Working Quotes
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Working in a bar was a horrific idea for me.
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The people who are working, paying their taxes are put into the system so that affordable housing could be built in neighborhoods that they probably live in that. That they may not want to, they may pay a premium so that they could live where they want to live and you end up with just another massive redistribution of wealth.
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Working with David Lynch, rules go out the door.
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I stop working at about 3 p.m. on Fridays.
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When I was working at Teleflora, I got booked to do 'Talladega Nights,' so I went and did that. That was really my first big break ev-er. I made as much from my per diem during the three-month shoot as I did for the entire previous year.
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I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
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I did all sorts of jobs after drama school - working in a bar, as a teaching assistant. I probably learned as much from them as I did at drama school.
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If I'm not doing something or working on something, I literally just sit in the room and think, which I don't think is productive. I won't go outside for days.
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I'm better off working as opposed to lying around.
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As long as I can contribute, I'll continue working.
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In a time where there are divides between cultures and races, I would love to use my position to show that we are all the same inside and working together is the key to moving forward.
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I like being outside and working with the elements. The elemental aspects of it. The physicality of it.
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I've learned that every working mom is a superwoman.
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I keep my horses out in the open, but when I was working the ranches, I had to clean the stalls. It was a horrible job.
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I can hire one-half of the working class to kill the other half.
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I'm having more fun working on 'Eerie, Indiana' because I have the leading role, and this is more of a lighter type of show.
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I basically took six or seven years off, but then I had another five or four of me not working at all because I was in school. It was really 13 years of me not working at all... I really couldn't even think about it.
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Most of the time, I'm not even working; I'm just helping people, because I feel that I am too lucky.
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When you're nursing and you're working 18-hour days, that's pretty hard.
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I was definitely living fast. I was working, traveling a lot, playing. I didn't stop. It all became unbalanced.
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I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.
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I don't compose, actually. I just record. I'm the opposite of a composer in my way of working. I'm more instinctive.
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I make films about working class people.
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Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.