Audience Quotes
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When you stand up acoustic in front of an audience, you really are a man without any clothes on. And that can be fun - it depends how much of an exhibitionist you are, I suppose. I quite enjoy it.
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Supporting and headlining are both such valuable experiences; I’m really grateful for any experience to play in front of people. The thing about supporting is that you get to play in front of a larger audience and you kind of get to see how crowd that doesn’t necessarily know you reacts to your set.
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Privacy is relational. It depends on the audience. You don't want your employer to know you're job hunting. You don't spill all about your love life to your mom or your kids. You don't tell trade secrets to your rivals.
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We built a bit of an audience at our university in Cambridge, playing Beethoven and Mozart quartets.
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The metal press has a certain type of audience, and I think most of them support the magazines' negative focus on me.
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Im attracted to things that are challenging and fun and interesting, and it certainly seems that audiences enjoy them as well.
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I don't categorize myself. I don't think I'm perceived as a female act by my audience. My fans include just as many men as women.
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I presently have no plans to sing in English and cross over with US fans but I have plans to reach my Latino audience first with a different style of music.
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You make an open-ended proposition and the audience completes it somehow. That’s what you hope an artwork to be-a constantly living thing.
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The thing is when you're... well-enough known, you get asked to speak places, and they don't really think about whether or not you're qualified. They just want somebody that will be a drawing card for the audience. So it's up to you to decide whether or not it's foolish to get up and speak to these people.
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The theater audience is the ultimate teacher, instructing the actor on the degree to which he has executed both the author's and the director's intent.
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Audience don’t matter where they are from. They all come to see us. But I have to say that the Eastern audience is always extremely polite.
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The audience responds and you can see it start. The next step is trying to figure out another way to get (an act) into town.
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I have no interest in making music solely for a white audience. If that's what our audience is, I don't really feel responsible for that.
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The audience should feel like voyeurs. Their response is absolutely crucial.
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I think you can do a comedy show on just about every subject under the sun as long as it relates to the audience.
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I've never had any idea that what I like would resonate with the audience, and I'm pleasantly surprised when it does.
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If I'm doing a concert, and I'm having a problem with the audience... I just play a Bob Marley song, and I'm good for the rest of the night.
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I do have a large audience overseas, and I want to continue to be an international artist.
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Whatever happens, my audience mustn't know whether I am spoofing or being serious; and likewise I mustn't know either. I am in a constant interrogation; when does the deep and philosophically valid Dali begin, and where does the looney and preposterous Dali end?
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You would give up your career if you lost your voice for good, or if the impresarios stopped calling, or the audiences stopped coming. But as long as those things are there, I don't plan to stop. There is nothing that makes me feel better than to be with my public.
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I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.
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Only super fans and close personal friends ever heard this stuff, but it's long past time that I share them with a wider audience. I still think "Beer Barrel Polka" would make a great Meat Puppets cover.
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I need the gays at the shows. If I don't have the gays, I just go nuts, because they always know every word and they're the best core audience you can have.