Audience Quotes
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The thing is when you're... well-enough known, you get asked to speak places, and they don't really think about whether or not you're qualified. They just want somebody that will be a drawing card for the audience. So it's up to you to decide whether or not it's foolish to get up and speak to these people.
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Usually, when we're performing 'What About Your Friends' or 'Waterfalls' comes on, they all know the dance. It's like a sea of TLC dancers in the audience! It's so beautiful to see. I just love it so much.
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The theater audience is the ultimate teacher, instructing the actor on the degree to which he has executed both the author's and the director's intent.
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Audience don’t matter where they are from. They all come to see us. But I have to say that the Eastern audience is always extremely polite.
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When both a speaker and an audience are confused, the speech is profound.
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I want to try something different in Hollywood, to tell the audience I am not just an actor star - I am an actor, too.
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Whatever happens, my audience mustn't know whether I am spoofing or being serious; and likewise I mustn't know either. I am in a constant interrogation; when does the deep and philosophically valid Dali begin, and where does the looney and preposterous Dali end?
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We built a bit of an audience at our university in Cambridge, playing Beethoven and Mozart quartets.
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I've never had any idea that what I like would resonate with the audience, and I'm pleasantly surprised when it does.
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The audience should feel like voyeurs. Their response is absolutely crucial.
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The audience responds and you can see it start. The next step is trying to figure out another way to get (an act) into town.
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I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.
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Our audience is young and vibrant; we retain our previous following; we are three generations into it. Unlike other bands that are very demographically specific, who they appeal to and who their fans are, we're the antithesis of that. If you see your younger brother or a parent of yours or a neighbor at most rock concerts, that's not cool but with us and kids, it's a tribal gathering. Whether it's kids or neighbors - they're all part of a secret society.
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I do have a large audience overseas, and I want to continue to be an international artist.
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The metal press has a certain type of audience, and I think most of them support the magazines' negative focus on me.
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Supporting and headlining are both such valuable experiences; I’m really grateful for any experience to play in front of people. The thing about supporting is that you get to play in front of a larger audience and you kind of get to see how crowd that doesn’t necessarily know you reacts to your set.
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I have no interest in making music solely for a white audience. If that's what our audience is, I don't really feel responsible for that.
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My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
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You would give up your career if you lost your voice for good, or if the impresarios stopped calling, or the audiences stopped coming. But as long as those things are there, I don't plan to stop. There is nothing that makes me feel better than to be with my public.
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I presently have no plans to sing in English and cross over with US fans but I have plans to reach my Latino audience first with a different style of music.
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Only super fans and close personal friends ever heard this stuff, but it's long past time that I share them with a wider audience. I still think "Beer Barrel Polka" would make a great Meat Puppets cover.
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Applause that comes thundering with such force you might think the audience merely suffers the music as an excuse for its ovations.
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If I'm doing a concert, and I'm having a problem with the audience... I just play a Bob Marley song, and I'm good for the rest of the night.
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A sign now of success with a certain audience when you do a short comedy piece, anywhere, is that it gets on YouTube and gets around. It's always something you're thinking about unconsciously.
