Movie Quotes
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The way you write a screenplay is that you close your eyes and run the movie in your head and then you write it down.
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A departure from the movie with Michael J. Fox, 'Teen Wolf' tells the story of how a group of angsty teens deal with werewolves, their supernatural kin and the world of trouble that comes with it, all while trying to still live their lives.
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Every movie is unknown.
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'Chronicle 2' has become this question of, 'How do we all make a movie that we all respect?' And that's true to what 'Chronicle' is. There's no one at the studio who wants to make a bad movie. They all want to make a good movie just as much as I do.
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I want to take piano lessons, I want to study at university, I want to travel, I want to do other parts, make another movie.
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Hitchcock was one of the few people in Hollywood who had a brand. Every movie he made was an Alfred Hitchcock movie, couldn't have been anyone else.
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I've had the chance to work with Christopher Plummer, one of the great stage and film actors, a couple of times, including on 'Prototype,' the first TV movie I ever did. It was science fiction in the Ray Bradbury sense, written by the famous team who created Columbo, Levinson, and Link.
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I choose parts because I don't want to be embarrassed when the movie comes out. What if my friends were to see the movie? What if my niece or nephew wandered into the theater and saw the movie? I don't want to be too ashamed of it.
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I think the way it works is that when you're casting a movie, you usually want to work with people that you believe in.
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No matter how successful you get in Hollywood, you cannot rest. Your new movie doesn't open well; they're looking for the next person to replace you; it's always something. You never have true peace.
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The quality of life of European cities and towns of almost any size make life in America look not just like a joke, but a sick joke, a horror movie. But I'd rather stay involved and do what I can to make this a better place than move to the south of France and enjoy the good life.
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When you make a movie with Alejandro Amenábar, he very quickly... it was very clear you're kind of operating in his dream universe.
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I don't have one movie that is my favorite, I have about 25-30 favorites.
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I'll look back and I'd be better to answer that in about three months from now. Or when the movie comes out and I see it. I don't even know what it is yet. I've still been in the middle of it.
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I view marriage as a sacred institution. I think two men naturally are predators. Gay relationships are a commercial break, not a whole movie.
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It's not like every director in every movie is seeking me out by any means, there are a lot of things I'm not suited for, a lot of things I'm not interested in, and a lot of things that directors wouldn't be interested in me for.
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I don't do a comic book thinking there is a movie. I just want it to be as good a comic book as it can be.
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I saw 'Get On Up' about a dozen times. I went every day. Every single day, I was standing outside when the movie theatre opened and bought my ticket. The theatre was usually empty. I live in a town that wasn't eager or very interested in a James Brown biopic, but I couldn't stop watching Boseman.
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You get to a point where everything is so important. One day you have 'Letterman,' and the next day you're at the MTV Movie Awards, and the next day you have a sold-out show for over 15,000 people. You can't cancel anything, because it's just too much to let everyone down, which is an interesting thing about being in a bigger band.
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I dream in color; it's always a movie and sometimes I'm in it, as myself.
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Since I was 12 or 13, I have been taking movie meetings finding a project right for me because I wanted to try it. Craig gave us the script - it was set in Wales, it is really British humour. I just loved it.
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During the time I was on The Hardy Boys, I was also watching other people's careers. I thought the next step was to be a movie star. I kept saying no to projects, and offers stopped coming in. I was no longer hot.
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I could never imagine a movie being made from the way I had structured the book, it still feels miraculous that we made it this way without compromising the story, but everything has felt miraculous since I got that first phone call saying Martin Scorsese wants to make a movie out of 'Hugo.' I recognize how lucky I am.
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Now is a good time, 10 years ago would have been a good time, and 10 years from now it will still be a good time to see a dynamic, entertaining movie that's wall-to-wall Miles Davis where the music will hopefully spark some desire to know more about the man.
