Audience Quotes
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My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.
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Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
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Let the audience put 2 and 2 together so that it comes up with 4. Let them do that themselves, and they'll love you forever.
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Look for the contradictions in every character, especially in your heroes and villains. No one should be what they first seem to be. Surprise the audience.
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People wonder if the Pearl Jam audience will get into The Buzzcocks. Eddie Vedder is a big Buzzcocks fan. He used to come to see Buzzcocks before he was in Pearl Jam. If his fans like what he likes, I guess that they might like The Buzzcocks.
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Without courage, honor, compassion, pity, love and sacrifice, as William Faulkner pointed out, we know not of love, but lust. We debase our audience. But we can ennoble and enrich our viewers and ourselves in our journey through this good time, this precious time, this great and wonderful experience we call life.
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I like a film that makes the audience feel like they are in the middle of life as it is moving, and in a way, they are catching up. They are thrown into things.
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I'm not precious about anything. The effort it took to get something means nothing to me in post.And it means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
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I do that in whatever language of the country I'm in, because the audience appreciate it.
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Although you should never mention your premise in the dialogue of your play, the audience must know what the message is. And whatever it is, you must prove it.
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I am a teacher at heart. My goal is to inspire and energize audiences with ideas and possibilities that will challenge them to expand their perceptions of teaching and learning and dare to consider our professional future with optimism and excitement.
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The chemistry of a pair on screen is known only when the audience reacts to it.
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I like working on stage because there's something very immediate about it, that interaction with an audience where you immediately hear their reaction, or feel them, whether they're with you.
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When you're singing, it can be looked at as a monologue, in a way. If it's about telling a story and connecting with your audience, you can do that through song, through dialogue, or through a monologue. That's what's special about being an entertainer.
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Getting that audience approval is always a question mark, and it's always that flag that flutters in front of you.
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Curiosity provoked me to lay a lot of our country stuff on our predominantly black audience and some of our black audience began whispering "who is that black hillbilly at the Cosmo?"
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I've always thought that jazz needs to be heard by a wider audience in Puerto Rico. I want to put together a series of free concerts in the small towns - one with Miles Davis music, another with bebop, maybe Duke Ellington. I want younger people to see what is possible.
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I've always been really involved in figuring out who my audience is and how to reach them.
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You can't make the audience fall in love with a character you don't like.
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I wasn't playing the music, the music was playing me... and once that went away, and I had the feeling I was playing music, I had to stop. The need to go onstage and get my brain flattened every night left me, and what I didn't wanna do is go onstage and perpetrate a fraud... You cannot fool an audience.
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When I sing, I pick out people in the audience and pinpoint on them. So if you feel that I am singing just for you, you may be right!
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All I can say is we love what we do, and the audience is still there for us. I think what's given us such longevity is that our music may not be fancy, but it touches a nerve with the average Joe.
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And we had the perhaps unfair advantage of not having to worry about what an audience was gonna think. We were in a vacuum. We were making little short films, really.
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If something comes from your heart, it will reach the heart of your audience.
