Audience Quotes
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When I first read 'The River,' I had theories on what it was about, but once we got into rehearsal, I realized it's much simpler: It's about how human beings try to connect. The play holds a mirror up to the audience, and they take from it what's relevant to their lives.
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Young audience, in the age group of 16-33 years, constitutes the main viewership of Bollywood films.
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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I have three best friends in this world. What's surprising is that they also happen to be your (audience) three best friends. They are Bachpan (childhood), Jawani (Youth) and Budhapa (old age).
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All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
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I don't mind about the boos from the audience.
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I find the whole situation of confronting an audience terrifying.
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Free speech is not to be regulated like diseased cattle and impure butter. The audience (in this case, the judge or the jury) that hissed yesterday may applaud today, even for the same performance.
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In Korea, when I started, there wasn't a trend where people chose to be both actors and singers. I was the first to do both. It was a great deal hard work, but I got a lot of support and love from my audience. And for me to receive the same treatment overseas, I felt that I was also very lucky.
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My audience wants to see me beautifully gowned, and I have spared no expense or pains . . . For I feel that the best is none too good for the public that pays to hear a singer.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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A big blockbuster like 'Kick' expands the audience for my films and makes it easier to promote them.
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I was always more interested in the ultimate live performance rather than the recording for its own sake. And, for the audience too, that thrill of - just being there.
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It is not whether you really cry. It's whether the audience thinks you are crying.
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I'm trying to sell every audience something; that something is me.
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I never identified with anybody. I have always been very sensitive about my color, because everybody called me 'yellow gal.' I was caught in between both sides - nobody wanted me. I love that my audience is there, but I always feel as though I have to fend for myself.
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My motto is that the audience should notice the actors, not the clothes.
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Like we were saying, the fact that the relationships on the show are love-based, and in the sense that I wasn't aware of how special it was in contrast to a lot of the other TV shows that are on right now. It was our audience members that pointed out the love that you see in the show is special.
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I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
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The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
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It sure looks good to see an honest-to-goodness audience after looking at you all for so long from the silver screen...
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Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.
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'Vicky Donor' proved that the audience was waiting for well-scripted funny films.
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If an American audience is given a serious musical theater piece that is well produced, dramatically gripping and wonderfully acted, they'll respond to it.
