Movie Quotes
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I would say that it's mainly about the director. It's a hard quality to find, but I always know whether I want to do something or not. The character is important to me, as is getting to work with people that I feel like I can learn from and make a great movie with.
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I want to be a part of a movie that changes people's conceptual framework, and suddenly you see things in a different way.
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I always promised myself if I ever got the chance to do a 'Flashdance'-type of movie, I would do my own dancing. I can say with pride that every single dance move in 'Go For It!' is my own dance move.
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I'm such an action movie junkie that as an action fan, because action scenes are so heightened, we could never really picture ourselves in that scene. So when you're watching an action movie, you experience an action movie more outside of the aquarium: you know you're out of the aquarium looking in at all the swimming fish that are in there.
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When the movie comes out, what anybody thinks of it doesn't really matter to me. I don't go to the wrap party. I don't go to the premiere.
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I also couldn't pass up the opportunity to be in the same movie as Jack Nicholson and Glenn Close.
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'Legion' was a lot of fun to shoot. It was a real unique apocalypse scenario that takes place in a diner out in the desert. Very much like a drive-in B-movie, but in a good way.
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My job when I'm acting in a movie is very limited to playing a role. I'm not evaluating somebody. I'm only evaluating them insofar as they're interacting with me, but I'm not evaluating their skill set and I don't watch the movies, so I'm not aware of the way they're putting things together.
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I feel like one thing that messed me up was living in a homophobic and transphobic society, and just being the object of mockery and disgust in your average sitcom or movie or person at school.
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You can't make a good movie with a bad script, no matter who's involved.
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I was so used to documentary filming, where it's one take. You can't really say, 'Make that elephant charge again!' And you talk to the camera. With movie filming, you're talking to someone else.
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Me, as a moviegoer, before being a filmmaker, I try to think about what movie I would like to see.
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Every movie I do, or when I'm on the sketch comedy show, I don't really get into it until I have an outfit or something funny with my head or face or something.
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The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set.
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You can always tell in a movie when they are setting you up for something. If someone leaves an important object on the table and walks away, the camera will have some way of indicating that to you.
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It's embarrassing, isn't it? It took me 15 years to make an 18-minute movie.
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I'm horrible at quoting movies! Even my very favorites are not easily recalled or programmed to memory. When people start movie quoting around me, I'm that person who just smiles and then looks up the reference later.
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'Cabin Fever' was very much inspired by 'The Thing.' It's really a perfect guy's horror movie: There's no love story, it's just straight-up horror. And it's so well-done. It moves at a slow pace, but it's really terrific.
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My older brother always tells me I changed as a person when I saw 'Ace Ventura.' Because when I saw 'Ace Ventura', I became obsessed. I watched the movie as many times as I had to - back then, you couldn't go on the Internet and find the script - so I watched it as many times as I could to write my own script of 'Ace Ventura.'
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Egotism is not a good quality. It's not something to be admired or even tolerated. It wouldn't be tolerated in a field commander and it shouldn't be tolerated in a movie director.
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Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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I think that where I've watched a movie go wrong, it's usually because the dread committee has been interfering with it.
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Francis Ford Coppola didn't come out of the womb with The Godfather. He had a whole build up until he got to that point. I think it's okay to fail. That's how you learn. I think that's hopefully what people can take away from this movie.
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It's almost impossible to get a movie all together when there are two main cast members, let alone an ensemble cast with everyone's schedules. It's crazy if it works out.
