Audience Quotes
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I like working solo and it was a lot of fun joking around with the audience, saying things. I'm only just learning how to do certain things.
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It's often the case with successful TV shows that they kind of inadvertently live on past their prime. It's best to leave the audience wanting more.
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I'm conflicted with theater in the city because you want to reach a diverse audience, and that audience doesn't typically go to the theater.
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I'm not precious about anything. The effort it took to get something means nothing to me in post.And it means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
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Anytime you get an audience that's paying attention, you enjoy it more.
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I think the way the audience takes the Indian film-star is a little different from the way the audience takes the Western star there. We are considered like demi-gods here, and the reason is not because we are better or good, but because there is no other mode of entertainment in India.
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I'm dragging the audience to hell with me
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I'm a good craftsman and I can have this particular intention: let's say, I want a photograph that's going to push a certain button in an audience, to make them laugh or love, feel warm or hate or what - I know how to do this.
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The energy released by it is enormous and it becomes quite addictive, the power between the audience and the actor.
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It's just what I'm born to do, I'm born to entertain people. I could do it for thirty-thousand people or three people, it's just what I know how to do. My soul objective only is for me to have the audience say 'when's the next time I can see him?' That's what I do.
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I don't like to chase an audience. You can smell when someone is chasing an audience and it's not good.
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Every night I try to look at the audience and treat every audience differently. It's almost like it's a single entity or a person. I always try to treat it like a conversation and allow it to happen naturally in the same way that you would engage in conversation.
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I do that in whatever language of the country I'm in, because the audience appreciate it.
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I think you just have to be yourself instead of catering your sound to a specific audience, make the music you want to make, and the audience will find you.
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I think that's a powerful thing, to be able to engage your audience and let them put some of themselves into the music.
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I try to address my audiences intelligently. The man in the street counts, but sometimes he forgets that he counts.
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I'm wearing a new perfume that I should recommend to the women in the audience; it's called 'Tester.
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I've always been really involved in figuring out who my audience is and how to reach them.
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If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play.
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Pantelion and Televisa can reach my core fan base better than anyone, and with the distribution expertise and brand recognition of Lionsgate, I know we can build on the crossover audience that we began to reach with 'Instructions.'
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My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.
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When you're singing, it can be looked at as a monologue, in a way. If it's about telling a story and connecting with your audience, you can do that through song, through dialogue, or through a monologue. That's what's special about being an entertainer.
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I like a film that makes the audience feel like they are in the middle of life as it is moving, and in a way, they are catching up. They are thrown into things.
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My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
