Working Quotes
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I am an education ambassador, mainly working with schools.
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Still, American composers working in France have had a pretty hard time.
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But I'm an actor and I like to just keep working.
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I've always been comfortable working with women and I've had two happy marriages. Draw what conclusions you like from that.
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I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
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I keep my horses out in the open, but when I was working the ranches, I had to clean the stalls. It was a horrible job.
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I started working with Timely in 1946. Stan Lee hired me.
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I've learned that every working mom is a superwoman.
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If I'm not doing something or working on something, I literally just sit in the room and think, which I don't think is productive. I won't go outside for days.
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I'm also working with Mrs. Bush on some education projects in Afghanistan, so I get to see her a great deal.
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I'm good at working, but I'm very good at playing.
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We've been working our tail off and lead by that example.
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I basically took six or seven years off, but then I had another five or four of me not working at all because I was in school. It was really 13 years of me not working at all... I really couldn't even think about it.
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I like being outside and working with the elements. The elemental aspects of it. The physicality of it.
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Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.
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Whatever it is that I am working on is what I become obsessed with.
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The idea of Twitter started with me working in dispatch since I was 15 years old, where taxi cabs or firetrucks would broadcast where they were and what they were doing.
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I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
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The biggest challenge (for movie Agnus dei) - working in a foreign country with a predominantly Polish cast and crew - also proved to be the biggest blessing. Being surrounded by all this change, both culturally and linguistically, was a new and refreshing inspiration.
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Gear not working on a live show - that is rough.
