Movie Quotes
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The idea of it becomes a little freaky if you're dealing with someone who has trouble differentiating between fantasy and reality, but that's a concern no matter what kind of movie you're dealing with.
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The sky is an infinite movie to me. I never get tired of looking at what's happening up there.
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The [film] business is run by men, and they're basically interested in their own species, and they're not so interested in women belonging to the human race.
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No matter how much you've done before, you wonder if there will be a light at the end of this particular tunnel. It's the nature of the beast, and it's a part of what compels us. Every movie is a new lesson you learn making your way through it.
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Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
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Every actor has to deal with what's on his plate, and I try to deal with doing the best work possible with the most challenging scripts. I don't base it on whether it's a feature film or a TV-movie or cable.
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I put the movie days totally behind me... It was a part of my past that I really kind of put in a little drawer and shut the door.
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For me, there are always things to learn. It's like the next movie is going to be the good one, you know.
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I'm proud of her Shruti because she isn't doing a product of our home banner Rajkamal Films. The only thing Rajkamal did for her was to give her a chance to do the background score in ‘Unnaipol Oruvan’. It wouldn't matter to me if she failed as a movie actress. But right now it looks like a winning streak.
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It's not that I'm opposed to doing a big-budget action movie. But it has to be the right project.
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You can have music and it will stand alone by itself, but you can't have a movie without it.
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Capra is an old-time movie craftsman, the master of every trick in the bag, and in many ways he is more at home with the medium than any other Hollywood director. But all of his details give the impression of contrived effect.
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I've seen 'Silence of the Lambs,' like, fifty or sixty times. That's my favorite movie of all time.
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For my 50th birthday, I got ahold of a new print of 'Saturday Night Fever.' I see it much more as a tough coming-of-age movie than as a disco story.
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Every celebrity in the world, if their movie bombs or whatever, they hold their kid up on a magazine and say, 'I'm really a dad.'
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Just making a movie the way 'All is Lost' had to be made was a great experience, because it was structured differently than any other film I will make for the rest of my life.
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One challenge in this industry is that you adopt a certain look for a movie, and then people don't get to see the movie for a year!
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You can't, no matter what anyone says, build a movie around someone.
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Way back in the '70s, I was approached to talk about the story I'd write for a Spider-Man movie. They also talked to me about Batman. I had to think about it, but that was way, way back when.
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Heart of America is a movie I'm very proud of. The young actors are great and the story has impact.
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After I made my hit in 'Salome,' Universal sent me to New York so I could learn to be a proper movie star.
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The gremlins are clearly the ones have the most fun in the film, trashing the town, going to the bar, smashing things, etc. It's all gleeful chaos, which makes the movie fun.
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When you see a movie, they always put the Latino on the bad side or in a tacky way. It's not like that. Latinos are shining like a diamond.
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It would be great to make a movie that had the style of a great '30's film.
