Movie Quotes
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Intimate scenes on a movie set are just dry, bizarre things; people standing around.
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You have an hour and a half or two hours - maybe two and a half hours - in a movie, and it has to be a self-contained three-act structure. It's like a rock and roll song. Certain things have to happen for it to be a toe-tapper and get people excited, leaving the theater.
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I don't remake any movie, whether old or of other language.
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When I met Michael Jordan on a basketball court at an athletic club – we hooped together in Chicago – he came to me and asked me if I wanted to do a song for his upcoming movie. I was like, 'Yeah!' I didn't even ask what it was.
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I think the role of the Bond woman has changed so much over the years that it now doesn't follow a typical archetypical view. Before, it was very much a beautiful woman who didn't contribute much and who usually ended up getting killed or was arm candy for Bond. But now the women in a Bond movie have so much more to offer.
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I tried martial arts classes for three weeks, but I quit because you actually get hit. I just want to do the movie kind of martial arts.
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When I'm in the middle of making a movie, I have blinders on; it's all about just getting the movie out.
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Adam Sandler is a remarkable movie brand.
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I came from doing Wushu and other martial arts, and then I got into movies, and I had to learn that as well - the language of martial arts movie fighting. It's a different thing; it's a different kind of logic.
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I love to pop up at the movie theaters. I love to treat the people who are there.
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I wanted to be an actor when I saw the movie 'Die Hard.' I saw Bruce Willis shooting guns and blowing stuff up, and I thought, 'I wanna do that.' It really had nothing to do with acting; I just wanted a job that allowed me to do fun, bigger-than-life stuff.
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'Scott Pilgrim' is something that was a little bit more difficult to put in one box. But, to me, that's not necessarily a bad thing about the movie.
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The first movie, I was 23; I thought I knew everything, but my ego soon took an irrevocable blow.
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People sometimes say, 'Oh, you were a movie star,' and I'm like, 'No, I was a supporting actress.' I wasn't an A-list actress, and I'm fine with that. I'm proud of what I did in film.
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Now they can do all these magic things with computers. So you think you get to do something in a movie and you find out you don't get to really do it.
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The truth is that filmmaking is not really an actor's medium; it's really a director's medium, so all I can really control is the character that I'm playing. So I try to look for characters that are interesting and engaging and different than what I've done before and hopefully it becomes a good movie.
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As a writer, Chris Columbus was a big influence. 'The Goonies' was the first movie I ever saw that kids speak normally and not imagined how kids would talk. Always a big fan of Chris Columbus' dialogue and storytelling.
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Now is a good time, 10 years ago would have been a good time, and 10 years from now it will still be a good time to see a dynamic, entertaining movie that's wall-to-wall Miles Davis where the music will hopefully spark some desire to know more about the man.
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I have to understand how we are going to market the movie. We view marketing as an extension of content creation... Every time a consumer sees our movie, in whatever form, our obligation is to entertain the audience.
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What is funny is when you do a futuristic movie, you immediately get to be fashionable because you're creating something that doesn't exist.
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From a child, I knew I didn't have the face I wanted to have. My mother was a baroness. She was from Berlin; she was a silent movie actress and friends with Marlene Dietrich. So she knew all about film make-up and prosthetics and stuff like that and what they used to do in those days. And she taught me all that as a child.
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Just making a movie the way 'All is Lost' had to be made was a great experience, because it was structured differently than any other film I will make for the rest of my life.
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I'm intrigued by films that have a singular vision behind them. A lot of studio movies have ten writers by the time they're done. You have a movie testing 200 times, making adjustments according to various people's opinions. It's difficult to have an undistilled vision.
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I prefer playing characters that are going through turmoil. Most movie characters are just in service to the story.
