Movie Quotes
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It's great to have the chance to play a character before he goes to the dark side, or the yellow side if you will. Normally, you don't get that opportunity. The narrative of a movie usually demands that you are that guy from the start.
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Sundance is such an acquisition-frenzied, industry-centric experience, and at SXSW, many of the movies have distribution. And the focus is more on positioning the movie as opposed to selling them. People are more relaxed.
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If the movie had ended in Hollywood fashion, the Copenhagen climate conference in 2009 would have marked the culmination of the global fight to slow a changing climate.
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What we do is service a story first, and then you figure out how to pay for it later. If the narrative isn't your primary focus, then the movie is going to become diluted, and you don't have a movie that is as good as it could be, so it probably won't make as much money.
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When we made 'Night of the Living Dead,' we got riddled. There was this famous article Roger Ebert wrote just blasting the film because he had gone to see it at some screening where there were all these kids in the audience. I don't know why that happened. We didn't make the movie for kids.
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If people want to watch a CG movie, there's plenty out there.
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The last thing in the world my parents would want to do is get on a stage or do a movie. They would probably rather die. But they let me be who I was, and they supported me.
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Why make a movie about Ayrton Senna? Someone who drove around in circles at 200mph in a car that looked like a giant cigarette packet? Why would anyone who isn't already a fan of Formula 1 care?
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When I work alone, my process is like painting. With Fleetwood Mac, it's more like movie making.
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I will never become a director or a movie producer. I was always looking at picture directing because I didn't know what to do! You can't be a movie director without real preparation.
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It's easy to get a theatrical release that shows in one theater for a week. But there's no advertising, and no one sees the movie. It's hard to get a real theatrical release. The distribution of independent films is, to me, extraordinarily frustrating.
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My first movie was 'The Mask Of Zorro,' and that was all swords and horses and swashbuckling, and I thought, 'This is what movies are.' Obviously, I never made another one like that again; those are very rare.
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There's nothing I hate more than going to see a movie and thinking, 'That could have been an hour shorter.'
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If you make a movie in the UK you've got to embrace the weather with open arms... We got some of the most amazing weather as well. It's maybe why some of these places, like the Lake District, don't get filmed in so much. If you were trying to make it look like some kind of chocolate box image of England you'd be there all year waiting for the sun to come out.
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I was bar mitzvahed, which was hard. I feel it was the hardest thing I ever had to do; harder than making a movie. It was a lot of studying, you know. I wasn't a perfect Hebrew reader, and also, they say when you're reading your Torah portion, you're not supposed to memorize it. It turned out very tricky.
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It was a terrible blow that was dealt when I was fired from 'Saturday Night Live', but I have to say that a few doors opened right away. Movie roles started to roll in, and pretty soon, I was over it.
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We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.
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I've realized as well after five years of being on the road that if I'm going to four or five months of my life to something even if I'm overpaid, it's four or five months of my life away from home, away from my son, away from family and friends. I better believe in it on some level even if it's a big movie.
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The point is to expand the scope of what a movie can possibly mean or be, to get people involved because they're artistic or understand the point of the material, not just because they fit a certain bill aesthetically.
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Most movie stars don't change their look at all.
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'Karnan' ran for 100 days each at three theatres in Chennai alone. That is a record, since no movie runs for more than 100 days. My hope is that I don't ruin the original if it is remade.
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There was a movie I was trying to make right after 'Monster,' a bigger behemoth: the Chuck Yeager story. It was a life dream, but it just didn't line up. We just had issues with the life rights, ultimately.
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I dream of acting with Kevin Costner. I would love to do a movie with him. Not something funny, but a dramatic role.
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I did this movie with Spike Lee called 'Sucker Free City,' and that would have to be my favorite role by far. It was just so much fun to work with Spike and shoot in San Francisco.
