Audience Quotes
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The play was a great success, but the audience was a disaster.
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I think that's a powerful thing, to be able to engage your audience and let them put some of themselves into the music.
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I'm not precious about anything. The effort it took to get something means nothing to me in post.And it means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
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Every night I try to look at the audience and treat every audience differently. It's almost like it's a single entity or a person. I always try to treat it like a conversation and allow it to happen naturally in the same way that you would engage in conversation.
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I'm committed to the show as long as I feel that we're moving forward. And I'm committed to the show as long as an audience will allow me to do it. I think they'll be very clear in the end, as will you all, when (the show) is no longer effective.
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Anytime you get an audience that's paying attention, you enjoy it more.
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Phish and Dave Matthews really know their audiences and really treat them well.
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I've always been really involved in figuring out who my audience is and how to reach them.
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I'm wearing a new perfume that I should recommend to the women in the audience; it's called 'Tester.
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I have a funny mental framework when I do physics. I create an imaginary audience in my head to explain things to - it is part of the way I think. For me, teaching and explaining, even to my imaginary audience, is part of the process.
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I'm a good craftsman and I can have this particular intention: let's say, I want a photograph that's going to push a certain button in an audience, to make them laugh or love, feel warm or hate or what - I know how to do this.
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Pantelion and Televisa can reach my core fan base better than anyone, and with the distribution expertise and brand recognition of Lionsgate, I know we can build on the crossover audience that we began to reach with 'Instructions.'
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My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.
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When you're singing, it can be looked at as a monologue, in a way. If it's about telling a story and connecting with your audience, you can do that through song, through dialogue, or through a monologue. That's what's special about being an entertainer.
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The BBC were not playing the music that was happening on the street so we did an independent production because we knew we had an audience. Then we licensed the album to EMI.
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I don't like to chase an audience. You can smell when someone is chasing an audience and it's not good.
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The energy released by it is enormous and it becomes quite addictive, the power between the audience and the actor.
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I don't categorize myself. I don't think I'm perceived as a female act by my audience. My fans include just as many men as women.
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I never heard nobody in my audience call me any kind of names.
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Our audience is young and vibrant; we retain our previous following; we are three generations into it. Unlike other bands that are very demographically specific, who they appeal to and who their fans are, we're the antithesis of that. If you see your younger brother or a parent of yours or a neighbor at most rock concerts, that's not cool but with us and kids, it's a tribal gathering. Whether it's kids or neighbors - they're all part of a secret society.
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Daytime has been successful all these years because it caters to a very real need in the audience – to see something that’s not nighttime fantasy. People watch daytime because it’s like their lives.
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You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.
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Although you should never mention your premise in the dialogue of your play, the audience must know what the message is. And whatever it is, you must prove it.
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I don't feel like I need to preach to the world or nothing like that. I just feel like I share what I say, and if listeners get it, they get it. And I never underestimate the audience's ability to feel me.
