words have so much credibility if you're not taking money upfront. I feel really comfortable pushing actors and pushing executives and pushing marketing people when we're not going to benefit financially unless the movie works. I feel like that makes the playing field so much more level.
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Nobody goes to a movie and watches the script. There is a lot of other stuff going on.
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Authors are now marketed like promising movie starlets and must rattle around the nation's television stations to try to assert a salable identity different from that of the other starlets.
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When somebody says, 'Do you want to play Dr. Dre in a movie?' I mean, how do you respond to that? My initial response was 'no' because I don't think I can do it ,and I don't want to be the one to mess it up!
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Growing up as a kid in Detroit, way back, there was a movie station that would show old kinescope reproductions of old movies, and I remember seeing Bela Lugosi for the first time and being duly frightened out of my wits.
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It's embarrassing, isn't it? It took me 15 years to make an 18-minute movie.
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School allowed me to have outlets so that some of the pressure was taken off the acting. Every role in every movie, I used to live or die by. Once I had these new outlets, I relaxed a lot more.
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You'll see a movie about someone you hate or someone you love. Will you see a movie about grandma making apple pies? No, you won't. Only if grandma has poisoned the neighbor or is suspected of poisoning the neighbor through her apple pies.
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My attitude is one movie at a time. I don't want to get ahead of myself.
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don't mean to sound weird but I get so immersed in the source material when I'm working on a movie that I kind of lose the line between what I thought of and what was in the book.
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You're always in a tunnel that you can't see the end of. But there's something that took place on this movie that I don't think we expected and that was that once we decided that the entire cast would be real retired opera singers and retired musicians... and these people the phone hadn't rung for them for 20 or 40 years even though they can deliver.
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I've always wanted to do a space movie.
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There are some movie stars in Hollywood that are so scared, they also tell the reporter that they are recording them, in case there is something wrong with what they wrote about them in the papers.
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I knew I wanted to make a movie that looked decadent and expensive. I knew we would have to make every penny stretch and put as much of the budget onscreen as possible. So it starts with your heads of departments - your production designer, costume, hair and makeup designers. Picking the right people who were as committed as I was to telling the story as I was.
