Movie Quotes
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Just came from the premiere of Guardians of the Galaxy. With all the hype I expected to be a bit disappointed. It just couldn't be as good as everyone was predicting. And they were wrong. It's even better than everyone said. It just might be Marvel's best movie yet.
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Now I figured this out recently, pretty much if you ask anybody to be part of a movie, they get a smile on their face. They do! People are like, Movie! Ya know, I don't know. There's something that's magical about it.
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We have a problem in the industry, I believe. This whole 'free' issue. The television industry doesn't have it, the movie industry doesn't have it, but the record industry has it.
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Before playing Headfirst Slide Into Cooperstown On A Bad Bet. I couldn't really come up with a short way to sum up this song, but I was watching the movie 'Adaptation' the other day and this sort of sums it up in my head. You are not who loves you. You are who you love. Always remember that.
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We are always acting on what has just finished happening. It happened at least 1/30th of a second ago. We think we’re in the present, but we aren’t. The present we know is only a movie of the past.
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The first movie I saw where it convinced me I could be an actor was 'Mean Streets,' so whenever I see Robert De Niro and he says, 'Hi, Denis,' it's still a really big deal.
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I realized this is what God has dealt me, and I should be thankful considering all that's happened to me in my life, but MS caused the movies to stop - stop dead - and I miss it.
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When I was doing 'This Boy's Life' I wanted to be as old as Robert DeNiro and as experienced as him and have the same respect as he did in that movie.
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If you want to buy a good movie, you'll buy a good movie. If you don't want to buy a good movie, you'll buy a 'Twilight' movie.
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The movie is actually from a book by Stephen King called The Body. When they were gonna put it to a motion picture, they found the story was a bit too strong for the title The Body, based on a young kid's movie. It would be too heavy.
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To me this movie is about what is valuable. To one person it might be a stone; to someone else, a story in a magazine; to another, it is a child. The juxtaposition of one man obsessed with finding a valuable diamond with another man risking his life to find his son is the beating heart of this film.
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Why make a movie about Ayrton Senna? Someone who drove around in circles at 200mph in a car that looked like a giant cigarette packet? Why would anyone who isn't already a fan of Formula 1 care?
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Trying to convince Warner Bros. to make a $30 million 'Veronica Mars' movie just wasn't going to happen, for understandable reasons.
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The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set.
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For the gun work, I had more of the basic training from the previous [movie John Wick] and the weapon work I have done in the past. In the second movie [John Wick 2], it really went on into another level. I've done the three gun training, where you worked with the pistol, rifle and shotgun. So that all is in the film.
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I made 'Enemy' to prep myself for 'Prisoners.' I had the need to direct something smaller in English before going to Hollywood. That's the way I sold it to Warner because they asked me if I was berserk to make a movie right before.
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You can't make a good movie with a bad script, no matter who's involved.
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Every time I do a movie, especially an animated movie, I just seem to scream and shout and hyperventilate for money.
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Movies are not finished. They are abandoned. A movie is never finished.
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I remember, especially like when I was in high school, going to see like Dawn of the Dead and it was like mayhem in the theater and you could barely even watch the movie. It was so fun.
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Gary Oldman is impossible to steal a movie from. He's such a great actor, he's off the hook. I love him.
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The first movie I ever cried at was when I was 10 years old and saw 'The Notebook' in theaters. I was like, 'Whoa, so weird. Crying at a movie? I'm not supposed to do that. So weird.' I didn't know that art could make you do that.
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I always knew that the violence would be something that would be probably be brought up, but actually it's nothing to do with the movie. The first two minutes are all about establishing fear, that something horrible is going to happen. It [the violence] was done really quickly, and it wasn't like pornography where you can like dwell over it, you know. It had to be done, we had to kill some people.
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I'm such an action movie junkie that as an action fan, because action scenes are so heightened, we could never really picture ourselves in that scene. So when you're watching an action movie, you experience an action movie more outside of the aquarium: you know you're out of the aquarium looking in at all the swimming fish that are in there.
