Audience Quotes
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God is a comedian, playing to an audience too afraid to laugh.
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A big section of our audience is young and female. Housewives like our love songs, but then again, everyone likes to dream about love.
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When I'm on stage, my interaction with the audience is something that really makes me come alive. It's a feeling like no other. The energy of the crowd fuels something new inside. It reminds me to live in the moment.
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Whether or not we communicate it, I definitely seek my mom's acceptance and approval for everything. She has a strong commercial sense of movies and is a quintessential audience. When she doesn't like something, I know there is reason to worry. When she loves something, there is reason to celebrate.
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If I miss one day of practice, I notice it. If I miss two days, the critics notice it. If I miss three days, the audience notices it.
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It's funny when you start writing an album and then recording - the songs begin to take on a spirit of their own. Once you start to perform it live, this happens even more so than in the studio. They really start to develop a personality that takes shape over time with the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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I love trying to forge a contract between creator and audience in which we are able to meet halfway, each injecting a part of our own experiences into a story that's being told.
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As we've come along, we've educated our audience, getting them to understand that brands do not compromise entertainment. For us, they enhance it. They enable it.
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When you're on stage, the audience becomes your other half. It's the ultimate high you can reach as a musician - an incredible feeling. And no matter where I am it's still the same; there's a reason we call music the universal language.
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I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
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Forget the audience, make what you want to see
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Audience participation should extend from on-stage to backstage to under the stage...
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As things grew for me I felt like I was losing myself and wanted to stay true to myself as well. I didn't want to lose any connection I had with the audience. I felt small on a big stage and I felt like I was peaking generically to an audience.
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Most artists I run into aren't that thrilled with what they do anyway. They are glad to have different versions out there to see which one the audience likes the best.
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Radio helps you break into a whole different audience. Radio has so much power. And that's my mission: to not only break into the EDM audience, but to break also into the mainstream audience.
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It is our responsibility to learn how to speak to an audience that is less informed about music, to give it a reason to want to come and see us instead of going to the movies.
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Tell the audience what you're going to say, say it; then tell them what you've said.
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I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
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I've always been a fan of a Johnny Carson because he was so great with an audience and not afraid of self-deprecating humor.
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I want films to haunt an audience, to give them something to remember and be able to talk about.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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For the vlogging channel, I wanted to build the infrastructure and build up all the personalities in a way that felt like weren't just forcing the audience to watch everyone we have.
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You as an audience can look at these things as films, but I remember them as social experiences.
