Movie Quotes
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I think of each movie as a puzzle. The fun is in solving the puzzle: finding a musical identity for the picture, however that can be summed up.
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Movie-making is an extreme sport on many levels. It requires stamina such as I had never imagined.
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Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
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At the end of the day on 'Pete's Dragon,' if we didn't nail something, we could come back and pick it up later. I always knew there was a safety net built in that Disney would not let the movie fail. But in this case, with 'A Ghost Story,' it was all on the line.
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I've always wanted to play Maria in West Side Story. My idol is Natalie Wood, and I love the movie, so I think a modern-day twist on it would be really neat.
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Now the interesting thing about the movie is that many of the questions it raised about the Warren Commission and its investigation were all investigated by our committee 13 years ago. We published our findings in 27 volumes of information and evidentiary material.
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What I've learned is sometimes it's good not to have all the same actions and have all the same takes. The variety you provide gives the director later on in post-production the ability to construct a more interesting performance as he puts the movie together.
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If you make a movie about Elizabeth I, how much of the dialogue is her real words? Audiences know when they go see a movie that it is fiction.
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It would be great to make a movie that had the style of a great '30's film.
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'Sucker Punch' is a big girl power movie.
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The sky is an infinite movie to me. I never get tired of looking at what's happening up there.
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I don't do a comic book thinking there is a movie. I just want it to be as good a comic book as it can be.
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Business is fun. Controlling your own destiny is fun. Creating an idea and turning it into a movie; finding an artist and guiding their career and bringing them to some type of status - there's joy in that.
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The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
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My entertainment was going to the local dollar movie theatre on the weekend, where I watched old black and white movies. If you wanted current movies, you had to drive to the big city.
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It's the first villain that I've played in a movie that has absolutely no vulnerability and no innocence, nothing whatsoever that is likeable about her other than she's so bad.
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A movie like 'Edge of Tomorrow' is so huge and complex - the spectacle and action is all-consuming - and that on its own is enough of a reason for a lot of people to see it.
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I consciously decided not to be a 'London' actor. Those gangster movies made a lot of East End actors think they were movie stars. And I was very aware that they were going to go out of fashion.
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One challenge in this industry is that you adopt a certain look for a movie, and then people don't get to see the movie for a year!
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I went to underground music studios. In the studios, I learned that you can make a movie without a permit.
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I grew up believing that one person could make a difference. In Indiana, you saw that with basketball. The small town could beat the big town, like in the movie 'Hoosiers.' That is one of the things that attracts me to entrepreneurs.
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Somebody once said, you have to wait 20 years before you can tell if a movie's any good or not so that's probably true.
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Sometimes a character is really based on research that you do. Other times it's just based on your imagination or perhaps your conversation with the director. Or sometimes all of the above. It depends on the movie and character.
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A movie set is like a petri dish for neuroses, you know? It's just, like, egos and weird personalities and, more than anything, fear.