Audience Quotes
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I don't categorize myself. I don't think I'm perceived as a female act by my audience. My fans include just as many men as women.
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Supporting and headlining are both such valuable experiences; I’m really grateful for any experience to play in front of people. The thing about supporting is that you get to play in front of a larger audience and you kind of get to see how crowd that doesn’t necessarily know you reacts to your set.
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I want to try something different in Hollywood, to tell the audience I am not just an actor star - I am an actor, too.
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When you stand up acoustic in front of an audience, you really are a man without any clothes on. And that can be fun - it depends how much of an exhibitionist you are, I suppose. I quite enjoy it.
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You make an open-ended proposition and the audience completes it somehow. That’s what you hope an artwork to be-a constantly living thing.
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The thing is when you're... well-enough known, you get asked to speak places, and they don't really think about whether or not you're qualified. They just want somebody that will be a drawing card for the audience. So it's up to you to decide whether or not it's foolish to get up and speak to these people.
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I have no interest in making music solely for a white audience. If that's what our audience is, I don't really feel responsible for that.
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Audience don’t matter where they are from. They all come to see us. But I have to say that the Eastern audience is always extremely polite.
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The metal press has a certain type of audience, and I think most of them support the magazines' negative focus on me.
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I've never had any idea that what I like would resonate with the audience, and I'm pleasantly surprised when it does.
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The theater audience is the ultimate teacher, instructing the actor on the degree to which he has executed both the author's and the director's intent.
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The audience should feel like voyeurs. Their response is absolutely crucial.
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I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.
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I presently have no plans to sing in English and cross over with US fans but I have plans to reach my Latino audience first with a different style of music.
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The audience responds and you can see it start. The next step is trying to figure out another way to get (an act) into town.
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Whatever happens, my audience mustn't know whether I am spoofing or being serious; and likewise I mustn't know either. I am in a constant interrogation; when does the deep and philosophically valid Dali begin, and where does the looney and preposterous Dali end?
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I do have a large audience overseas, and I want to continue to be an international artist.
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My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
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You would give up your career if you lost your voice for good, or if the impresarios stopped calling, or the audiences stopped coming. But as long as those things are there, I don't plan to stop. There is nothing that makes me feel better than to be with my public.
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If I'm doing a concert, and I'm having a problem with the audience... I just play a Bob Marley song, and I'm good for the rest of the night.
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Only super fans and close personal friends ever heard this stuff, but it's long past time that I share them with a wider audience. I still think "Beer Barrel Polka" would make a great Meat Puppets cover.
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Our audience is young and vibrant; we retain our previous following; we are three generations into it. Unlike other bands that are very demographically specific, who they appeal to and who their fans are, we're the antithesis of that. If you see your younger brother or a parent of yours or a neighbor at most rock concerts, that's not cool but with us and kids, it's a tribal gathering. Whether it's kids or neighbors - they're all part of a secret society.
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Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
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The jazz rhythm won't be understood by the bulk of my audience. That's the problem. We can get away with maybe one tune a night. It depends on where we place it. A song like 'Beyond the Sea,' the fans love that. It's fresh.
