Audience Quotes
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I never identified with anybody. I have always been very sensitive about my color, because everybody called me 'yellow gal.' I was caught in between both sides - nobody wanted me. I love that my audience is there, but I always feel as though I have to fend for myself.
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To captivate our varied and worldwide audience of all ages, the nature and treatment of the fairy tale, the legend, the myth have to be elementary, simple. Good and evil, the antagonists of all great drama in some guise, must be believably personalized. The moral ideals common to all humanity must be upheld. The victories must not be too easy. Strife to test valor is still and will always be the basic ingredient of the animated tale, as of all screen entertainments.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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I'm making music for music's sake, and I have an audience I'm proud of.
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It is not whether you really cry. It's whether the audience thinks you are crying.
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I wanted this to have as wide an audience as possible. I didn't want to get an X rating, because in my opinion once that happens you X-out everyone else.
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Even as a kid, I'd have a recorder, and I'd lean it up against a TV and record 'I Love Lucy.' I loved hearing the audience laughing. It was really exciting to me.
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Free speech is not to be regulated like diseased cattle and impure butter. The audience (in this case, the judge or the jury) that hissed yesterday may applaud today, even for the same performance.
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The motivation is important for me to act it, but I don't necessarily want the audience to know my motivation.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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You don't have to underestimate your audience anymore. They'd actually like to laugh a little bit. So, the character came to me and once it's got its grips in you, there's nowhere to go.
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Like we were saying, the fact that the relationships on the show are love-based, and in the sense that I wasn't aware of how special it was in contrast to a lot of the other TV shows that are on right now. It was our audience members that pointed out the love that you see in the show is special.
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I am a real ham. I love an audience. I work better with an audience. I am dead, in fact, without one.
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I'm always shy in front of an audience, so I'm always at the back, in the shadows, just doing it. I don't like the front, the adulation.
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Some movies to me are like vampires – they suck all of the energy out of me and I don't like that. I like to give the audience energy if I can.
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My audience wants to see me beautifully gowned, and I have spared no expense or pains . . . For I feel that the best is none too good for the public that pays to hear a singer.
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If I have any audience, they can know that anything I am in, I would go see, with the expectation of being really satisfied.
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You find out your mistakes from an audience that pays admission.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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Perfection often creates such a flawless surface that there's no place for the audience to enter into a piece, while the idiosyncrasies of individual style are like windows into the singer's heart.
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Political stories in general are tough. They just don't appeal to as wide an audience.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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I am a very active audience member. I want to be moved. I want to be confronted. I want to feel.
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There is always a mix of apprehension and excitement before you try songs out on a new audience.
