Audience Quotes
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I never identified with anybody. I have always been very sensitive about my color, because everybody called me 'yellow gal.' I was caught in between both sides - nobody wanted me. I love that my audience is there, but I always feel as though I have to fend for myself.
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If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. You must reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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A person standing in front of an audience without enthusiasm for his subject and his actions is disconnected from his spirit.
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Don't limit your audience.
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There's always something every night that I learn from reacting to what the audience is reacting to. You learn what to leave out, what to put in, if you need a little more comedy or more drama.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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Political stories in general are tough. They just don't appeal to as wide an audience.
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I don't mind about the boos from the audience.
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I actually think I have an audience member's sensibility about going to the movies.
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I was always more interested in the ultimate live performance rather than the recording for its own sake. And, for the audience too, that thrill of - just being there.
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You find out your mistakes from an audience that pays admission.
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I am a very active audience member. I want to be moved. I want to be confronted. I want to feel.
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It sure looks good to see an honest-to-goodness audience after looking at you all for so long from the silver screen...
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Even as a kid, I'd have a recorder, and I'd lean it up against a TV and record 'I Love Lucy.' I loved hearing the audience laughing. It was really exciting to me.
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For anyone who works in front of an audience there is no thrill quite like that of feeling and hearing the evidence of the audience members' enjoyment. Laughter and applause really are powerful.
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The motivation is important for me to act it, but I don't necessarily want the audience to know my motivation.
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So many people in their 20s and 30s, on Twitter, say 'Please write something for us,' so I have to listen to them, they're my audience.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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My audience wants to see me beautifully gowned, and I have spared no expense or pains . . . For I feel that the best is none too good for the public that pays to hear a singer.
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When I'm on stage, it's like a different world ... me connecting with the audience. It's a surreal experience.
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Some movies to me are like vampires – they suck all of the energy out of me and I don't like that. I like to give the audience energy if I can.
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In Korea, when I started, there wasn't a trend where people chose to be both actors and singers. I was the first to do both. It was a great deal hard work, but I got a lot of support and love from my audience. And for me to receive the same treatment overseas, I felt that I was also very lucky.
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I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
