Movie Quotes
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At the end of the day, the less money you have, the easier it is to make a movie.
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You get to a point where everything is so important. One day you have 'Letterman,' and the next day you're at the MTV Movie Awards, and the next day you have a sold-out show for over 15,000 people. You can't cancel anything, because it's just too much to let everyone down, which is an interesting thing about being in a bigger band.
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I remember leaving the first 'Matrix' movie feeling completely radicalized, completely changed. I think we all, from our ordinary lives, like to think about putting ourselves into these extraordinary situations and wonder how we'd respond.
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You don't have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie.
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There's a behind-the-scenes show that Oprah is doing that follows the final season of 'The Oprah Winfrey Show.' I find behind-the-scenes stuff fascinating. Like, whenever I watch a DVD, I always watch the special features and listen to the commentary first, before I even watch the movie.
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I guess Species was a movie made for me and hence I bagged the role. In fact even when acting, I never thought the outcome would be so good which I think it was! The entire role was a challenge. I was to be this strange yet sexy thing which was challenging!
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I love how most people in 'Sixteen Candles' don't actually look their age. It adds to the movie's funky and low-budget vibe.
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Some movies bring out the creativity in you. Every single audience member can become creative in the face of a particular movie. If you happen to like my films, it's because my films provide a bed for you on which you can find your creativity. The Hollywood movies do not provide that for you.
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I would love to do a Black Widow movie. That's perfect, I would love to do that. That character is really interesting: she doesn't have any superpowers; she just has extraordinary skills, and the world that she comes from, being this ex-K.G.B. assassin, I find that really fascinating, yeah.
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The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy it, like wallpaper. The biggest challenge for any composer in Hollywood is to be as creative as possible within those boundaries.
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For me, there are always things to learn. It's like the next movie is going to be the good one, you know.
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Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
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Every celebrity in the world, if their movie bombs or whatever, they hold their kid up on a magazine and say, 'I'm really a dad.'
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Some journalists are pestier than others, so I find out where the pests are. I am careful with my actors and actresses. I come back and tell them, 'Watch out for this one or that one.' People are surprised I do that. But I watch out for them even after the movie is over.
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I would love to do a movie with Albert Brooks; we're so different, but I find him so funny, and I can be just as seemingly narcissistic as he comes off, the 'it's all about me' kind of thing.
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I think that building any product that has a lot of user loyalty is a bit like making a sequel to a great movie or video game - people generally want 'more of the same thing, except better and different.'
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You don't make a movie by yourself; you certainly don't make a TV show by yourself. You invest people in their work. You make people feel comfortable in their jobs; you keep people talking.
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I got so far away from what they told you in acting class: Do something different. Producers kept offering me the 'Sister Act' movie, but I said, 'My fans don't want to see me in a wimple.' I literally said, 'My fans don't want to see me in a wimple.'
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Somebody once said, you have to wait 20 years before you can tell if a movie's any good or not so that's probably true.
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One of the real worries I had before the first season of 'Treme' aired was that, man, people in New Orleans really hold movie and television shows up to a high standard in how they depict the city.
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I want to start off making the kinds of films that I loved growing up as a kid. Fun horror films that are scary but at the same time, after you finish the movie, it leaves you excited to see more.
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I would like to be more fit, but I don't think I will put on fat or gain weight for movie roles. I am not going to do that.
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I like an interesting movie even if it's controversial or offensive, depending on your taste.
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I'm from Chicago, my family started a chain of movie theaters in Chicago that were around for 70 years and then one of them became the head of Paramount and the other was the head of production at MGM and we all came out of Chicago.
